With the sun starting to shine more consistently and the music festival season well and truly on its way, we’ll admit we weren’t expecting to see an event taking place on a Manchester skate park, of all places.
Projekts Skatepark, the long-standing skating hub and cultural hotspot located under Macunian Way, is set to host the fourth edition of the unapologetically named ‘Metlchester’.
Starting out life as little more than a small Oldham Street takeover, the city centre festival is returning for this year, bringing plenty of alternative music, skate vibes, bevs and more.
You can see the lineup confirmed so far down below:
The 2025 edition of the festival, a.k.a. ‘Metlchester Vol. 4’, is taking place later this month.
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Projekts has been catering to local boarders for the past two decades, and along with their on-site cafe and bar, the space has been put to use for several other special events – case and point, Meltchester Festival, which first started back in 2022.
Bringing a healthy dose of garage rock, post-punk and psych music to NQ from the outset, now it’s expanded, you can expect even more variety when it comes to genre this time around, as well as a well-stocked in-house bar and street food stalls.
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Oh yeah, and of course there’ll be the usual merch and skate shop for you to browse.
As for the aforementioned tunes, while last year’s festival was headlined by Night Beats and Frankie & The Witch Fingers, topping the bill this year are Snapped Ankles, along with a mix of grassroots artists, including local duo, Slap Rash, who recently featured as one of our Manc artists of the month for April.
Projekts opened back in 2004Slap RashCredit: Supplied
Set in collaboration with Sour Grapes Records, an equally longstanding regional promoter with hundreds of successful events to their name, they make up part of the Greater Manchester Music Commission.
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Serving up an exciting springtime event full of energy, from the skate culture to the performances themselves, this is the perfect appetiser ahead of a busy summer schedule as we approach festival season.
They also happen to be the event coordinators for local music venue Big Hands, where not only are current Sicilian traders Rizzo’s are based (also set to join the festival for the day) but where this year’s after party will be held, which is free for ticket holders, by the way.
Set to kick off from 12 noon on 17 May, with a pro skater session running until 2pm before the tunage, Metlchester sounds like a belter.
Featured Images — quantum bunny (via Flickr)/Supplied
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
6th May 2025 
