Oh, how the months roll over; we can’t believe it’s the end of May and we’re on to yet another list of amazing Manchester artistsfor you to get stuck into.
We’re sure you’re already on to most of them, you cultured lot, and even if not, that’s what we’re here for.
If you’ve not found yourself on this monthly series before, the concept is pretty simple: every few weeks we spotlight the most exciting Manchester bands and artists we’ve had on our radar recently.
Revolutionary, we know. But seriously, it’s as important as ever that we big up the names coming out of our region, so let’s not waste any more time, shall we?
It’s always good to see Manc bands drawing big crowds on the festival circuit and they certainly did that. These guys have been making a big name for themselves for a few years now and are even set to headline the Neighbourhood all-dayer in the city centre later this year, so it’s no surprise really.
We’ve been lucky enough to catch them live a few times now but if you’ve never heard their mix of pop-punk, alt-rock and often twinkly 80s-influenced indie before, we’d say start with ‘Television Romance’, work your way to ‘There’s a Honey’ and then ‘Jealousy’. That should give you a good broad-strokes idea.
Next up is another fast-rising homegrown talent in Corella, who finally dropped their debut album, Once Upon a Weekend, at the start of this month and we’ve been rinsing it ever since.
Infectious modern indie typified, we’ve been listening to these lads ever since ‘Barcelona Girl’ and they just keep getting better – as typified by them selling out the O2 Ritz on… oh, would you look at that? It’s tonight.
If you didn’t get a ticket for their landmark hometown show, you can also catch them at NBHD 2024 and as for what tracks you should listen to in preparation, the single from 2017 that we’ve already mentioned is where we started, ‘Drifting’ is in our rotation and simply nothing beats ‘Bloom’. A great running track.
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Still riding high on the wave from KOKO 🌊 This tour so far has been the best yet and London was something we’ve only ever dreamt of, but you guys made it possible.
A big genre change now and we’re going modern jazz. Make that spiritual jazz, to be specific, and it’s certainly how we feel when we listen to this bloke: in tune with our spirit.
The Manc trumpeter, composer and producer has a real knack for making music that you want to relax, create and cook to, as well as a whole host of other moods. We often find him playing whilst staring out the window with a brew or with our heads back on the sofa as we close our eyes and simply drift away.
As for your jumping-off points, ‘Calder Shapes’ crops up in our playlists most often but ‘Cherry Blossom’ is a lovely lo-fi option on a chilled Sunday afternoon, and his tune ‘Into Forever’ with his record label’s Gondwana Orchestra is another gentle but transportive favourite of ours. We could go on forever.
He’s not been at Manchester Jazz Festival this year but he’s one of our best in that genre.
4. Rosellas
In at number four, we’ve got Rosellas, who’ve steadily worked their way up through various club sets across the UK and North in particular, even playing City Square over at the Etihad Stadium, and are now starting to gain even more traction.
They can turn their hand to most stuff really, be it the all-important catchy hook, a decent indie bouncer or the equally communal feeling soft, acoustic-driven ballad, but there’s something very 90s/early 2000s and quintessentially Manc about their music.
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We’ll admit that we can’t quite place what it is beyond perhaps the guitar riffs themselves, but maybe you’ll have better luck than we have so far. Our trio of picks are ‘Slowdance’, ‘Switch Off’ and ‘Damaged’.
Great track.
5. MALCOLM
Last but not least, we’ve got a band so new to the Manchester music scene that they’ve only got two songs out for you to get stuck into but we’re going to be watching them closely indeed.
Don’t be fooled by the name, they’re a four-piece with hints of everything from Inhaler to Catfish and the Bottlemen, as well as pretty much every current indie band that’s doing anything good in modern indie rock, hence why we think they’re going to pick up momentum quickly.
The best part is, you can get on the bandwagon early by listening to ‘Subconscious’ and ‘C’est La Vie’. Plus, if there’s one thing we know about bands from around here it’s that they graft and we’re going to guess that you can expect another new tune soon enough.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Danny Jones
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Manic Street Preachers and Suede announce second co-headline tour, including huge Manc gig
Danny Jones
Beloved British bands Manic Street Preachers and Suede have announced another co-headline UK tour, booking a number of big gigs, including a massive Manchester date.
The two seasoned UK rock artists are teaming up for a huge run of live shows, booking nine arena performances so far. Time to do it all over again.
Each of the groups released their latest albums last year, with both now in double figures when it comes to studio LPs, and while each has taken their most recent records on the road at least in part, the pair will be playing tracks from both – as well as a fair few of the hits – at Co-op Live later this year.
Confirming the joint headline tour on Friday, 24 April, Manics and Suede fans alike will be absolutely lapping up the prospect of this special partnership.
JUST ANNOUNCED: Manic Street Preachers and Suede Saturday 31 October
Marking the biggest collaboration for both legendary bands.https://t.co/tNwdT7TxPZ@coopuk members get first in line for tickets. Co-op Member Presale: 09:30 Weds 29 April General Sale: 09:30 Fri 1 May pic.twitter.com/lqnqahls5D
Revealing the plans in a social media post, the Co-op wrote: “Two of the UK’s most pioneering and celebrated bands, Manic Street Preachers and Suede, have come together for a co-headline tour…
As the Welsh rock icons and the long-standing 1990s favourites from the London scene have more than 75 years of experience between them, with both outfits forming in the mid to late 80s.
The venue goes on to dub this “the biggest collaboration to date for both legendary bands and offers a unique opportunity to experience their renowned live performances.”
With Suede reaching their 10th album cycle this past September with Antidepressants, it’ll be one of the largest rooms they’ve ever played.
As for the Preachers, the 15th Manics record dropped back in February of 2025; this was also the first outing from bassist and lyricist Nicky Wire on vocals across the project.
The Blackwood act last played our city at the Apollo last May; however, the duo also famously co-headlined Castlefield Bowl together for the first time at Sounds of the City ’24; now they’re returning for a Co-op debut to do it all over again.
It remains to be seen whether they will announce more domestic dates this coming winter, but given this is such an exclusive one-off crossover, we wouldn’t be surprised if you see extra November slots added for the likes of London and Manchester.
Make no mistake, we expect tickets for this one to fly out the door.
If you want to go along, the official Co-op Member Presale will go live at 9:30am next Wednesday, 29 April, and fans can also sign up to the bands’ respective mailing lists for more early access opportunities.
General admission will be available from the same time on the following Friday (1 May); you can get ready to grab yours right HERE.
They’re not the only homegrown veterans heading back out across the country this winter either…
Danny Jones -
31st May 2024 
