Noel Gallagher has spoken about the Oasis reunion for the first time and has promised there’ll be ‘no fighting’ when they set off on tour next summer.
In contrast to the younger Gallagher brother, who has been arguably more active and vocal about himself and Oasis since the reunion was confirmed, Noel has been pretty quiet on the comeback up until now.
However, speaking at the recent ‘Legends’ exhibition by Zoë Law held at the National Portrait Gallery, the guitarist and solo artist was quoted as saying that things won’t be anywhere near as rock and roll as it was back in Britpop’s heyday, as well as assuring he and Liam won’t be at each other’s throats.
The Oasis songwriter said of the upcoming tour dates: “No, it won’t be as raucous as back in the day, because we’re on the wrong side of 50 now, so we’re too old.
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“We’re too old to give a s**t now, so there won’t be any fallouts, there won’t be any fighting.” When asked if he’s glad to have buried the feud after a decade and a half of bad-mouthing and back and forth, the 57-year-old could only reply, ‘Of course.’
In Noel’s eyes at least, while many have been speculating that this reunion tour isn’t just a one-off (fingers crossed), he described wanting the now enormous world tour – with dates in the UK, Ireland, US, Australia, Japan, South America and more – to be a sort of “lap of honour” for the band.
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Make of that what you will.
There have been reports that the duo have new music ‘ready to go’ or at least written, but let’s just say we got our Christmas wish with the reunion itself, so we’re not going to push our luck and risk jinxing anything by asking for too much. For now, we’ll settle for them remembering they love each other.
Noel in one of his last shows saying that no one sounds like Rkid (Liam) and in the interview for the DM's 30th anniversary he also spoke highly of Liam, and there are still people who are afraid that they will fight, Oasis is back! enjoy pic.twitter.com/lMcIXyUgic
As for relations between him and Liam, we don’t know too much beyond the pictures we eventually saw of them smiling and joking together during that photo shoot for the official announcement in the summer.
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That being said, iconic frontman and part-time troll has enjoyed playing a very comical version of kiss and make up on social media – as well as using the word ‘celestial’ a lot for some reason. He did, however, respond to what he called a “ridiculous question” rather recently.
Although he refused to name who it came from, he replied in truly irreverent LG fashion: “Oasis gonna be as good as you once were because when some bands get back together there not as good I said listen here you c*** even on our bad day we’ll still wipe the floor with [the] majority of bands out there.”
Meanwhile, it really does like the two have overcome their difference as Noel had the following to say in his interview for the Law’s photography series. We only hope this means there’s nothing holding them back from putting on the shows of a lifetime…
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
2nd December 2024 
