The fields are beckoning us back once more as Kendal Calling returns for its 20th anniversary, and we’re to deliver all the important information to you yet again, from the stellar lineup, stage splits, site map and more.
It’s hard to believe the Lake District‘s leading live music event has been going for two whole decades now and, as cliché as it may sound, it really has gotten bigger and better each and every time.
Having been three years in a row ourselves, we can certainly vouch for the recent form.
In fact, their big birthday edition saw the beloved Northern favourite festival sell out – as it has done every 12 months since it began – in record time and now we can’t think of anything else other than singing our hearts out in Lowther Deer Park. Hence why we wrote this guide.
Kendal Calling guide 2025 – all the key info
Without further ado, here are all the important details you need to know ahead of Kendal Calling’s milestone anniversary festival. Let’s start with the bread and butter, shall we?
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Kendal Calling 2025 lineup and stage splits
We announced the Kendal Calling’s 2025 lineup late last year, which is set to be headlined by Greater Manchester’s very own Courteeners and The Prodigy, with other big names packing out the main festival stage and beyond.
Other regional acts were looking forward to seeing include Leigh’s The Lottery Winners, Sheffield’s famous sons and daughters, Reverend and the Makers; Leeds legends, Kaiser Chiefs, as well as The Wombats and The K’s, just to name a few.
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You can see the full stage splits via Clashfinder HERE.
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Main Stage – Where all the action and big headliners are playing at the northernmost spot.
Parklands – The second largest stage, pretty much smack bang in the middle of the site; there’s also a brilliant Glow takeover by night.
Calling Out – Rounding out the trio of Kendal stages with even more big acts to the west.
Woodlands – Exactly what it sounds like: a cosy stage set within the Lost Eden forest.
Chai Wallahs – Another large tent towards the North East of the site, boasting a variety of genres.
The Soapbox – Just northwest of Parklands, it’s where most of the live comedy is taking place.
Tim Peaks Diner – Named after Salford icon Tim Burgess himself, this little hut is built for more pared-down sets.
Desert Island Disco – Where the electronic scene goes to shine and usher in the late-night fun.
Roots – Built to spotlight emerging talent from across the region, there are gems to be found here.
The Town Hall – The latest addition to the festival alongside the official Kendal Calling pub, which debuted last year.
Tim Peaks DinerThe Stagger Inn pubShit Indie Disco at Calling Out stageOnce you’ve made it into Kendal Calling 2025, feel free to consult this mini-guide/overview of the stages. (Credit: George Harrison/Jess Huxham/Supplied)
Kendal Calling 2025 map
Now, while Kendal Calling is just generally considered a Lake District festival, it’s technically located in the sloping valley that dips down into Lowther Deer Park.
The large, woodland-lined expanse is situated within the Cumbria town of Penrith; the park itself is roughly 3,000 acres but forms part of the much larger 75,000-acre Lowther Estate.
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For context, the increasingly popular event now welcomes around 40,000 festival goers every year, with Kendal Calling having grown from a 900-capacity seed to a giant, forest-spanning attraction.
Not much has moved around since last time, so you can always check out our video tour from 2024, but you can find an up-to-date site map down below.
Here’s a quick guide on how to get into the Kendal Calling festival site and a map of stages, facilities, etc. (Credit: Supplied)
Travel info – how to get there, parking and more
If you’re wondering how to get to Kendal Calling, once again: the festival takes place at Lowther Deer Park in Hackthorpe near Penrith, Cumbria (no, it’s not quite Kendal)
For the sake of ease when it comes to popping the location into the SatNav, the postcode is CA10 2HT.
By car
Located roughly 25 minutes north of its namesake Kendal, you can drive up there via the M6 and south down the A6 from Penrith. You can easily download full directions on Google Maps.
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Parking
The general car park is adjacent to the general campsites, but BE AWARE, the further away you park, the longer the walk up that hill – and it is a big one, we’re afraid.
Also, pre-warning, you must bring any alcohol purchased from outside the festival site up on the first trip up to your pitch. We found out the hard way…
Hoping to encourage people to carpool and ride share where possible, with Kendal remaining a dedicated and environmentally-conscious event (see their ‘Leave Nothing But Memories’ mission statement, for example), there is a charge for parking separate from festival admission.
Passes can be purchased online in advance for £24.50, or you can pay on the day for £40, but just like downloading/printing out your tickets prior to entry, we’d obviously advise you plan ahead and get them ready beforehand.
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Emperors Field, Great Plains, Deer Lodge and Tangerine Fields all have their own respective car parks, which require specific parking passes as part of campsite upgrade packages. You can see all the options and secure your parking HERE.
The nearest train station to the festival site is Penrith (also known as Penrith North Lakes), which is just a 15-minute taxi journey from the site.
Alternatively, you can hop on the special shuttle bus service that runs from the station to the festival at various points over the weekend. Various services are available from Scotland, Birmingham, London, here in Manchester and across the North West – for example:
From Birmingham New Street to Penrith (2h31m) — trains every hour
From London Euston to Penrith (3 hours) — trains every 30 minutes
From Glasgow to Penrith (1h21m) — trains every hour
From Edinburgh to Penrith (1h30m) — trains every hour
From Lancaster to Penrith (34 mins) — regular service
From Manchester Piccadilly to Penrith (1h41m) – trains every 30 minutes, change at Preston
Shuttles will run to and from Penrith (North Lakes) Station to Kendal Calling from 10am-18:45pm on Thursday and 8:30am-19:15pm on Friday. They won’t resume again until early Monday, with the final service lasting from 8:30am-13:15pm.
The festival has a dedicated pick-up and drop-off point (PUDO) outside at Green Gate. Follow the road signage as you get closer to the site for directions to the PUDO, which is also where you’ll find the taxi rank alongside our coach drop-off spot – just a short 5-10 minute walk to the wristband exchange too.
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By coach/mini-bus
Speaking of coaches, you can find ticket prices for official services from destinations like Manchester, Leeds, Sheffield, and many more places across the UK HERE.
Now, it’s not all airborne pints and tunage, though there is plenty of that; one of the things that makes Kendal one of our favourite festivals not only in the North but the entire country is the wide range of entertainment, activities and spaces it offers beyond just bands and artists.
As well as child-friendly facilities like laid-back Picturehouse social cinema, the annual parade, a dedicated ‘Kids Calling’ zone for said little ones, and the chilled-out Green Room outdoor area, there’s live alternative theatre, silent disco and tonnes more.
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For instance, Mancunian comedy veterans Jason Manford and Justin Moorhouse will both be performing their own stand-up sets, which should provide a nice sense of home even while you’re away in the fields. And that really is just the tip of the iceberg.
We here at The Manc will be there in person as part of our Audio North team as somewhat of a boots-on-the-ground representation of our Kendal Calling 2025 guide, so feel free to say hello if you happen to spot the logo bouncing around.
Not if we’re in the middle of the pit or dancing though – that’s private time and you daren’t interrupt one of us mid-groove.
And if any of you are first-timers facing some newbie jitters or simply wondering how good a time you’re about to have this weekend, we think our most recent review sums it up pretty well.
Featured Images — Audio North/The Manc Group/Press shots (supplied)
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A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Danny Jones -
30th July 2025 
