Olly Murs had the audience at the AO Arena Manchester sobbing last night after he paid tribute to his late friend, Caroline Flack.
The Heart Skips a Beat singer is best-known for his upbeat pop songs but took the time to honour his former friend with an emotional tribute.
He dedicated an acoustic version of Sweet Caroline to the presenter, who died in 2020.
Speaking to the crowd, Olly urged people to check in on anyone they thought might be struggling, saying: “Make the effort. Because you might be able to change what they decide to do.”
He described Caroline as ‘an amazing human’ and described her love for music and dancing.
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Olly also said: “The fact that she’s not here any more is horrible. I miss her every single day.”
The star then introduced his version of Sweet Caroline, saying ‘this one’s for you, Caz’.
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Fans who were there have reported sobbing their way through his speech and performance.
One person said: “Olly singing sweet Caroline had me sobbing. Cazza would be so proud of you @ollymurs!”
Another said: “Thank you so much for an amazing night! I cried and cried when you talked about Caroline, I lost my sister in April ’20 and I had tears streaming down my face when you talked about grief and loss. Thank you for a fab show! Good luck at your wedding.”
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Someone else posted: “Olly Murs just did an acoustic cover of Sweet Caroline as a tribute to Caroline Flack and sobbed the whole way through it. Genuinely very lovely.”
Olly’s full speech about Caroline Flack said: “One of my good friends, in February 2020, took her own life. Miss Caroline Flack.
“It was a really difficult time for me. And it’s mad, because I was looking through some old Instagrams earlier, some old photos that we’ve got, and we used to spend so much time in Manchester because we used to do loads of filming for X Factor and loads of different things.
“So being here tonight is really really special.
“It was one of the lowest moments of my life. She was such an amazing human. We had our fights, we had our rows, we got on sometimes we didn’t, but she was always such a great person to be around, someone I loved very much.
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“So the fact that she’s not here any more is horrible. I miss her every single day.
“When you’re dealing with something like that it’s super super tough, and the only way that I could deal with it, with grief my way, is by music – by singing, and performing.
“That’s what she loved to do. You guys must have watched her on Strictly. She was incredible on Strictly, and not only that she was an incredible singer. So I wanted to do something on this tour to dedicate to her, a tribute to my lovely friend Caroline Flack who I miss every single day.
“So I’m going to sing this song for her. Before I sing it, if you know anyone who’s struggling real bad, or even if you don’t know it, if you think something’s not right, please speak to them, please give them a call, go round there and see them, make the effort. Because you might be able to change what they decide to do. Please please do it.
“Ladies and gentlemen, this is my version of Sweet Caroline. This is for you, Caz.”
Neil Young U-turns on Glastonbury drop-out after being confirmed as festival headliner
Danny Jones
Barely a beat or two after having seemingly dropped out of the festival, Neil Young has now U-turned on Glastonbury 2025 and now looks set to be headlining it.
Thelegendary musician called out the world-renowned music festival for being under “corporate” control at the whim of the BBC (its official media and broadcasting partner for nearly 30 years) and said he would no longer be playing his slot.
Young went so far as to call it a “corporate turn-off”, claiming the event is “not how I remember it” in a message on his website.
However, just a few days after posting the news, it now appears as though the Canadian singer-songwriter will still be playing Glastonbury – and not just as one of the multiple legends lined up for 2025 either, but as a headliner.
As you can see in the update shared on Friday, 3 January, the 79-year-old now claims there was an “error” in the information he received regarding his performance at the festival.
Having now cleared up whatever confusion occurred, he and his band the Chrome Hearts will in fact be playing the festival as planned, reiterating his long-lasting love for the festival.
Quite a far cry from the sentiment he seemed to be getting across in his previous post, but make of that what you will.
Furthermore, chief organiser Emily Eavis – whose parents Michael and Jean Eavis set up the first ever Glastonbury music festival back in 1970 – not only hopped on social media to confirm that ‘Shakey’ will be performing but that he will be headline the main Pyramid Stage.
“Neil Young is an artist who’s very close to our hearts at Glastonbury”, she wrote, adding: “He does things his own way and that’s why we love him.”
So has he been given a slot upgrade of sorts or what? It still remains a little unclear.
At present, Rod Stewart is set to play the iconic and outright ‘Legends’ slot during Sunday teatime this June. We likely won’t hear much else about the rest of the lineup until sometime in spring.
This, of course, isn’t the first time Neil Young has done a 180 following a well-publicised decision in protest against a big media company.
The music veteran famously removed all of his discography from Spotify for two years before it eventually reappeared back in March 2024.
As for whatever happened between him and the festival or whether this was some gamesmanship from the influential music icon, at the end of the day, he’s heading to Worthy Farm after all.
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?