It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
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Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
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Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
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For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
The Last Dinner Party were buzzing to be back in Manchester (Credit: The Manc Group)
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
‘Sinner’, ‘My Lady of Mercy’, ‘Nothing Matters’ and a few clever covers were the highlights. (Credit: The Manc Group)
A brand new grunge and hard rock festival is kicking off in Manchester
Danny Jones
Manchester grungers, hardcore heads, and fans of all things rock, pay attention because there is a brand new festival coming to the city centre – and it has possibly the best name for a live music event we’ve heard in some time.
Ahem… let us introduce you to Broken Knees Fest.
Yes, donning a name that feels increasingly more relatable the closer we get to the wrong side of 30, Broken Knees Festival 2025 marks the inaugural edition of Manchester’s newest series of rock and grunge gigs, helping spotlight rising artists across the genres from within two crucial grassroots venues.
Very loud music inside tightly-packed, small-capacity rooms? It’s a winning formula that never fails. It’s about time we broke a sweat – here’s hoping the knees just about hold out.
Hosted in the heart of the Northern Quarter, which continues to thrive as a creative hub for new music and art of all forms, the festival will be debuting at small-cap favourites Gullivers and Castle Hotel just across the road.
As you can see, the lineup is full of up-and-coming talent within the guitar-driven space, but you can bank on more than a few bringing their die-hard fans to fill the place out to the rafters.
It doesn’t matter if you prefer punk, hardcore, grunge or another specific sub-genre found somewhere in between the ever-sprawling rock spectrum, there’s something to suit all alternative tastes at this one.
With the likes of Bohmen, Mavis, One Dimensional Creatures and Smother headlining the first-ever iteration of the festival across four stages, you can expect plenty of energy and even more noise.
Set up by the events group of the same name, Broken Knees Promotions, who help platform rock and alt acts across Greater Manchester and beyond year-round, this is more than just a festival: it’s a grassroots celebration through and through.
Best of all, if you’re interested, you don’t have to wait long because it’s kicking off next month.
Gigs go off in here. If you know, you know… (Credit: Audio North)
Broken Knees Fest 2025 is happening on the weekend of 21-22 June, and you’ll be glad to hear that, as a brand new event, prices have been kept nice and low.
The early bird window had prices starting from just £12, and although this tier has now sold out, day tickets are still only £15 while a full weekend pass will set you back £25.
Until then, why not dive into another load of new Manchester music? We round up artists from all genres each month; we’ll also confess to leaning slightly more towards the heavier stuff from time to time.
Olly Murs cancels Manchester gig after walking off stage six songs into huge arena show
Daisy Jackson
Olly Murs has now officially cancelled his show in Manchester tonight, a day after walking off stage just six songs into a huge arena gig.
The Heart Skips a Beat star had been performing in Glasgow last night when he abruptly stopped the show, apologised to fans, and left the stage.
The gig was cancelled around 30 minutes into his show, which is part of a huge UK arena tour that was meant to be heading to Manchester tonight.
A tearful Olly said that he was seeing a doctor last night and would update fans of the rest of his shows ‘as soon as I know anything’.
It’s now been confirmed that his gig at the AO Arena will not be going ahead.
Olly Murs said in a statement: “30 minutes into my set in Glasgow I lost my voice & unfortunately had to leave the stage midway through the show. This has never happened before and not something I take lightly.
“I’m sorry to all the fans who came out to the show last night and am forever grateful for your support.
“To everyone in Manchester and Birmingham I’m deeply sorry, but am unfortunately going to have to cancel my shows this weekend. I have contracted a respiratory infection and have been instructed to go on a strict 48 hour voice rest by the doctor to ensure no further damage to my vocal cords.
“I have been enjoying this tour so much, and am so sorry to let down my fans – but have to put my health first. I’m hoping to be fighting fit in a few days to finish this amazing 15 year celebratory tour with a bang.”
In a video he shared to Instagram last night, Olly Murs said: “Firstly I’m so sorry. I’m so sorry I had to walk off after six songs and cancel the show. I’ve never done this in 15 years.
“Most of the time as singers you can kind of get through it if your voice isn’t 100% – I walked out tonight thinking my voice was great, I maybe felt a little bit run down but I didn’t think I couldn’t do the show. I wouldn’t have come out there otherwise.
“So to walk off after six songs, as I said, I’m so sorry. As you can probably hear from my voice, I just sounded rubbish and it’s unfair for you guys that spent all that money to come and see me. You deserve the best show and me being at my best, and I’m so sorry from the bottom of my heart.
“Hopefully I can recover from this.
“I’m actually going to see a doctor tonight which is great, so I’ll give you guys an update as soon as I know anything. Obviously I wanna try my absolute best to make these shows possible at the weekend.
“So yeah, so sorry for everyone tonight, apologies from the bottom of my heart. Gutted.”