The Nordoff and Robbins Northern Music Awards have confirmed nominees, line-up and more information about the inaugural event this year.
The huge awards will bring together and celebrate the biggest northern names in music, all while raising vital funds for a state-of-the-art music therapy for Greater Manchester.
Today, the Northern Music Awards has announced that Courteeners’ Liam Fray will perform a short and special live acoustic set at the event in April.
Also taking to the stage at the Albert Hall in Manchester will be the legendary Lisa Stansfield with a stripped-back set – the Rochdale legend will be crowned Northern Icon.
The stage will be welcoming Warrington’s rising stars The K’s, up-and-coming Leeds quartet English Teacher, and spoken word, indie hip hop artist Antony Szmierek, who is to open the awards with a specially commissioned piece about the power of music therapy.
ADVERTISEMENT
This inaugural event, supported by Ticketmaster and Live Nation, will be held in Manchester, with the Northern Music Awards then choosing a different northern host city for each subsequent event.
This very first event is taking place at Albert Hall on Tuesday 23 April, with tickets on sale to the public today here.
ADVERTISEMENT
Nordoff and Robbins is the UK’s largest music charity and hopes that the event will be an essential fundraiser, as well as kickstarting a new chapter celebrating the breadth of talent across the north of England.
As well as performing, Liam Fray may revisit the stage later in the evening – Courteeners are shortlisted for Band of the Year, along with Blossoms and Sheffield’s Bring Me The Horizon.
Antony Szmierek performing at the launch of the Northern Music AwardsCourteeners. Credit: Ewan Ogden
Antony Szmierek, Mica Millar, and indie/post-punk Leeds rising stars English Teacher are among the acts shortlisted for the Best Newcomer Award.
ADVERTISEMENT
Spice Girl Melanie C will receive the Special Recognition Award for her outstanding contribution to music. Singer songwriter Sam Fender, from Newcastle, Rotherham’s Self Esteem and Louis Tomlinson, born in Doncaster, are shortlisted for Artist of the Year, sponsored by Ticketmaster.
DJ of the Year sees Liverpool’s Paige Tomlinson, Burnley’s DJ Woody, Djinn and DJ Paulette – both from Manchester – all in the running.
Deserving winners in categories championing the entire industry from artist to event to venue, will receive a specially commissioned award designed by Lancashire-born contemporary British artist Thomas Wolski.
Nadra Shah, director of engagement and communications at Nordoff and Robbins, said: “The Northern Music Awards aims to celebrate the massive musical talent that continues to come out of this region and will be held annually in different Northern cities.
“We want to honour the enormous success of established artists such as the award winning and multi-million album selling Lisa Stansfield – but also spotlight emerging musicians who may not yet be recognised at a national level.
ADVERTISEMENT
“We really want to support and help to grow the eco system of Northern musicians whilst shining a light on the transformative work we do with music therapy to connect with some of the region’s most isolated communities.
“In 2024 we’re celebrating 20 years of providing essential music therapy in Greater Manchester and we’re excited that this show will support our vision to open a brand new centre – helped by the money raised from these awards.”
Melanie C. Credit: Publicity picture
Liam Fray said: “It’s a huge honour to be performing at the first Northern Music Awards, not only to help celebrate the incredible music talent that continues to come out of the North, but to raise awareness of the work Nordoff and Robbins does with music therapy, using the power of music to help people connect and communicate.”
Lisa Stansfield said: “Music and singing are in my blood as much as being a proud Mancunian, so to be named Northern Icon at the first ever Northern Music Awards is an immense privilege.
“I’m incredibly proud to support Nordoff and Robbins to raise money for a new music therapy centre for the people of Greater Manchester. The benefits of music therapy are simply life changing, helping children and adults who are otherwise isolated to break through barriers and find a connection.”
ADVERTISEMENT
The new Nordoff and Robbins music therapy centre, supported by The Mayor of Greater Manchester, Andy Burnham, and City of Salford Mayor, Paul Dennett, will be a ‘multi-disciplinary music making and therapy space, housing a high spec recording studio with interactive, accessible music technology throughout, serving the needs of individuals and diverse Northern communities’.
