Oh, how the months roll over; we can’t believe it’s the end of May and we’re on to yet another list of amazing Manchester artistsfor you to get stuck into.
We’re sure you’re already on to most of them, you cultured lot, and even if not, that’s what we’re here for.
If you’ve not found yourself on this monthly series before, the concept is pretty simple: every few weeks we spotlight the most exciting Manchester bands and artists we’ve had on our radar recently.
Revolutionary, we know. But seriously, it’s as important as ever that we big up the names coming out of our region, so let’s not waste any more time, shall we?
It’s always good to see Manc bands drawing big crowds on the festival circuit and they certainly did that. These guys have been making a big name for themselves for a few years now and are even set to headline the Neighbourhood all-dayer in the city centre later this year, so it’s no surprise really.
We’ve been lucky enough to catch them live a few times now but if you’ve never heard their mix of pop-punk, alt-rock and often twinkly 80s-influenced indie before, we’d say start with ‘Television Romance’, work your way to ‘There’s a Honey’ and then ‘Jealousy’. That should give you a good broad-strokes idea.
Next up is another fast-rising homegrown talent in Corella, who finally dropped their debut album, Once Upon a Weekend, at the start of this month and we’ve been rinsing it ever since.
Infectious modern indie typified, we’ve been listening to these lads ever since ‘Barcelona Girl’ and they just keep getting better – as typified by them selling out the O2 Ritz on… oh, would you look at that? It’s tonight.
If you didn’t get a ticket for their landmark hometown show, you can also catch them at NBHD 2024 and as for what tracks you should listen to in preparation, the single from 2017 that we’ve already mentioned is where we started, ‘Drifting’ is in our rotation and simply nothing beats ‘Bloom’. A great running track.
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Still riding high on the wave from KOKO 🌊 This tour so far has been the best yet and London was something we’ve only ever dreamt of, but you guys made it possible.
A big genre change now and we’re going modern jazz. Make that spiritual jazz, to be specific, and it’s certainly how we feel when we listen to this bloke: in tune with our spirit.
The Manc trumpeter, composer and producer has a real knack for making music that you want to relax, create and cook to, as well as a whole host of other moods. We often find him playing whilst staring out the window with a brew or with our heads back on the sofa as we close our eyes and simply drift away.
As for your jumping-off points, ‘Calder Shapes’ crops up in our playlists most often but ‘Cherry Blossom’ is a lovely lo-fi option on a chilled Sunday afternoon, and his tune ‘Into Forever’ with his record label’s Gondwana Orchestra is another gentle but transportive favourite of ours. We could go on forever.
He’s not been at Manchester Jazz Festival this year but he’s one of our best in that genre.
4. Rosellas
In at number four, we’ve got Rosellas, who’ve steadily worked their way up through various club sets across the UK and North in particular, even playing City Square over at the Etihad Stadium, and are now starting to gain even more traction.
They can turn their hand to most stuff really, be it the all-important catchy hook, a decent indie bouncer or the equally communal feeling soft, acoustic-driven ballad, but there’s something very 90s/early 2000s and quintessentially Manc about their music.
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We’ll admit that we can’t quite place what it is beyond perhaps the guitar riffs themselves, but maybe you’ll have better luck than we have so far. Our trio of picks are ‘Slowdance’, ‘Switch Off’ and ‘Damaged’.
Great track.
5. MALCOLM
Last but not least, we’ve got a band so new to the Manchester music scene that they’ve only got two songs out for you to get stuck into but we’re going to be watching them closely indeed.
Don’t be fooled by the name, they’re a four-piece with hints of everything from Inhaler to Catfish and the Bottlemen, as well as pretty much every current indie band that’s doing anything good in modern indie rock, hence why we think they’re going to pick up momentum quickly.
The best part is, you can get on the bandwagon early by listening to ‘Subconscious’ and ‘C’est La Vie’. Plus, if there’s one thing we know about bands from around here it’s that they graft and we’re going to guess that you can expect another new tune soon enough.
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Danny Jones -
31st May 2024 
