In what we know is already set to be another show to remember, UK artist Frank Carter is bringing members of the original Sex Pistols lineup back to Manchester to play their legendary debut album, Never Mind the Bollocks, in full and it’s happening sooner than you think.
The former Gallows member turned frontman for his self-titled outfit, Frank Carter and the Rattlesnakes, is at the forefront of the contemporary punk genre and is about as close to an old-school rockstar as you’ll find on the modern scene.
However, following the massive success of these shows, the band have now decided to book a few more gigs and now, with the help of Frank (minus his snakes), will be playing one of the most iconic records of all time from start to finish – well, sort of…
Credit: Supplied
With original bassist Glen Matlock – who was replaced by Sid Vicious and then returned after his death – drummer Paul Cook and guitarist Steve Jones all returning to the lineup, 40-year-old musician and tattooist isn’t just filling in, he’s helped get them back on tour and in the public consciousness.
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Up there with The Rolling Stones, Ramones, The Clash; Sonic Youth, The Velvet Underground, The Who and others who would be considered amongst the most influential rock bands in history, the significance of their return to Manchester, in particular, isn’t lost on us audiophiles and lovers of music history either.
In case you were unaware, Manchester was the site of the Sex Pistols‘ very first gig outside of London back in 1976, when the frenetic four-piece played what was then known as the Lesser Free Trade Hall on Peter Street right here in the city centre, now The Edwardian Hotel and Peter St Kitchen.
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Considered by many as ‘the gig that changed the world‘ and resulting in the famous claim and muso phrase ‘I was there’, a line that even went on to serve as the title of the book by David Nolan, it helped influence countless artists to come.
For example, other people who were in the crowd that night included Ian Curtis, Peter Hook and Bernard Summer of Joy Division and New Order, Morrissey of The Smiths; Manchester music and nightlife mogul Tony Wilson, Manc punk icon John the Postman, as well as members of The Buzzcocks and The Fall.
Despite there only being a rumoured 40 or so people in the room that night, the noise they made and the impact it had makes it one of the most important moments in music history, so how big a deal it is having them back out on stage isn’t lost on anyone – certainly not a lifelong fan like Frank Carter.
As for Rotten, 68, he has remained in a feud with the existing members for years, namely around the rights to the music, and is said to be “furious” over this latest reunion.
But that’s a big part of what punk was always about, isn’t it? Doing what you want and p*ssing a few people off along the way.
Speaking on the announcement, Jones said: “There was an overwhelming response on social media from fans asking to play different parts of the country. So guess what? It will be done. We will be tighter than a rat’s a*** by the time we get to Kentish Town.”
Frank Carter and the three Sex Pistols members are set to play Manchester Academy 1 on Tuesday, 24 September and while they won’t necessarily be doing NMTB in order, they will be playing it in full. What a time to be alive.
Tickets go on sale this Friday, 23 August at 9am and saying they’re going to absolutely fly is the understatement of the century. You can grab yours HERE. This is going to be a night to remember and then some.
Featured Images — Press Image/Dom Martin (supplied)
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Madness announce huge Manchester gig on upcoming UK tour
Daisy Jackson
Madness are heading back out on a tour of the UK with their Hits Parade tour, including a stop in Manchester.
The beloved British band, famed for hits like Baggy Trousers, House of Fun, and One Step Beyond, are heading to the AO Arena this winter.
Madness will be kicking the tour off in Sheffield on 4 December, before heading across a 13-date-strong arena tour.
They’ll be joined by Squeeze on all dates, who were huge throughout the 1990s, and again since reuniting in 2007.
The tour has been announced to celebrate their biggest hits of their career, which spans almost five decades.
In 2023, Madness achiever their first-ever UK number one studio album, with Theatre of the Absurd Presents C’est La Vie – though before that, they already had an impressive 10 top 10 albums.
Madness also have multiple awards, including an Ivor Novello, and performed as part of Queen Elizabeth II’s Jubilee celebrations.
The show promises to be ‘live, loud, and full of heart’.
Speaking on the new tour, Madness said: “We are going to be parading through your town soon… bearing glittering hits of all shapes and sizes, everyone welcome.”
The Wombats at AO Arena, Manchester – the noughties indie disco never REALLY died
Daisy Jackson
If at some point in your life you sported an extreme side-swept fringe, knee-high socks, and a battered leather jacket you scoured the vintage shops for for months, you know what it means to have a noughties indie disco come to town – and that indie disco is courtesy of one of the genre’s greats, The Wombats.
The Liverpool three-piece were at the AO Arena in Manchester on Saturday evening, in support of their sixth studio album Oh! The Ocean.
The hair’s calmed down a lot (they were the MASTERS of whipping their ‘do all the way back from the crown of their head to their eyebrows) but the energy of The Wombats has done the opposite.
For a relatively chill indie band they’ve got a reputation for causing widespread mosh pits, and Manchester delivers them in spades.
It’s not just your regular elbow-to-the-face, lose-your-mates-for-a-bit, risk-your-ribcage moshpits either. At one point hundreds of people sit on the floor and pretend to row a giant, grimy boat. At another point there’s a confusing moment where three pits all congregate and everyone stares at each other for a split second before letting loose again.
They’ve got a lot of music to get through in the two decades they’ve been together, but it’s the debut stuff that has a weird effect on all the 30-somethings in the crowd.
Kill The Director, Moving to New York and Let’s Dance to Joy Division are all the sort of songs that transcend grimy basement nightclub all the way to the UK’s best arena with the same frenetic energy.
The Wombats have also pulled together one of the strongest support line-ups seen in recent years, which in turn pulls in one of the busiest standing sections I’ve ever seen, from the minute the doors open.
First is Red Rum Club, our pals from across the way in Liverpool, with their signature indie sound elevated by trumpet player Joe the Blow.
Then it’s over to local lads Everything Everything, in their matching acid-washed denim and art rock hits.
As for The Wombats – it’s not every artist who can get the goosebumps going within the first two songs – but chucking in Moving To New York as your second song will do just that.
Say what you want about the scousers but their comedic timing is unmatched too, whether it’s ribbing each other on stage or stressing that the lyrics of their song are ‘getting college girl drunk, not college girls drunk – a very important difference’.
There are, including vocals, eight instruments between three of them. Most would summon some sessions musicians, but not The Wombats.
They’re rock solid as a trio, but the whole show is carried along by their urge for playfulness – from the stage invasion by wombat mascots carrying confetti cannons, to dropping giant colourful balloons from the sky as they wrap up the night with Greek Tragedy.
There’s something pretty memorable about the sight of people determinedly carrying a gigantic pink balloon overhead onto the tram.
Danny Jones -
22nd August 2024 
