Don’t ask us how, why or when, but once upon a time, long, long ago, half the world decided that they didn’t like Nickelback and that’s just the way it’s been ever since.
In fact, they’re probably one of the most Marmite acts, not to mention most memed bands on the planet – they even have a new documentary called Hate to Love – but we’re here to put a stop to that today.
Who knows what it was that put a bee in the collective bonnet when it came to Nickelback all those years ago, all we know is that we’re bored of it and you shouldn’t waste a second more of your life pretending to hate them.
This isn’t even a guilty pleasure thing: we have absolutely no shame in ‘confessing’ that we think Nickelback are mint and their gig at the AO Arena in Manchester on Monday night proved it.
Exhibit A: it all started with an absolutely perfect choice of support act in The Lottery Winners. While you could argue their brand of indie rock doesn’t necessarily line up with what you’d expect most Nickelback fans to listen to, their pop sensibility and love of proper catchy hooks definitely do.
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The local band from just down the road in Leigh continue to be one of our favourite Manchester bands at the minute not least because of their banter and energy up on the stage.
Yes, their tunes are great and we particularly loved the audience participation they got going for ‘Start Again’ (we would have really loved Frank Turner to suddenly appear for his bit), but it was Tom’s effortless Manc chat and jokey but sincere energy throughout the set that won over the crowd.
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By the time they were about to leave the stage they managed to get the crowd jumping arguably just as much as they did when the headliners came out. Speaking of…
After a short little intro from a running VT of a getaway van leading a police chase that looked like a cutscene from some kind of late 2000s PS3 trailer (you just have to chuckle at the over-the-top Americana of it all), they erupted on stage to kick things into fifth gear.
They say Canadians are famously polite but there was nothing reserved about this entrance; they smashed the doors down to set the arena to full party mode with banger after banger and, honestly, we forgot just how many they had.
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It’s not often you hear this phase unironically, but this was, as Chad put it, a good old fashioned ‘rock show’ and the roughly 20,000 fans were all ‘rocking out’ from start to finish.
The four-piece were very much enjoying a little bit of naughtiness from the Manchester crowd too, with the camera panning to a woman holding a sign that read ‘I like my pants around my feet’ – the first line from ‘Figured It Out’ – to which the frontman replied, “me too” before proceeding to play the song in full.
Those little moments of funny nonsense didn’t stop there either – not even close.
From jokingly introing the song as ‘Look at this graaaph’ and confessing that they do have the internet, to getting a member of the crew on stage to serve shots as they got the crowd to chant his name, they were just having fun and throwing some very good tunes in between.
That slightly odd and nostalgic visualiser kept popping up in the background every now and again too but the icing on the cake had to be when they got a literal Chad Kroeger lookalike on stage to sing ‘Rockstar’ with them.
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You’ve not quite lived until you’ve seen a somewhat tipsy Manc with the original long, blonde Nickelback hair in a black band tee tucked into blue jeans and a big shiny belt buckle genuinely make the actual bloke from Nickelback want to grow his back.
A shining moment
There were lots of highlights and particularly memorable moments to pick out amongst all the fun.
Be it rhythm guitarist Ryan Peake explaining how the QR code on the screen was to help raise funds for wells in the third world before they played ‘When We Stand Together’, or hearing everyone roll back the years as they raspily sang ‘How You Remind Me’, we were spoilt for choice.
Watching the AO Arena bouncing to ‘Burn It to The Ground’ was also up there with some of the standouts, but there was no more beautiful sight than seeing the band bring The Lottery Winners back out on stage to have an arena full of Mancs belting out ‘Don’t Look Back In Anger’.
Chad said at the time, “Now we know you can sing”, and true to form we were in full voice from that moment on, singing every word, every line and every song from what suddenly felt like a greatest hits tour because the truth is, Nickelback are great and you’re just lying to yourself if you think otherwise.
We were slightly gutted we didn’t get to hear ‘This Means War’, ‘Never Gonna Be Alone’ and a fair few others, but that’s what happens when you take a band that has been around for nearly three decades, with a discography this rich, and try to cram everything into a couple of hours.
So we’re hoping that puts an end to his nonsense that the rock veterans are rubbish because they’re not, they’re mint. Come on, join us – the dark days are over and we’re saying it’s ok to admit you like them.
And just wait, we’re coming for you Coldplay haters next…
Featured Images — The Manc Group/Supplied (via AO Arena)
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Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Danny Jones
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Manic Street Preachers and Suede announce second co-headline tour, including huge Manc gig
Danny Jones
Beloved British bands Manic Street Preachers and Suede have announced another co-headline UK tour, booking a number of big gigs, including a massive Manchester date.
The two seasoned UK rock artists are teaming up for a huge run of live shows, booking nine arena performances so far. Time to do it all over again.
Each of the groups released their latest albums last year, with both now in double figures when it comes to studio LPs, and while each has taken their most recent records on the road at least in part, the pair will be playing tracks from both – as well as a fair few of the hits – at Co-op Live later this year.
Confirming the joint headline tour on Friday, 24 April, Manics and Suede fans alike will be absolutely lapping up the prospect of this special partnership.
JUST ANNOUNCED: Manic Street Preachers and Suede Saturday 31 October
Marking the biggest collaboration for both legendary bands.https://t.co/tNwdT7TxPZ@coopuk members get first in line for tickets. Co-op Member Presale: 09:30 Weds 29 April General Sale: 09:30 Fri 1 May pic.twitter.com/lqnqahls5D
Revealing the plans in a social media post, the Co-op wrote: “Two of the UK’s most pioneering and celebrated bands, Manic Street Preachers and Suede, have come together for a co-headline tour…
As the Welsh rock icons and the long-standing 1990s favourites from the London scene have more than 75 years of experience between them, with both outfits forming in the mid to late 80s.
The venue goes on to dub this “the biggest collaboration to date for both legendary bands and offers a unique opportunity to experience their renowned live performances.”
With Suede reaching their 10th album cycle this past September with Antidepressants, it’ll be one of the largest rooms they’ve ever played.
As for the Preachers, the 15th Manics record dropped back in February of 2025; this was also the first outing from bassist and lyricist Nicky Wire on vocals across the project.
The Blackwood act last played our city at the Apollo last May; however, the duo also famously co-headlined Castlefield Bowl together for the first time at Sounds of the City ’24; now they’re returning for a Co-op debut to do it all over again.
It remains to be seen whether they will announce more domestic dates this coming winter, but given this is such an exclusive one-off crossover, we wouldn’t be surprised if you see extra November slots added for the likes of London and Manchester.
Make no mistake, we expect tickets for this one to fly out the door.
If you want to go along, the official Co-op Member Presale will go live at 9:30am next Wednesday, 29 April, and fans can also sign up to the bands’ respective mailing lists for more early access opportunities.
General admission will be available from the same time on the following Friday (1 May); you can get ready to grab yours right HERE.
They’re not the only homegrown veterans heading back out across the country this winter either…
Danny Jones -
21st May 2024 
