It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.
A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.
Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.
It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.
Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.
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‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.
There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.
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Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.
Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.
I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.
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And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.
If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.
21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.
And things never feel more ageless than with The Promise, which closes the show.
Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.
They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.
And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.
Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.
The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.
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Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.
Girls Aloud setlist
Act I Untouchable The Show Something New Love Machine Can’t Speak French Biology Whole Lotta History Act II Wake Me Up Sound of the Underground Girl Overboard No Good Advice Graffiti My Soul Long Hot Summer I’ll Stand by You (Pretenders cover) ACT III Sexy! No No No… On the Metro Jump (For My Love) Call the Shots Something Kinda Ooooh Encore: The Promise
Featured image: The Manc Group
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Night one of Liam Gallagher at Co-op Live proved why Oasis are still the best thing since sliced bread
Danny Jones
That’s just about as good as it gets for a Manc; not to go over the top right from the off but Liam Gallagher’s first night at the Co-op Live arena is comfortably up there with one of the best gigs we’ve ever been to.
We could end the review right there and we’re sure you’d understand (we don’t think it needs explaining why seeing Definitely Maybe played live in full to a home crowd all these years later is so special) but we’re going to carry on anyway.
We also could spend time bigging up the supports and how great they were, which is entirely true – there’s also a lot of understandable excitement about Liam’s son Gene Gallagher and the opening warm-up act, Villanelle – but, honestly, we just want to relive last night.
First things first, it’s probably fair to start off by saying that regardless of the palava when it first opened or rather struggled to, Co-op Live is quite a sight to behold.
There are plenty of people who have taken aim at the ‘big black box’ now sitting right next to Manchester City’s stadium and the wider Etihad Campus, but once you see it in the evening, lit up with its digital hoardings and especially in the bowl itself, it’s pretty impressive, it has to be said.
Obviously, the location felt fitting for such a massive Blue and LG made sure to have his beloved football club represented on stage, however, it more just highlighted how this man could fill a room of pretty much any size.
As we waited for his arrival whilst the roadies rolled back the years (quite literally) and recreated the Definitely Maybe album cover for the set, you couldn’t help but be blown away by the scale of everything as roughly 23,5000 people poured in to celebrate Oasis‘ timeless debut album 30 years on.
People were jumping to rock classics and cheering a clock ticking backwards before the gig had even started. (Credit: The Manc Audio)
And that’s what it was: a pure celebration. From the moment he kicked the arena into gear with ‘Rock ‘N’ Roll Star’, the place barely stopped bouncing except for the likes of ‘Whatever’ and ‘Half The World Away’, as they were too busy being a choir in those moments.
He even dedicated the latter to its original singer and his big brother Noel, as well as tackling the likes of ‘D’Yer Wanna Be a Spaceman?’ and ‘Lock All The Doors’, which the older Gallagher already dug out of the archives with High Flying Birds – though it was interesting to see how the two versions differed.
We will always be envious of those who were there at the very start; for the likes of the Knebworth and Maine Road gigs, as we can only imagine how nuts the atmosphere must have been at the very height of Britpop, but if this is the closest we ever come to recreating that we will absolutely take it.
Getting to hear those “cheeky” B-sides from that seminal record was a treat too, mainly because as was often the case with Oasis, they were just as popular as the official tracklist and not a single lyric was missed. Manchester hasn’t even come to moving past its best-ever band and probably never will.
Liam Gallagher celebrated everything we know and love about rock and roll on his first night at Co-op Live. (Credit: The MancGroup)
What made this gig even more staggering is that we’d just seen Foo Fighters light up the Emirates Old Trafford on Thursday and knew they were playing again at the same time we were all doing our best ‘sunshyiiiiiine’, but there wasn’t a single part of us wondering which was the better gig. Sorry, Dave.
Is the local bias taking a good chunk of the wheel here? Absolutely. Do we care one bit? Not even a little.
We’ve seen Liam play his own stuff and some old favourites before; we’ve seen Noel fill Wythenshawe Park and play as many Oasis tracks as he likes, but nothing comes close to seeing the album that started it all being played in Manchester at its newest and biggest venue.
