We recently went to one of the biggest gigs of the year here in Manchester and got to see the show from the luxury of a VIP suite for less than the standard price – here’s how you can do the same.
The idea of watching not only one of the greatest musicians of all time, but doing so from hospitality or a posh box at an arena, might seem far too out of pocket for plenty of gig-goers; however, after stumbling across a criminally unknown hospitality provider, we’re here to tell you you’re wrong.
We’re talking about Sport and Music, a promotion company that specialises in corporate, hospitality and VIP tickets to some of the biggest live entertainment dates across the UK and beyond.
Heading for our first visit on one of these tickets, we went to see none other than the legend that is Bruce Springsteen, and this is what greeted us when we arrived:
Stylish and well-situated.We managed to catch a wave and some brief eye-contact from our swanky balcony spot.Credit: Audio North
Not a bad place to watch a concert, eh?
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What you’re looking at is the view from one ofCo-op Live VIP suites, where we were hosted by Sport and Music team as well as the venue’s wonderful hospitality staff.
Although there are plenty of boxes located around the arena, this particular has the advantage of not only being located nice and near to the stage – seriously, Brucey was so close we could practically smell him – but even before sitting in the luxurious seats, there was a really nice cosy atmosphere to the room.
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Perfect for getting a small to medium-sized group of mates together, you and your family, or perhaps a fun idea for a work outing, there was plenty of room, storage, and even a sofa nook tucked behind a curtain in the corner.
As well as a full TV and speaker set-up to suit all your AV needs before and after your event of choice, there was a fully stocked fridge and a designated server just for us.
Besides being greeted with a drink on arrival, you can obviously keep topping up your drinks throughout the night without ever having to leave the comfort of your seat.
That being said, the wider VIP area and the likes of the arena’sBackstage Club promise a cool and vibrant atmosphere, making this extra special experience more value for money.
Also, there is, of course, room to order yourself some food to keep you ‘Dancing In The Dark’ long into the night; offerings include stonebaked pizzas, loaded fries and plenty more.
Or, you know, if you just want a simple snack, you can always make the most of Co-op’s ironically convenient little mini-convenience stores located around the arena.
Nothing keeps you grounded like grabbing a quick sausage roll from the bakery as well.
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Cocktails from the Backstage Club at Lionel Richie’s show.We had some solid slices on our next visit.(Credit: The Manc Group)
All in all, our review of the Sport and Music hospitality experience is a glowing one: not only was it nice to spoil ourselves with some special treatment (we all deserve it from time to time), but the attractive deals available make it a genuinely viable way to make your night extra memorable.
Especially if you’re then going to split the cost of, say, aVIP suite at Co-op Live between you and even just one friend.
You can find out more information and see what events they currently have ticket availability forHERE.
Oh, and if you’re wondering if ‘The Boss’ is still up to the job at 75, we think this picture proves that his ‘Glory Days’ are far from over…
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms