Watching the Jonas Brothers at the Co-op Live Arena was like stepping into a time machine that none of us ever wanted to get out of.
Although the tour was literally called ‘Five Albums, One Night’, we still somehow had our doubts as we walked up to the ever-impressive Co-op Live that we’d actually get the full spectrum of hits we were hoping for (mainly due to my disbelief that they’d actually play Camp Rock songs…)
But sometimes you have to hold your hands up and say ‘fair play’, because the Jonas Brothers delivered nothing non-stop hits, from nostalgic classics to the modern-day stuff.
What a venue, what a night. (Credit: The Manc Group)
Jonas Brothers at Co-op Live, Manchester – Review
Special mentions from the off
Before I really get into the bulk of the review though, I’d just like to shout out Mimi Webb, who opened the show brilliantly at the Co-op Live. From the moment she walked on stage you could have genuinely been fooled into thinking she was the one headlining.
Delivering many of her hits such as ‘Erase You’, ‘House on Fire’, ‘Good Without’ and more, she was the perfect support act for a crowd that was ready to party the night away.
Special mention also goes out to the actual venue: last night was admittedly my first time stepping foot into the Co-op Live and I was absolutely blown away, not only by the sheer size of the place but by how smoothly everything ran.
I know it may sound like a moot point but the best venues are the ones where you barely even notice all the effort that goes into the operation of ensuring customers have the best experience possible.
There’s nothing worse than paying good money for a ticket only to be held up in queues for the bar, toilet, or even just to get in; Co-op Live certainly ensures those problems don’t occur. It genuinely filled me with a little bit of Manc pride knowing that we have a music venue that good, right on our doorstep.
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Let’s go, Jo’ Bros
Anyway, onto the actual concert and can I first of all just start by saying, or rather screaming, AHHHHH!…
I’ll be the first to hold my hands up and admit Camp Rock was a seminal part of my early teenage years and that I’ve had a burning love for the Jonas Brothers ever since.
One thing that I really respected about their show is how they didn’t try to hide from their roots. There’s many a ‘child actor turned superstar’ out there who would love nothing more than to eradicate the memory of them ever being a plucky Disney channel regular.
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Not these lads, however. The Jo’ Bros seem to fully own their pre-teen and small screen past, wearing that reputation not with any adolescent cringe but instead like a badge of honour.
The show truly did span their entire discography, from ‘Gotta Find You’ (Camp Rock), all the way through to their latest record – fittingly called, The Album. It was two and a half hours of banger after banger… after banger, after BANGER, (I could go on—actually, I might…); after banger, after banger.
Okay, I’m done. Seriously though, the crowd were absolutely loving every moment of it. Every time one song ended and another began, within the first three notes being played, all you could hear was 23,000 simultaneous screams from adoring fans, ourselves firmly included.
In summary, the vibes were immaculate, the songs were stunning, the audience had the times of their lives and for one very special evening with inhibition left at the front door, a trio of siblings from across the pond made it felt like all might be well in the world once again.
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Hyperbole? Maybe, but that’s what pop music’s all about.
For future reference, we’ll fight anyone who dares to mock the Jonas Brothers as just some guilty pleasure.
That anyone should show shame for enjoying because last night they completely rocked (‘Camp Rock!’) the show, in an arena already heralded by many music legends.
You just have to be grateful for moments like these. Thank you, Jonas Brothers.
We know this write-up is 40% ‘review’ and about 60% Jonas Brothers fanboying — deal with it. (Credit: The Manc Group)
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Oli Lowe -
13th September 2024 
