Country star Kacey Musgraves is returning to Manchester after what feels like forever away from the city, with a brand-new album and a run of live dates.
The female singer-songwriter is one of the most successful female musicians on the country scene, and after a little while away from the UK – barring a recent pre-album launch show down in Kingston – the Texan artist will be coming back to the North next year.
In support of her latest record, the sixth studio Kacey LP, the ‘Middle of Nowhere Tour’ will kick off in Glasgow, before Ms Musgraves makes her way to Manchester city centre.
One of just three British cities named as part of the leg, we can count ourselves lucky.
Hailing from the Southern US town of Golden, Middle of Nowhere, serves as the follow-up to 2024’s Deeper Well (DW), with the solo star now having won multiple Grammys and CMA Awards.
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Speaking on this latest project, with finally dropped at the start of May and was immediately met with a positive reaction from fans, even after her lead single, ‘Dry Spell’, she said in a statement: “I started this record while still in the throes of DW after going through a pretty ridiculous breakup.
“The bulk of the record was made during the longest single period of my life, and I found that for the first time, it actually felt incredible being alone and existing in a space not defined by anyone else. I needed that period to really understand that I really don’t need someone to be happy.
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“I became fascinated with the concept of liminal spaces, both geographical and emotional. We don’t linger in these spaces long enough. We rush to define where or whatever is next.
“I had a lot of time for reflection, clearing, and leaning into my roots in different ways […] heartbreak-soothing traditional Country music brought me comfort when I was sad.”
Coming to the AO not just for her venue debut but a very first arena slot here in Manchester, we CANNOT wait to hear these songs live for the first time.
Kacey goes on to add: “This album has a lot to do with borders. Unique things brush up against the edges of other things, and the way those melt together makes something new.
“My favourite artists are pretty genreless and have subtle infusions of so many things. But at the core of it, there’s a specific and linear feeling you get in your heart from it.”
Those looking for early access can do so by joining either her official mailing list or via the Arena’s specific venue presale window, which will open from 10am this Thursday, 14 May.
As for general admission, tickets to Kacey Musgraves here at AO Arena in Manchester in February 2027 will be available from the same time the following Friday (15 May). You can get ready to grab yours when go live right HERE.
Country really is having a huge moment right now, isn’t it?
Featured Images — Publicity pictures (supplied via AO Arena)
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.