In another instalment of Sounds of the City 2024, British rapper Loyle Carner delivered an electrifying performance to a sea of dedicated fans.
And they had to be dedicated in order to miss England make it through to the Euros final. The odds before the gig weren’t in Loyle’s favour, it has to be said…
Manchester was doing what it does best, raining, whilst the Three Lions were kicking off in the semi-final just moments before he was due to come on.
But still, Loyle Carner made it all worthwhile and reminded us all why he’s one of the biggest hip-hop artists in the UK at the moment.
The British rapper, who has carved out a sizeable space for himself in the overlapping jazz-fuelled and neo-soul spaces, has been on the scene for over 10 years now.
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The London-born lyricist bounded onto the stage to ‘Hate’, a song off his latest album hugo.
Immediately, murmurs of the England score were forgotten and all eyes were on Loyle Carner, whose real name is Benjamin Coyle Larner, but found his stage name due to his own dyslexia.
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“The love I feel for this city is unparalleled” he proclaims, before playing all-time fan favourite ‘Ain’t Nothing Changed’ which had the crowd pulsating to the heavy beat and shouting to the poignant anthem.
The opening of his set was emotional, intense and deeply moving, which felt rather atmospheric as the grey clouds above continued to shower over Castlefield Bowl.
And, of course, it wouldn’t be a Loyle Carner show without a few tracks featuring guitarist and producer Tom Misch, both ‘Angel’ and ‘Damselfly’ had the crowd joyfully singing along and dancing to the groovy beats.
Dedicating ‘Homerton’ to his three-year-old son, Loyle told us to “F*ck that toxic masculinity bullsh*t” to which was met with roaring waves of applause.
Other highlights included ‘Loose Ends’ featuring Jorja Smith and ‘Still’, a very personal song which had the audience encapsulated by Loyle’s words as we melted into his mellow voice.
‘Ottolenghi’wrapped up the sensational show, or so we thought…but just as Loyle started to thank his band audience members jumped and screamed in glee as England scored against the Netherlands making it a 2-1 victory.
So, in true British fashion, a curveball was added to the setlist and we all heroically sang together ‘It’s Coming Home’ in a joy-filled chorus. Absolutely class.
What a way to end the evening, and what a talent Loyle Carner truly is. It wasn’t the only gig where England’s Euro 2024 victory made for a nice backdrop either.
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Here's the moment the @KingsOfLeon crowd got word of the England score mid-gig at @TheCoopLive last night. ❤️
Oasis, Joy Division and New Order named as 2026 inductees into world-famous Rock & Roll Hall of Fame
Emily Sergeant
It’s official – three of Manchester’s most iconic bands are joining history.
That’s because it’s been announced today that both Oasis, and Joy Division/New Order (as one act) are being inducted into the world-famous Rock & Roll Hall of Fame as part of the 2026 cohort, which is not only a huge deal for the bands individually, but also for our city’s music legacy.
It would not be an understatement to say that these past few years have been some of the biggest in Oasis‘ career, given the fact that they played all across the world 2025 on what is one of the biggest reunion tours of all time – including five nostalgia-drenched gigs in Manchester’s Heaton Park last summer.
But despite everything they’ve done over the past three decades, this could still be one of the iconic Manchester band’s greatest achievements.
Announcing Oasis’ induction this week, a statement on the Rock & Roll Hall of Fame website reads: “Oasis are one of the most successful and influential acts of all time. Exploding out of the 1990s UK music scene, they reclaimed big, brash, hook-filled rock & roll with their anthemic sound, cool swagger, expertly crafted lyrics, and electrifying live performances – eventually selling over a hundred million records.
“Their songs have become England’s go-to anthems, sung in unison by fans at sporting events and social gatherings and inspiring countless bands.”
The Gallagher brothers reunion last year was also noted by the Rock & Roll Hall of Fame as being one of the key reasons for their induction, proving that the band’s influence ‘remains as strong as ever’.
I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream LG x
It’s not just celebration for Oasis, of course, as two of Manchester’s other most revered bands, Joy Division and New Order, have also been chosen as 2026 inductees into the Rock & Roll Hall of Fame.
A statement on the Rock & Roll Hall of Fame website about Joy Division and New Order’s joint induction reads: “Joy Division and New Order were postpunk pioneers and electronic dance-floor innovators, inspiring thousands of bands and becoming a beacon for millions of listeners.
“Spearheading the late 1970s Manchester music scene, their story is a remarkable tale of revolution, metamorphosis, and influence.
“Their dark and droning transmissions ‘Love Will Tear Us Apart’ and ‘Blue Monday’ were foundational to both dance music and alternative rock, and they still resonate deeply with outsiders and adventurous souls.
“They were innovative musicians who created something revolutionary and massively influential – not once, but twice.”
The 2026 Rock & Roll Hall of Fame induction ceremony will be held on 14 November at the Peacock Theater in Los Angeles.
Featured Image – Jill Furmanovsky (Publicity Picture)
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Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Clementine Hall -
11th July 2024 