Liam said that he wanted to “put this arena on the map” before he kicked into ‘Cigarettes & Alcohol’ and he didn’t just do that, he blew the roof off the place. And that’s an expensive bloody roof…
Not exaggerating when we say Liam Gallagher at Co-op Live Night One felt like a cultural moment for Manchester. (Credit: The Manc)
What’s more, the 51-year-old proved two things: this is exactly why he’s one of the greatest frontmen of all time, even if his voice isn’t quite as crisp as it once was (it’s still one of the most distinct on the planet), and that Oasis are still the best thing since sliced bread. The bee’s knees. The absolute b*****ks.
We’re not going to start arguing over where they fit among the greatest of all time – we know even Liam Gallagher himself would say, ‘Don’t talk daft, it’s The Beatles’ and so on – but we’re not sure we’ll ever be able to describe just how much Oasis are intrinsically part of what makes Manchester what it is.
Banging on about a reunion year after year feels pretty useless as we know it would take some extraordinary circumstances for it to happen, but all we’ll say is that at this point Noel is just missing out on playing some of the best shows you could ever hope for.
That being said, watching Liam Gallagher give Co-op Live its biggest gig yet was a privilege and until they both kiss and makeup to give the fans what they want, we’re here for these nostalgic nights and you best believe we’ll be going to the (What’s The Story) Morning Glory? anniversary tour if it happens too.
Manchester’s Beyond The Music festival returns for second year with exciting first-wave lineup
Danny Jones
One of Manchester’s newest and most exciting festivals, Beyond The Music, is set to return for its second instalment later this year and the first raft of artists has just been announced.
BTM is a multi-venue live music festival and fundamentally global music conference that spotlights new up-and-coming artists, grassroots gig spaces, as well as key voices in the industry, with an at changing the face of the modern music landscape.
Having first launched in 2023, much of their flagship Manc music festival and conference still felt somewhat like a work in progress, but with the inaugural weekend now under the bag and plenty of time and experience to build upon, year two is looking promising already.
Announcing Aviva Studios as the main hub for this year’s festival, along with a number of beloved Northern Quarter venues this week, you can find the first wave of artists set to play Beyond The Music 2024 down below:
Credit: Supplied
Taking place from 9-12 October, they have already confirmed 70 artists and 20 different stage partners (BBC Introducing, Clash and Unity Radio just to name a few) who will serve as ‘tastemakers’ alongside the multiple venues helping put on what is, without doubt, one of the UK’s most diverse live showcases.
Set to platform over 200 artists when the full lineup is confirmed, this is one of the best ways for any budding musical talent based in and around Greater Manchester to try and find a platform, with plenty of out-of-towners sure to join too.
On the conference side of things, under the title, ‘Is It Time For The Music Industry’s Great Rest?’, the groundbreaking look at the inner workings of the music industry will centre around Aviva Studios as already mentioned, with new-look summits and talks programme available to all attendees.
The hope is not just to make this an even bigger and better music festival than last year but to create a unique and global music forum to find solutions to the most pressing issues within the sector. They already made a decent start on it in 2023.
Commenting on its return, festival partners Clash said of the event, “There is hope and we felt it in Manchester… the beginning of something incredibly special”, and Hunger Magazine added, “It could be the spark that sets the scene alight. Manchester is already a centre of creativity, but the extra push could see it become the centre of the musical universe” – as if it wasn’t already.
To sweeten the deal even more, there’ll be a whole host of afterparties following the horde of gigs being held over the weekend and if you sign up for pre-sale, not only do you get a discount on your entry fee but you’ll also be entered into a prize draw, with drinks vouchers and upgrades up for grabs.
Pre-sale for Beyond The Music 2024 is already live and tickets are now more affordable than ever before, with a standard Delegate Pass (including full festival access) priced at £170, a one-day festival ticket costing only £20 and a full weekend pass to enjoy all three days of music setting you back just £45.
Daisy Jackson -
24th May 2024 
