MIF has revealed its festival square music programme for summer – and it’s jam-packed with local artists.
This year’s festival runs from July 2-18 and sees over 100 free gigs taking place at the new Festival Square hub on Cathedral Garden – which returns in a safe, seated format for 2021.
MIF has also partnered with United We Stream this year to broadcast a selection of its live Festival Square performances directly into people’s homes.
Our highlights include performances from rappers Abnormal Sleepz and LayFullStop, Children of Zeus’s Konny Kon, soul singer Pip Millett and The Untold Orchestra, plus Homoelectric, Katbrownsugar, Lovescene, Matthew Halsall, SheBeKeke, Swing Ting and OneDa – but there are so many amazing artists set to perform here over the course of the fortnight.
Underground Manchester music champions Reform Radio and Thirty Pound Gentlemen will present some of the finest young emerging talent, arranging nine performances ranging from afrobeat to French electro at The Festival Square over three days.
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Dave Haslam will also present three specially-curated nights of Manchester talent, starting with a showcase of local record label Griot City Records (July 4). His Griot City Experience will feature performers like DJ Werkha, and poets SheBeKeke and Reece Willams, followed by further showcases with artists like Lounge Society, Blanketman and DJ Mark Rae.
And in a unique piece exploring the experiences of black women within the creative industries and society at large, The Untold Orchestra join up with singer Yemi Bolatiwa, original Hacienda resident DJ Paulette, poet Shirley May, dancer Maisha Kungu and contemporary circus performer Seren Marimba to present a tribute to Nina Simone’s Four Women.
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Grove will be bringing their black, queer and feminist sounds to Manchester as part of a curated lineup by DJ and broadcaster Jamz Supernova.
And of course Manchester’s infamous LGBTQ+ club night Homoelectric will be bringing the party – albeit for one night only – with DJ sets from residents like Will Tramp and Gina Breeze, plus performances from vogue house House of Ghetto.
Also curating at MIF’s Festival Square this year isthe legendary Manchester DJ and producer Mr Scruff, who’s bringing the likes of Rebecca Vasmant and Secret Night Gang down on July 16. He’ll end the night with a special B2B DJ set withhip hop pioneerMikey D.O.N.
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BBC Music Introducing has also selected four of Manchester’s rising stars to play across four nights: singer, songwriter and producer Caoilfhionn Rose (July 8), electro dance music quartet Porij (July 10), singer-songwriter Ellysse Mason(July 11) and R&B artistFemi Tahiru(July 15).
And Manchester record label Swing Ting host a takeover with MCs, DJs, and live performances from residents and special guests playing everything from afrobeat and bashment to dancehall, including Tai Chi Rose, Tarsza and label founder Samrai.
Fabaret will return on July 17, curated by Greg Thorpe, with a celebratory showcase of Manchester-based LGBTQ+ artists including drag legend Cheddar Gorgeous and dancer and choreographer Jason Andrew Guest.
Manchester’s legendary spoken word night One Mic Stand also returns for another year with ten spoken word artists including Ella Otomewo, Billie Meredith, Isaiah Hull, and Jardel Rodrigues.
Residents from Greater Manchester will take over Festival Square for Our City Our Festival on July 3 – a free day-long event of music, conversations, performances and participatory activities, celebrating the diversity and talent within Greater Manchester communities.
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Last but not least, in an epic Festival Square finale, grime club night turned creative agency Big People Music will present a big show with Manchester singer Misha B and rapper Abnormal Sleepz performing alongside the new BPM Orchestra.
The night will close with a handful of special guest DJ sets from some of the city’s best selectors.
Manchester International Festival (MIF) will take place across indoor and outdoor locations in Greater Manchester from July 1-18. It features a vibrant programme of original new work from across the spectrum of visual and performing arts and music by artists from over 20 countries.
Further DJ sets include DJ Paulette (July 2), Konny Kon (July 4), Kat Brown Sugar (July 6), Jane Weaver (July 7), Matthew Halsall (July 8), Kath McDermott (July 17) and High Hoops (July 17).
Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.