Rapper J.Chambers’ new song ‘Sirens’ examines media negativity and the challenges that young people of colour experience as they attempt to move up the social ladder.
Coming from a Jamaican family, there’s a nod to his heritage in his music. J.Chambers draws influences from reggae and UK rap, to pull together a thought-provoking soundscape. In doing so, his music often delves deep into themes of cultural identity and racial equality.
‘Sirens’ is no exception.
The idea for the track plays a on story from Greek mythology. The sirens were said to be a distracting force that would lead ships off course and into destruction.
J uses this metaphor to symbolise the dangers that young black people face as they navigate through life – with those dangers referring to perceived threats of police brutality and internalised media negativity.
ADVERTISEMENT
J.Chambers
Speaking about the release, J said: “Sirens is a song about liberation and freedom, realising that our freedom can only come from focus. But also, sirens is about the distractions and obstacles we have to overcome to get there. It has a dual meaning and is probably one of my personal favourites from the upcoming LP.”
The song, featuring Dutch reggae collective Dei.3avu, is taken from J’s upcoming LP Escape The Kingdom which drops on 26 February. The LP forms an autobiographical piece that provides an insight into the challenges of growing up Black and British.
ADVERTISEMENT
Originally from Blackley in North Manchester, he’s been known to refer to himself as “the token black kid”, because of the largely white-British working-class area.
Credit: Kenny Brown
But fast forward to 2021 and he’s driving change and conversation around race in the community.
Now a leader of Manchester’s BLM movement, J has found a space to express his passionate yet political side – and he’s a force to be reckoned with.
ADVERTISEMENT
Political nuances are articulated through much of his work. Previous tracks such as Kill The Noise alongside Jahkiri, makes particular references to Grenfell, the Tories and conspiracies. J is not afraid to say what a lot of people are thinking.
Escape the Kingdom out 26 February
Not only is J a musician, but a spoken word poet too – and you can also hear this in his rhythmic style.
In honour of Black History Month back in October, J was invited onto Blue Peter to perform a specially written poem.
Speaking about hate, change and freedom, the powerful tribute was a celebration of identity and showed young people why using your voice matters so much.
https://www.instagram.com/p/CF1uo4ohfz7/
Despite a history of activism and a back-catalogue brimming with successful tracks and performances alongside big names (including an unexpected visit from Kendrick Lamar nonetheless), J manages to remain modest and humble. But regardless of that, his music and poetry speak volumes.
ADVERTISEMENT
Listen to Sirens here and stay up to date with J.Chambers on his socials:
Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?