There was a time, I’m fairly certain, that Justin Timberlake was the coolest man in pop music.
The Tennessee-born star is a triple threat who can sing, dance and act (…alright, last one is up for debate. We all saw In Time).
There might be a few more memes about him than he’d like these days (‘What tour? ‘The world tour’), but stick him back on a big stage and you quickly remember why Justin is often referred to as the Prince of pop.
He’s got more than 30 years of stardom to back him up, during which time he’s never stopped churning out pop bangers and arena tours, plus all those years he spent as part of boyband royalty N SYNC.
In the early days of Justin Timberlake’s solo career, I was a misty-eyed teenager with his poster on my wall. I was even gifted a mug for my 16th birthday that said ‘Born to be Mrs Justin Timberlake’, and still drink a brew out of it now.
So the chance to see my first celebrity crush live on stage for the first time, and at the staggering Co-op Live arena, triggered the sort of giddy frisson I thought I’d left behind about the same time I stopped writing ‘DJ luvz JT’ into my school planner.
We’ve got a cracking view of the full thing from the venue’s new Hangout area, tucked up in the heights of the venue where you’re basically sat at the bar to watch the concert.
Justin Timberlake with his dancers at Co-op Live in Manchester. Credit: The Manc Group
Justin Timberlake is, obviously, not quite the same pop star I fell in love with all those years ago.
During the UK leg of his The Forget Tomorrow World Tour, there are definitely moments where he veers wildly close to cringe, like when he insists on cueing the drum solos with a point and a call of ‘DRUMS!’. It’s so aggressively American I feel like we’re all supposed to have recited the Pledge of Allegiance to be allowed in. I keep switching between having the ick and wanting to throw my bra on stage.
But once you embrace all the cheese and corn of Justin Timberlake’s live show, you’re in for a wild ride.
His older hits like Cry Me A River, Senorita, and Summer Love blend seamlessly with material from his most recent album Everything I Thought It Was, with a sprinkling of family-friendly chart-toppers from the likes of Can’t Stop the Feeling! from Trolls.
Throughout the show, Justin spends almost as much time dancing as he does singing, as per the boyband bible of the 1990s, with at least one perfectly-executed dance break in every single song.
The floating stage at Justin Timberlake’s Manchester show. Credit: The Manc GroupJustin Timberlake on the smaller b-stage at Co-op Live Manchester. Credit: The Manc Group
He covers some ground too, choosing not to sneak his way over to his smaller b-stage but instead taking his time to dance and sing his way through the audience, taking a heartwarming amount of time to give a front-row performance to those seated in the accessible section.
His audience participation mostly involves being sweet to children and wooing women with birthday songs. His natural charisma does the trick. At one point he asks who’s single in the room and I let out an enthusiastic ‘WOOO’ despite the husband waiting for me at home.
The staging is full of surprises (unless you’re on Tiktok), with an entire chunk of the big screen breaking away and soaring away from the stage, spinning and tilting as it goes.
For the encore of Mirrors, Justin rides the big screen like a comically large, glowing surfboard, then it folds away like a Murphy bed taking him with it. Does he have to abseil back down the other side? Who knows.
There really aren’t many artists in the industry who’ve been doing it this well for this long.
And that is why, even in 2024, I will proudly drink from my born to be Mrs. Justin Timberlake mug.
Featured image: The Manc Group
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A new music showcase is taking place at a beautiful and historic Stockport venue
Danny Jones
A new live showcase is coming to Stockport town centre as part of a wider music, art and cultural celebration next month.
And by new, we mean the artists; if you went to the last edition, you’ll know it delivers some serious talent.
Teaming up with the likes of Manchester-based music magazine and promoters, The Rodeo, as well as ticketing platform Skiddle, Stockport is set to welcome the return of Mercury Climbing Festival.
This week-long celebration of music, art and culture around parts of the Greater Manchester borough’s historic old town, and there are some exciting names on board already.
As for Mercury Climbing 2025 itself, the multi-day festival spread across several locations boasts the best in native and Northern music, visual arts, and comedy.
Popping up across a total of eight different spaces, including the likes of the brand-new Stockroom, pubs, and headline music venue St Mary’s Church – quietly one of the coolest places we’ve ever seen a gig – you have plenty of reason to be excited about this one.
Speaking of St Mary’s, while artists such as local legends Badly Drawn Boy, Manc indie outfit The Covasettes and Riding The Low – fronted by actor Paddy Considine – are set to play the stunning ceremonial space, The Rodeo is also hosting its own dedicated stage at the church.
Highlighting emerging new talent on Saturday, 20 September, Manchester-based solo indie project Better Joy is set to headline, with Denver County Council (who featured on our Manc artists of the month round-up), Henry Webb-Jenkins, Katie & the Bad Sign, plus more to be announced in support.
The last time we saw a ‘Live at St Mary’s’ event, we can’t stress this enough: it was nothing short of an unforgettable experience.
You don’t get to enjoy a ‘religious’ gig experiences like this often…
Taking place from Friday, 19-26 September, the festival as a whole will transform Stockport’s historic Old Town into a vibrant cultural hub.
And it isn’t just music: there are local food and drink traders getting involved, artwork from the one and only Stanley Chow, as well as plenty of other entertainment.
Above all else, the event is not only steeped in SK and Greater Manchester’s rich heritage, but it’s a great way of supporting new art coming out of the region.
The Rodeo’s St Mary’s stage gets underway from 4pm and is scheduled to finish at 10:30pm, but the wider Mercury Climbing programme is an all-day festival that won’t end until late. You can grab your tickets right HERE.
Royel Otis add second Manchester date due to massive demand
Danny Jones
Australian indie pop group Royel Otis have announced a second Manchester date ahead of their upcoming UK tour due to a huge demand for tickets.
The Aussie duo, who have blown up in the past couple of years with tracks like ‘Oysters In My Pocket’ and two viral covers of Sophie Ellis-Bextor and The Cranberries, are due to play a massive Manchester gig later this year.
Set to make their O2 Victoria Warehouse debut this winter, the ‘Sofa King’ singers saw their ticket allocation sell out quicker than you can say ‘Going Kokomo’.
As a result, there was only one thing for it:
Due to demand, @RoyelOtis have just added an extra date at Manchester @O2VicWarehouse in November! 🔥
For anyone still unaware of the rising alt-pop outfit led by frontman Otis Pavlovic and Royel Maddell (hence the name), they began breaking onto the scene around 2022 after having released a couple of tracks the year prior.
Although they quickly gained support back in their home country, their presence over here and indeed around the world was helped no end after their tripleJ take on ‘Murder on the Dancefloor’ and stripped-back version of ‘Linger’ for SiriusXM hit the internet.
They even managed to land a feature on EA FC 24 – formerly known as FIFA – and we all know how getting on that soundtrack can transform careers.
Since then, their following has grown exponentially, and the rising double act has booked major festival slots such over the past 12 months or so, playing the likes of Kendal Calling, Glastonbury, as well as Reading and Leeds, just to name a few.
Regardless, fervent fans haven’t seen their clamour disappear, and now the band have announced an extra date at Victoria Warehouse.
Now set to play the venue on Friday AND Saturday, 28-29 November 2025, they will be supported by an opening act with a cool UK connection: Still Blank.
The transatlantic outfit is made up of Jordy is from Hawaii, and Ben, from right here in Manchester; the two come together to make what Stereogum has described as “sullen folk-grunge” – yet more reason for locals to be interested in the gig.
Once again, while the first gig has sold out, you can grab your tickets for Royel Otis’ second Manchester show HERE.
Daisy Jackson -
9th August 2024 
