In what we know is already set to be another show to remember, UK artist Frank Carter is bringing members of the original Sex Pistols lineup back to Manchester to play their legendary debut album, Never Mind the Bollocks, in full and it’s happening sooner than you think.
The former Gallows member turned frontman for his self-titled outfit, Frank Carter and the Rattlesnakes, is at the forefront of the contemporary punk genre and is about as close to an old-school rockstar as you’ll find on the modern scene.
However, following the massive success of these shows, the band have now decided to book a few more gigs and now, with the help of Frank (minus his snakes), will be playing one of the most iconic records of all time from start to finish – well, sort of…
Credit: Supplied
With original bassist Glen Matlock – who was replaced by Sid Vicious and then returned after his death – drummer Paul Cook and guitarist Steve Jones all returning to the lineup, 40-year-old musician and tattooist isn’t just filling in, he’s helped get them back on tour and in the public consciousness.
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Up there with The Rolling Stones, Ramones, The Clash; Sonic Youth, The Velvet Underground, The Who and others who would be considered amongst the most influential rock bands in history, the significance of their return to Manchester, in particular, isn’t lost on us audiophiles and lovers of music history either.
In case you were unaware, Manchester was the site of the Sex Pistols‘ very first gig outside of London back in 1976, when the frenetic four-piece played what was then known as the Lesser Free Trade Hall on Peter Street right here in the city centre, now The Edwardian Hotel and Peter St Kitchen.
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Considered by many as ‘the gig that changed the world‘ and resulting in the famous claim and muso phrase ‘I was there’, a line that even went on to serve as the title of the book by David Nolan, it helped influence countless artists to come.
For example, other people who were in the crowd that night included Ian Curtis, Peter Hook and Bernard Summer of Joy Division and New Order, Morrissey of The Smiths; Manchester music and nightlife mogul Tony Wilson, Manc punk icon John the Postman, as well as members of The Buzzcocks and The Fall.
Despite there only being a rumoured 40 or so people in the room that night, the noise they made and the impact it had makes it one of the most important moments in music history, so how big a deal it is having them back out on stage isn’t lost on anyone – certainly not a lifelong fan like Frank Carter.
As for Rotten, 68, he has remained in a feud with the existing members for years, namely around the rights to the music, and is said to be “furious” over this latest reunion.
But that’s a big part of what punk was always about, isn’t it? Doing what you want and p*ssing a few people off along the way.
Speaking on the announcement, Jones said: “There was an overwhelming response on social media from fans asking to play different parts of the country. So guess what? It will be done. We will be tighter than a rat’s a*** by the time we get to Kentish Town.”
Frank Carter and the three Sex Pistols members are set to play Manchester Academy 1 on Tuesday, 24 September and while they won’t necessarily be doing NMTB in order, they will be playing it in full. What a time to be alive.
Tickets go on sale this Friday, 23 August at 9am and saying they’re going to absolutely fly is the understatement of the century. You can grab yours HERE. This is going to be a night to remember and then some.
Featured Images — Press Image/Dom Martin (supplied)
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
22nd August 2024 
