Attending a Nao gig is worth waiting ‘Another Lifetime’ for… especially when she performs directly from the venue’s bar.
As someone who has followed this artist for quite a few years, finally getting to see her do what she does best on stage and not through a screen is immense.
Last time she stopped off in Manchester she graced Albert Hall,this time she’s opted for another historic venue, New Century.Nao clearly knows how to choose her venues wisely.
Recently, the Nottingham star released her album Jupiter. So recent in fact, that it only reached our ears two weeks ago. The Manchester crowd certainly did their homework, knowing every lyric off by heart.
The first taste of this LP skyrocketed into our ears in October when the singer-songwriter dropped ‘Wildflowers’, so it’s only fitting this marks the opening of this setlist.
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This single’s accompanying music video saw her swarmed in a field of red-hue wild grass and it’s made its way to our vibrant city, decorating the Manchester stage.
Credit: The Manc Group
To follow this, she plays two tracks both taken from her other planetary project Saturn. ‘If You Ever’ is a great fire-starter ahead of a cracking night of live music.
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It’s almost like someone flips a switch as the audience immediately understands the assignment, feeling every rhythm in their body, rapping The Lumineers name-dropping ‘Make It Out Alive’ verbatim.
Credit: The Manc Group
Four songs in and ‘Happy People’ gets a turn at exciting the crowd. This uplifting and guitar-plucking number is one you can’t help but move to and New Century proves just that.
Nao’s personality flutters over the wild grass adorning the stage and radiates into the flurry of fans. One of these fans has travelled all the way from Portugal and ‘Tommy’, the Manchester legend, who’s attended every city centre tour date, both of which Nao pointed out.
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When the 37-year-old star sings her two Mura Masa produced bangers, that bouncy floor at New Century isn’t ready for what’s about to unfold.
Initiating the two-track ensemble the “Woa woa woa woa woa” filled, ‘Complicated’, excites and emits an electric energy, definitely helped by Nao’s necessary yet unexpected dance break.
Credit: The Manc Group
With the second anthemic instalment of the night ‘Firefly’, Nao sings, “Just say you’ll be my firefly” and with vocals this hypnotic, the crowd would do anything she asked of them.
An encore usually means giving a three minute rendition of your biggest hit. Well for Nao this isn’t enough. Instead she takes things one step further, climbing onto the venue’s bar for a stripped back version of ‘Another Lifetime’ and after those vocals my legs were liquid jelly.
Ending the night on even more of a high, Nao sings ‘Drive and Disconnect’ a standout in her discography and a much-loved track, proved by the fact she brings fans on stage to close the night with her.
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Credit: The Manc Group
Don’t meet your idols, they say, but when your idol is even better live than on her studio recordings, it’s hard to stay away. Thank you Nao for blessing Manchester once again and me for the very first time.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Thomas Melia -
8th March 2025 
