Lewis Capaldi has spoken out for the first time since his Glastonbury set, and has issued a heartfelt statement.
The Scottish singer-songwriter has also confirmed a break from touring “for the foreseeable future”.
The 26-year-old took to the world famous Pyramid Stage at the UK’s biggest music festival this past weekend in a primetime Saturday slot, and entertained the masses with all the hits from his two chart-topping albums – but began to struggle with his vocals, anxiety, and Tourette’s syndrome as the set went on.
He had a noticeable cough and was visibly affected by tics throughout the latter end of his set, and by the time the final song came around, he could barely perform or get his words out.
In what is sure to go on and be one of the most heartwarming moments in Glastonbury history, the crowds took over from Lewis when couldn’t sing and filled in the gaps by belting out his smash-hit song, ‘Someone You Loved’, word for word.
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The performance has already gone viral on social media, and been watched by millions worldwide.
Glastonbury was the first time the charismatic singer had performed live in three weeks, after choosing to cancel a handful of his shows due to the last few months being “full on both mentally and physically” and admitting that he was “struggling to get to grips with it all”.
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After apologising several times, and closing out his set by thanking the festival‘s organisers for having him, Lewis hinted that he may have to take some more time off.
And now, the singer has broken his silence and spoken out for the first time since Glastonbury with a heartfelt statement confirming an indefinite break from touring and cancelling all live shows “for the foreseeable future”.
Taking to social media to confirm the indefinite tour break this morning, Lewis said all the support and messages he’d received following his Glastonbury performance “means the world” to him.
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Lewis Capaldi at Glastonbury 2023 / Credit: BBC
But he went on to add: “The fact that this probably won’t come as a surprise probably doesn’t make it any easier to write, but I’m very sorry to let you know I’m going to be taking a break from touring for the foreseeable future.
“I used to be able to enjoy every second of shows like this and I’d hoped three weeks away would sort me out.
“But the truth is I’m still learning to adjust to the impact of my Tourette’s and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come.”
The cancelled tour dates includes a massive outdoor show at Manchester‘s Wythenshawe Park that was scheduled to take place on Saturday 25 August.
It also includes headline slots at Reading and Leeds Festival over the August bank holiday weekend.
Featured Image – BBC
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
27th June 2023 