Andy Burnham visiting a Nordoff & Robbins centre. Credit: Elspeth Moore
Andy Burnham said: “I’m delighted to be helping to bring these inaugural awards to the North – and what better city to launch in than Manchester? Historically, Northern music has always been a cut above, especially the music from working class communities. There is a strong, talented, and passionate musical heritage here that deserves to be celebrated.”
The judging panel comprises industry heavyweights including Ticketmaster, SJM Concerts, Music Venue Trust, Live Nation, and Kendall Calling, as well as BBC Radio 6 Music presenter Chris Hawkins, who will host the April event.
Review | Leigh-Anne at Albert Hall, Manchester – the best version of her
Thomas Melia
Leigh-Anne visits Manchester for her second gig since becoming a solo artist, dominating Albert Hall as part of her My Ego Told Me To Tour.
Opening with lines like ‘You want a revival?’, before commanding Manchester to ‘look into my eyes’ and ‘tell me what do you see’, Leigh-Anne isn’t just walking onto stage – she’s setting a precedent.
The start of the show sees the rebirth of Leigh-Anne, from former Little Mix member to solo pop act, and Dead and Gone helps deliver this with its powerful message.
The choruses are simple but impactful, especially when paired with harder hitting lines like ‘Five fingers to your face ’cause you know it slaps’, and ‘Can’t keep a good woman down’.
Leigh-Anne performing songs from her My Ego Told Me To Tour at Albert Hall, Manchester / Credit: The Manc Group
Don’t Say Love gives the Manchester crowd major Throwback Thursday energy (even though it’s Wednesday), taking fans right back to where it all started with her drum and bass-pop debut single.
As soon as the intro to Most Wanted starts, it awakens something in the crowd and the 2,000 capacity of Albert Hall Manchester intuitively get ready to bust a few moves.
This is a song that’s been on repeat for me since the album’s release and it certainly lives up to the high-energy of its studio recording in a live setting.
After hearing this track live and witnessing some of the shapes me and the crowd were throwing as a result, the song’s title makes a lot of sense – Sorry Mum.
Been A Minute is exhilarating with the “What you’re waiting for? / Put your back in it” background vocals courtesy of its Denise Belfon ‘Work’ sample.
Albert Hall in Manchester got to witness the ‘Revival’ of Leigh-Anne as she played her second gig as a solo artist last night / Credit: The Manc Group
The dancehall-pop track is the catalyst for Leigh-Anne’s independent artist journey as well as the first taste fans got of her debut album My Ego Told Me To.
This almost four-minute banger set the precedent for the whole project, establishing the album’s soundscape as a fusion of the star’s Jamaican heritage and pop prowess.
On her latest LP My Ego Told Me To there’s a cute interlude which features the voices of Leigh-Anne’s grandparents titled ‘You ARE a Star’ and it’s safe to say the crowd agrees.
The High Wycombe-born singer ends her show on a high, playing one of her biggest tracks to date, My Love, a collaboration with Afrobeats artist Ayra Starr.
For fans like myself, closing with this will come as no surprise as Leigh-Anne originally intended for this to be her first ever single as a solo artist, but was deterred by her label at the time.
Now, the former Little Mix star gets to set the record straight and enjoy her music career just how she intended – or in her words, how her ego told her to.
Five Greater Manchester artists we’ve been listening to this past month | March 2026
Danny Jones
Don’t look at us like that… It was a bank holiday, and we had a lot of stuff to sort before the long weekend – and a good chunk of that was spent listening to loads of Manc music, new and old, so just shut your trap and get ready for another batch of fantastic artists.
Seriously, though, we’re sorry you had to wait a few extra days than usual to get your latest fix of local tunes, but good things always come to those who wait.
If you happen to be new to this regular series of ours in 2026, it’s pretty much what it says on the tin: every month, we round up the stuff from in and around the Greater Manchester region that we’ve been listening to of late.
Simple as that. Let’s crack on, shall we?
