It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.
A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.
Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.
It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.
Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.
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‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.
There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.
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Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.
Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.
I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.
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And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.
If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.
21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.
And things never feel more ageless than with The Promise, which closes the show.
Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.
They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.
And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.
Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.
The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.
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Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.
Girls Aloud setlist
Act I Untouchable The Show Something New Love Machine Can’t Speak French Biology Whole Lotta History Act II Wake Me Up Sound of the Underground Girl Overboard No Good Advice Graffiti My Soul Long Hot Summer I’ll Stand by You (Pretenders cover) ACT III Sexy! No No No… On the Metro Jump (For My Love) Call the Shots Something Kinda Ooooh Encore: The Promise
Featured image: The Manc Group
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A ‘disco for grown ups’ party is coming to Manchester this year
Thomas Melia
A disco party for ‘grown ups’, centred around 70s, 80s and 90s music, is making its way to Manchester this year.
The wildly popular Discos for Grown Ups will be heading to town in May, encouraging some serious boogie action with its playlist of soul, disco, pop and dancefloor from across the decades.
The night out has been created for those who feel ‘too old to go clubbing, but still love to dance’, with people your own age, and with a sensibly early finish time.
When the night is still young but you might not be, you can let loose under a light and laser show featuring the fabulous Discos for Grown Ups stage dancers.
Whether you’re a ‘Material Girl’ who craves the spotlight or or a shy dancer who comes out of their shell after catching a case of ‘Night Fever’, this night will be spoiling you with its array of tracks.
Credit: Supplied
Discos for Grown Ups was founded by Simon Stanford after discovering there was nowhere for a ‘grown up’ to go that played the music he loved.
Simon Stanford from Discos for Grown Ups says: “We are really looking forward to bringing our Discos for Grown Ups 70’s 80’s 90’s Disco Party back to the O2 Ritz Manchester this year.
“Our first show was an incredible night of dancing and sold out very quickly, so we can’t wait to bring our full production with dancers, lights and lasers back – it’s going to be another amazing night of boogie!”
Expect a night of fun-filled dancefloor bangers spanning three golden decades of music.Credit: Supplied
Self Esteem drops new single along with huge UK tour full of double headers
Danny Jones
Rising Northern star Self Esteem has just dropped the new single from her forthcoming new album along with a bunch of big new UK tour dates, including two nights right here in Manchester.
The singer-songwriter, also known simply as Rebecca Lucy Taylor, has seen her popularity skyrocket in the last few of years, winning BBC Music’s Introducing ‘Artist of the Year Award’ back in 2021 and being nominated for the Mercury Prize less than 12 months later.
Fast forward to 2025 and not only has she recieved plenty of critical acclaim for her first two records but her live presence on stage has also been heavily praised and now the 38-year-old is gearing up for her next album cycle.
Announcing her latest single, ‘If Not Now, It’s Soon’, which has quickly selected as BBC Radio 1’s ‘Hottest Record’, the new track has also dropped along with 14 major UK tour dates, with a string double headers in multiple cities.
Born and bred in Rotherham but with strong ties to nearby Sheffield, her journey began as one half of folk pop duo Slow Club. They formed back in 2006 but split in 2017 as both she and bandmate Charles Watson parted ways to pursue their respective solo projects.
Set to release her third studio LP A Complicated Woman on 25 April, these latest tour dates are some of the biggest she’ll have ever played – including a massive Yorkshire homecoming gig at the Utilita Arena which will be a momentous show for our friends The Sheff to make the most of.
Discussing the new project, Taylor says: “Personally, you have to wait and one day you’ll get somewhere less painful. But the world will hopefully get somewhere less painful too. It’s about hope, perseverance and patience.”
As for those who’ve been lucky enough to get an premature listen of the album in full, the early reviews are looking seriosuly strong.
Described by The Guardian as “her best yet”, it features the likes of Nadine Shah, Moonchild Sanelly and Sue Tompkins from Life Without Buildings; Meatball and even Lancashire actor, Julie Hesmondhalgh, best known for playing Hayley Cropper in Coronation Street. Now that’s what we call a feature.
Self Esteem comes for a two massive nights at Manchester Academy on Saturday and Sunday, 27-28 September later this year.
Her previous raft of dates for A Complicated Woman Live – an ambitious quasi-theatrical experience of the album in person and on stage at The Duke of York’s in London – sold out in a flash, and you can expect plenty of that same production value when it comes to her upcoming concerts.
Fans get an exclusive pre-sale code for all UK and Ireland dates by pre-odering the album before 1pm GMT on Tuesday, 25 March 2025, and as for general admission, you’ll have to join the queue like the rest of us when they go live (still TBC).
In the meantime, you can join us in being as obsessed with her other recent release as we are:
Daisy Jackson -
24th May 2024 
