There was a time, I’m fairly certain, that Justin Timberlake was the coolest man in pop music.
The Tennessee-born star is a triple threat who can sing, dance and act (…alright, last one is up for debate. We all saw In Time).
There might be a few more memes about him than he’d like these days (‘What tour? ‘The world tour’), but stick him back on a big stage and you quickly remember why Justin is often referred to as the Prince of pop.
He’s got more than 30 years of stardom to back him up, during which time he’s never stopped churning out pop bangers and arena tours, plus all those years he spent as part of boyband royalty N SYNC.
In the early days of Justin Timberlake’s solo career, I was a misty-eyed teenager with his poster on my wall. I was even gifted a mug for my 16th birthday that said ‘Born to be Mrs Justin Timberlake’, and still drink a brew out of it now.
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So the chance to see my first celebrity crush live on stage for the first time, and at the staggering Co-op Live arena, triggered the sort of giddy frisson I thought I’d left behind about the same time I stopped writing ‘DJ luvz JT’ into my school planner.
We’ve got a cracking view of the full thing from the venue’s new Hangout area, tucked up in the heights of the venue where you’re basically sat at the bar to watch the concert.
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Justin Timberlake with his dancers at Co-op Live in Manchester. Credit: The Manc Group
Justin Timberlake is, obviously, not quite the same pop star I fell in love with all those years ago.
During the UK leg of his The Forget Tomorrow World Tour, there are definitely moments where he veers wildly close to cringe, like when he insists on cueing the drum solos with a point and a call of ‘DRUMS!’. It’s so aggressively American I feel like we’re all supposed to have recited the Pledge of Allegiance to be allowed in. I keep switching between having the ick and wanting to throw my bra on stage.
But once you embrace all the cheese and corn of Justin Timberlake’s live show, you’re in for a wild ride.
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His older hits like Cry Me A River, Senorita, and Summer Love blend seamlessly with material from his most recent album Everything I Thought It Was, with a sprinkling of family-friendly chart-toppers from the likes of Can’t Stop the Feeling! from Trolls.
Throughout the show, Justin spends almost as much time dancing as he does singing, as per the boyband bible of the 1990s, with at least one perfectly-executed dance break in every single song.
The floating stage at Justin Timberlake’s Manchester show. Credit: The Manc GroupJustin Timberlake on the smaller b-stage at Co-op Live Manchester. Credit: The Manc Group
He covers some ground too, choosing not to sneak his way over to his smaller b-stage but instead taking his time to dance and sing his way through the audience, taking a heartwarming amount of time to give a front-row performance to those seated in the accessible section.
His audience participation mostly involves being sweet to children and wooing women with birthday songs. His natural charisma does the trick. At one point he asks who’s single in the room and I let out an enthusiastic ‘WOOO’ despite the husband waiting for me at home.
The staging is full of surprises (unless you’re on Tiktok), with an entire chunk of the big screen breaking away and soaring away from the stage, spinning and tilting as it goes.
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For the encore of Mirrors, Justin rides the big screen like a comically large, glowing surfboard, then it folds away like a Murphy bed taking him with it. Does he have to abseil back down the other side? Who knows.
There really aren’t many artists in the industry who’ve been doing it this well for this long.
And that is why, even in 2024, I will proudly drink from my born to be Mrs. Justin Timberlake mug.
Featured image: The Manc Group
Audio
LF System, DJ Paulette and Turno announced as headliners for ‘The Drop’ music series
Thomas Melia
A returning music series is taking place in Manchester again and it’s bringing together even more great DJs for some fantastic live sets.
Titled ‘The Drop’, this music celebration is the mastermind of Skiddle and Headstock, who have collaborated to raise funds to support the music industry and mental health awareness.
Both the leading organisations put music at the forefront of what they do with Skiddle as a UK-based online ticket platform and Headstock, a hugely important music and mental health social enterprise.
‘The Drop’ is a monthly event series created to raise funds for several charities that exist to support the mental health of people working in the music industry.
Credit: Publicity Picture (Supplied)
This all-new event has support from The Warehouse Project, one of the leading nightlife and music entertainment spots not just in Manchester but the UK, bringing in acts from all over the world.
There are lots of music-tailored companies getting involved too including our very own music counterpart, Audio North.
Currently, there are three big headliners that have just been announced and these acts are certainly music champions in the dance music scene, featuring LF System, DJ Paulette and Turno.
LF System has reached incredible heights thanks to their unforgettable tune ‘Afraid To Feel’, which has now racked up nearly 500 million Spotify streams globally since its release in 2022.
Manchester music legend and Haçienda queen, DJ Paulette has also seen huge success with her mind-blowing mixes and soundtracking various music events.
The final headliner to be announced so far is Turno, who has played out to crowds of 10,000 at WHP and is respected for his eclectic drum and bass beats.
DJ Paulette is always lifting our energy no matter where she goes.Turno is about to bring some drum and bass bangers.LF System are ready to show off some well-crafted mixes.Credit: Publicity Pictures (Supplied)
‘The Drop’ kickstarts on 27 March for the Spring season with international DJ and producer Turno from 6:30-11pm, with sets happening every month following, tickets are already available.
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Following on from this is the sensational LF System are taking over with a coffee table set joined by some special yet-to-be-announced guests on 24 April – tickets HERE.
Finally, DJ Paulette will be bringing those massive rave bangers and combining it with her usual charismatic energy on 15 May – grab your tickets now.
Cage the Elephant at Manchester O2 Apollo – as electric, explosive and energetic as ever
Daisy Jackson
Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer