It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
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Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
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Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
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For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
The Last Dinner Party were buzzing to be back in Manchester (Credit: The Manc Group)
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
‘Sinner’, ‘My Lady of Mercy’, ‘Nothing Matters’ and a few clever covers were the highlights. (Credit: The Manc Group)
BRIT Awards 2026 nominations and first performer announced live in Manchester
Daisy Jackson
The full list of nominations for the BRIT Awards 2026 have been announced today live from Manchester, as the landmark music awards ceremony moves up north for the first time in its 30-year history.
With just weeks to go until the Co-op Live arena hosts one of the biggest nights in music, all eyes are firmly on Manchester.
And now, thanks to a live broadcast from the venue this afternoon, we know exactly who’s up for an award – and have our first live performer confirmed too.
Olivia Dean is set to perform live at the BRIT Awards when they take place in Manchester on Saturday 28 February.
She’s out in front as one of the most-nominated artists too, with five nominations including MasterCard Album of the Year, Song of the Year (for Man I Need), and Artist of the Year.
Also coming out on top with five nominations is Lola Young, marking a key moment for the next generation of British talent.
With four nominations, there’s Sam Fender, following on from his Mercury Prize win.
And with three nominations apiece is Lily Allen, Wolf Alice, Dave, Fred Again, and Jim Legxacy.
Representing as one of the north’s greatest bands are Sheffield’s Pulp, who have their first BRIT Awards nomination in 30 years.
Other artists to be recognised include Jade, Chapel Roan, Taylor Swift, Sabrina Carpenter, Lady Gaga, Bruno Mars, Little Simz, Skye Newman, Sombr, Wet Leg, and loads more.
The live-streamed announcement has been hosted by Charley Marlowe and Sarah Storey, with artists nominated across 15 categories revealed today at Co-op Live, and viewers given a glimpse inside the new home of the BRIT Awards.
There was also a performance from this year’s Critics Choice winner, Jacob Alon.
The actual awards will take place on 28 February, hosted by Jack Whitehall, with an amazing new trophy designed by Manchester-born designer Matthew Williamson.
The BRIT Awards 2026 nominations have been revealed in Manchester
Some winners will be determined by public vote, including Song of the Year with Mastercard, and International Song of the Year – voting is open on the BRITs WhatsApp channel and socials from Friday 30 January until Friday 13 February.
Stacey Tang, Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK said: “The breadth of artists nominated reflects a thriving year in music and reaffirms that British artists continue to capture imaginations across the globe. I think this list is a powerful demonstration of how vibrant and varied music is right now, with artists across different genres and generations reflecting music that is both commercially successful and has lasting cultural impact.
“At its core, the BRIT Awards exists to celebrate creativity, and these nominations set the stage for an exciting and memorable night.”
BPI Chief Executive, Dr Jo Twist OBE, said: “It’s fantastic to see British talent doing so well across the board, especially a next generation of brilliant artists who have broken through with such impact on the global stage in the past 12 months led by Olivia Dean, Lola Young, Sam Fender, PinkPantheress, Skye Newman, among others – our congratulations to all The BRITs nominees and their labels.
“The BRIT Awards with Mastercard in Manchester will provide a compelling moment for them all to shine brightly and to spotlight the diverse breadth of talent drawn across the UK and internationally.”
Manc rock band left ‘broke as f***’ despite just finishing EU arena tour as industry concerns grow
Danny Jones
Manchester musicians Witch Fever have revealed that they are now almost completely “broke” despite having just finished touring with a major rock band on a lengthy arena run across Europe, as concerns continue to grow around shows in the EU.
Post-Brexit, it has become increasingly more difficult for UK bands not only to make money playing around the mainland but to even book support slots in the first place.
From more stringent visa requirements that limit the amount of time they can perform on the road, as well as other essential work permits, to tax, transport and wider logistics, almost every aspect of the live music landscape has become more complicated on the continent.
Unfortunately, ‘Doom-punk’ outfit Witch Fever is one of countless groups being affected by these issues; opening up on a recent podcast appearance, they said that this is simply “what the music industry is like at the moment.”
As you can see, speaking in the most recent episode of the 101 Part Time Jobs with Giles Bidder – a fellow artist as well as pod and radio host – two members of the local outfit put it as plainly as they could: “we’re broke as f***”.
Breaking things down into as basic terms as possible, bassist Alex Thompson said that while the “fees are [already] low, the costs are getting higher and higher” relative to what they can afford.
Thompson went on to admit that she is now relying on the remainder of her late mother’s pension to get by and that no one in the band can even get a steady enough job right now because they’re heading back out on tour again this March.
As explained by lead singer Amy Walpole, the band has only just finished supporting Danish veterans Volbeat, but any potential ‘profit’ from the two-months’ worth of shows is currently “stuck in withholding taxes across Europe” – a common problem for most British artists trying to play overseas right now.
Surprisingly, they even received a little bit of backlash on social media since the interview (which you can watch in full HERE) went live.
This just in, JK Rowling super fan celebrating us struggling coz the music industry is impossible rn because *checks notes* it’s karma for disagreeing with JKs views lol
It wasn’t long ago that the Witch Fever gang booked a big hometown gig here in the city centre, either, as their warm-up shows for Volbeat also involved a trip to the AO Arena back in November.
We’ve seen them live a couple of times now, and if those shows were anything to go by, we really think you should go see them on their upcoming tour.
As it happens, we put them on our artists of the month round-up in January 2024, and they’ve only got bigger since then; it’s more important than ever that we support rising bands and grassroots venues on our doorstep when we can.
If you’re interested, you can grab your tickets now. Even if not, in the meantime, you can see what we had to say about them and four other fantastic Greater-Manchester-based bands down below.
Danny Jones -
12th October 2024 
