It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.
A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.
Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.
It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.
Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.
‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.
There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.
Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.
Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.
I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.
And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.
If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.
21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.
And things never feel more ageless than with The Promise, which closes the show.
Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.
They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.
And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.
Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.
The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.
Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.
Girls Aloud setlist
Act I Untouchable The Show Something New Love Machine Can’t Speak French Biology Whole Lotta History Act II Wake Me Up Sound of the Underground Girl Overboard No Good Advice Graffiti My Soul Long Hot Summer I’ll Stand by You (Pretenders cover) ACT III Sexy! No No No… On the Metro Jump (For My Love) Call the Shots Something Kinda Ooooh Encore: The Promise
Featured image: The Manc Group
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A new music showcase is taking place at a beautiful and historic Stockport venue
Danny Jones
A new live showcase is coming to Stockport town centre as part of a wider music, art and cultural celebration next month.
And by new, we mean the artists; if you went to the last edition, you’ll know it delivers some serious talent.
Teaming up with the likes of Manchester-based music magazine and promoters, The Rodeo, as well as ticketing platform Skiddle, Stockport is set to welcome the return of Mercury Climbing Festival.
This week-long celebration of music, art and culture around parts of the Greater Manchester borough’s historic old town, and there are some exciting names on board already.
As for Mercury Climbing 2025 itself, the multi-day festival spread across several locations boasts the best in native and Northern music, visual arts, and comedy.
Popping up across a total of eight different spaces, including the likes of the brand-new Stockroom, pubs, and headline music venue St Mary’s Church – quietly one of the coolest places we’ve ever seen a gig – you have plenty of reason to be excited about this one.
Speaking of St Mary’s, while artists such as local legends Badly Drawn Boy, Manc indie outfit The Covasettes and Riding The Low – fronted by actor Paddy Considine – are set to play the stunning ceremonial space, The Rodeo is also hosting its own dedicated stage at the church.
Highlighting emerging new talent on Saturday, 20 September, Manchester-based solo indie project Better Joy is set to headline, with Denver County Council (who featured on our Manc artists of the month round-up), Henry Webb-Jenkins, Katie & the Bad Sign, plus more to be announced in support.
The last time we saw a ‘Live at St Mary’s’ event, we can’t stress this enough: it was nothing short of an unforgettable experience.
You don’t get to enjoy a ‘religious’ gig experiences like this often…
Taking place from Friday, 19-26 September, the festival as a whole will transform Stockport’s historic Old Town into a vibrant cultural hub.
And it isn’t just music: there are local food and drink traders getting involved, artwork from the one and only Stanley Chow, as well as plenty of other entertainment.
Above all else, the event is not only steeped in SK and Greater Manchester’s rich heritage, but it’s a great way of supporting new art coming out of the region.
The Rodeo’s St Mary’s stage gets underway from 4pm and is scheduled to finish at 10:30pm, but the wider Mercury Climbing programme is an all-day festival that won’t end until late. You can grab your tickets right HERE.
Royel Otis add second Manchester date due to massive demand
Danny Jones
Australian indie pop group Royel Otis have announced a second Manchester date ahead of their upcoming UK tour due to a huge demand for tickets.
The Aussie duo, who have blown up in the past couple of years with tracks like ‘Oysters In My Pocket’ and two viral covers of Sophie Ellis-Bextor and The Cranberries, are due to play a massive Manchester gig later this year.
Set to make their O2 Victoria Warehouse debut this winter, the ‘Sofa King’ singers saw their ticket allocation sell out quicker than you can say ‘Going Kokomo’.
As a result, there was only one thing for it:
Due to demand, @RoyelOtis have just added an extra date at Manchester @O2VicWarehouse in November! 🔥
For anyone still unaware of the rising alt-pop outfit led by frontman Otis Pavlovic and Royel Maddell (hence the name), they began breaking onto the scene around 2022 after having released a couple of tracks the year prior.
Although they quickly gained support back in their home country, their presence over here and indeed around the world was helped no end after their tripleJ take on ‘Murder on the Dancefloor’ and stripped-back version of ‘Linger’ for SiriusXM hit the internet.
They even managed to land a feature on EA FC 24 – formerly known as FIFA – and we all know how getting on that soundtrack can transform careers.
Since then, their following has grown exponentially, and the rising double act has booked major festival slots such over the past 12 months or so, playing the likes of Kendal Calling, Glastonbury, as well as Reading and Leeds, just to name a few.
Regardless, fervent fans haven’t seen their clamour disappear, and now the band have announced an extra date at Victoria Warehouse.
Now set to play the venue on Friday AND Saturday, 28-29 November 2025, they will be supported by an opening act with a cool UK connection: Still Blank.
The transatlantic outfit is made up of Jordy is from Hawaii, and Ben, from right here in Manchester; the two come together to make what Stereogum has described as “sullen folk-grunge” – yet more reason for locals to be interested in the gig.
Once again, while the first gig has sold out, you can grab your tickets for Royel Otis’ second Manchester show HERE.
Daisy Jackson -
24th May 2024 