1. Freak Slug
Born in Italy and now based in Manchester after studying in London, Xenya Genovese – a.k.a. ‘Freak Slug’ – is mixing trippy, shoegazey, alt-pop and rock sounds to great effect, which is even more impressive when you find out she produces pretty much everything herself.
There are notes of everything from Slow Pulp and Mazzy Star, to bits of Hazel English and Soccer Mommy; if you were thinking NewDad, too, you’d be absolutely right. In fact, the rising star is currently on tour with them over in North America after having played some domestic and European shows.
If you’re just getting started, we’d recommend two of her biggest hits, ‘Radio’ and ‘Friday’, as you’ll get a good broad strokes idea of her style, but we do love the slightly more Northern attitude and almost Kate Nash-esque no-nonsense of recent single ‘Honest Man’. You can find a snippet of her latest down below.
In at number two is Manchester’s answer to the country music scene – specifically, the growing host of fantastic female artists who are becoming increasingly influential in the space. If you’re a fan of Lainey Wilson, Ella Langley, Ashley Cooke, Alana Springsteen and the like, she’s right up your alleyway.
One of our own, if you’re a fellow British country fan who often suffers from a dash of impostor syndrome, you’ll be glad to hear she does her best work when she leans more into that some of that self-awareness and self-deprecation, highlighting what makes her different rather than trying to blend in.
It’s a trap that plenty of UK artists can fall into when trying to tap into a sound, but instead, this is what sets it apart; there are no better examples than ‘Past Life Cowgirl’ and ‘Don’t Give Me Hope’, which still show a pop sensibility that could see her playing arenas. And if you don’t like it, as the girl says, you can ‘Kiss [Her] Accent’.
We spoke to her at our first taste of C2C music festival.
3. Ishango Bone
In at number three up is an up-and-coming band that technically has only one Spotify release as yet, along with a smattering of other raw recordings from gigs, etc. online, but they’re nonetheless one that has quickly caught our attention – and not least because of that moniker.
Taking on the same title as a 20,000-year-old ‘calculator’ found near the Nile River in the Democratic Republic of Congo (fall down the rabbit hole at your peril), choosing to name themselves after this gives you a little bit of insight into this curious, interesting, experimental and admittedly odd project.
Even their social media is pretty unique and eccentric, mirroring that somewhat detached, third-person voice used by the likes of Sleep Token, and talking about the project as if it were research into some new alien entity. Bit weird, but so are we, and we like it. New single ‘The Agency’ out on 24 April.
The Salford kid is still very early in his career. It was only back in February 2023 that a then 12-year-old Denton won Marr’s eponymous award from the Salford Foundation Trust. However, since then, the young man has clearly got the right people around him as his sound is already coming across well-developed.
He doesn’t have tonnes out yet, so you might as well complete his discography. Thus far, you can hear influences of Britpop legend Richard Ashcroft, but also fellow Wiganers, the Stanleys, but it’s still too early to tell where he’ll go. All we know is it’s uplifting indie that’s perfect for a spring soundtrack.
5. The Cavs
Last but not least, we have The Cavs, who feel like they’ve been around forever because, well, it has been a good seven years or so since their very first song. We feel like we’ve caught them at festivals here and there, but never quite seen them have their one breakout moment. Could it be coming this year?…
The local lads are back after a little break, having last released music this time last year, but there feels like a fresh wave of momentum might be about to take them onto that next level, as we’re once again seeing them all over our algorithm. They’ve always had a big sound, but it deserves a bigger following.
We might still have a soft spot for the anthemic, 90s/early noughties feel of ‘Find A Way’, and we still maintain that ‘Headshot’ has one of the most addictive intros and recurring riffs we’ve any contemporary rock band could hope to write, but their new release ‘Hallowed Ground’ is well worth a listen to, as well.
So there you have it: another round-up to wrap up Q1 of this year’s journey through Manchester’s musical scene.
As always, we’re looking for new suggestions all the time, so let us know who you’re listening to at the minute – or rather who we should be – down in the comments.
Oh, and since you’re here, why not check out last month’s list?
Daisy Jackson -
15th February 2024 
