That’s just about as good as it gets for a Manc; not to go over the top right from the off but Liam Gallagher’s first night at the Co-op Live arena is comfortably up there with one of the best gigs we’ve ever been to.
We could end the review right there and we’re sure you’d understand (we don’t think it needs explaining why seeing Definitely Maybe played live in full to a home crowd all these years later is so special) but we’re going to carry on anyway.
We also could spend time bigging up the supports and how great they were, which is entirely true – there’s also a lot of understandable excitement about Liam’s son Gene Gallagher and the opening warm-up act, Villanelle – but, honestly, we just want to relive last night.
First things first, it’s probably fair to start off by saying that regardless of the palava when it first opened or rather struggled to, Co-op Live is quite a sight to behold.
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There are plenty of people who have taken aim at the ‘big black box’ now sitting right next to Manchester City’s stadium and the wider Etihad Campus, but once you see it in the evening, lit up with its digital hoardings and especially in the bowl itself, it’s pretty impressive, it has to be said.
Obviously, the location felt fitting for such a massive Blue and LG made sure to have his beloved football club represented on stage, however, it more just highlighted how this man could fill a room of pretty much any size.
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As we waited for his arrival whilst the roadies rolled back the years (quite literally) and recreated the Definitely Maybe album cover for the set, you couldn’t help but be blown away by the scale of everything as roughly 23,5000 people poured in to celebrate Oasis‘ timeless debut album 30 years on.
People were jumping to rock classics and cheering a clock ticking backwards before the gig had even started. (Credit: The Manc Audio)
And that’s what it was: a pure celebration. From the moment he kicked the arena into gear with ‘Rock ‘N’ Roll Star’, the place barely stopped bouncing except for the likes of ‘Whatever’ and ‘Half The World Away’, as they were too busy being a choir in those moments.
He even dedicated the latter to its original singer and his big brother Noel, as well as tackling the likes of ‘D’Yer Wanna Be a Spaceman?’ and ‘Lock All The Doors’, which the older Gallagher already dug out of the archives with High Flying Birds – though it was interesting to see how the two versions differed.
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We will always be envious of those who were there at the very start; for the likes of the Knebworth and Maine Road gigs, as we can only imagine how nuts the atmosphere must have been at the very height of Britpop, but if this is the closest we ever come to recreating that we will absolutely take it.
Getting to hear those “cheeky” B-sides from that seminal record was a treat too, mainly because as was often the case with Oasis, they were just as popular as the official tracklist and not a single lyric was missed. Manchester hasn’t even come to moving past its best-ever band and probably never will.
Liam Gallagher celebrated everything we know and love about rock and roll on his first night at Co-op Live. (Credit: The MancGroup)
What made this gig even more staggering is that we’d just seen Foo Fighters light up the Emirates Old Trafford on Thursday and knew they were playing again at the same time we were all doing our best ‘sunshyiiiiiine’, but there wasn’t a single part of us wondering which was the better gig. Sorry, Dave.
Is the local bias taking a good chunk of the wheel here? Absolutely. Do we care one bit? Not even a little.
We’ve seen Liam play his own stuff and some old favourites before; we’ve seen Noel fill Wythenshawe Park and play as many Oasis tracks as he likes, but nothing comes close to seeing the album that started it all being played in Manchester at its newest and biggest venue.
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Liam said that he wanted to “put this arena on the map” before he kicked into ‘Cigarettes & Alcohol’ and he didn’t just do that, he blew the roof off the place. And that’s an expensive bloody roof…
Not exaggerating when we say Liam Gallagher at Co-op Live Night One felt like a cultural moment for Manchester. (Credit: The Manc)
What’s more, the 51-year-old proved two things: this is exactly why he’s one of the greatest frontmen of all time, even if his voice isn’t quite as crisp as it once was (it’s still one of the most distinct on the planet), and that Oasis are still the best thing since sliced bread. The bee’s knees. The absolute b*****ks.
We’re not going to start arguing over where they fit among the greatest of all time – we know even Liam Gallagher himself would say, ‘Don’t talk daft, it’s The Beatles’ and so on – but we’re not sure we’ll ever be able to describe just how much Oasis are intrinsically part of what makes Manchester what it is.
Banging on about a reunion year after year feels pretty useless as we know it would take some extraordinary circumstances for it to happen, but all we’ll say is that at this point Noel is just missing out on playing some of the best shows you could ever hope for.
That being said, watching Liam Gallagher give Co-op Live its biggest gig yet was a privilege and until they both kiss and makeup to give the fans what they want, we’re here for these nostalgic nights and you best believe we’ll be going to the (What’s The Story) Morning Glory? anniversary tour if it happens too.
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Danny Jones -
16th June 2024 
