You might recognise these two from the programme Waterloo Road, first moving into the public eye as Rhona and Shona Mansfield in the popular high school drama.
But twin sisters Millie and Hope Katana – a.k.a. The KTNA – have done A LOT of growing up since then.
Now two strong independent women, the self-titled ‘Sisterz of Darkness’, with their edgy style and alluring sound, couldn’t be further away from the school ties and blazers that kickstarted their career.
First of all, we’re too curious about the nickname. So The KTNA tell us how it came about – amongst all the other things that the duo have got going on right now.
“The ‘Sisterz of Darkness’ came to be, originally, because we wear a lot of black and a lot of black high shine leather and PVC – think trinity from the matrix,” said Millie and Hope. “That coupled with the fact we write with a lot of melancholy and sadness, it became the perfect nickname for us and it stuck. We actually love it.”
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With this, The KNTA have managed to forge a strong image and brand that works seamlessly together with their music. The girls are the full package, brimming with passion and a raw honesty.
A strong sisterly bond
The music industry is a tough nut to crack, everyone knows this. But no one knows it more than those who are working tirelessly to make a break. Luckily, the KTNA are there – and they’ve got each other. And as twin sisters, their bond runs even deeper than your typical duo or band, producing a whole new level of trust.
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“We’ve been singing together in harmony since before we could talk. I think it’s subconsciously something we always knew we wanted to do,” they said. “However the reality is, it’s really difficult.”
“To know your sister is as disappointed or heartbroken sometimes is awful. That said we wouldn’t change it for the world. There’s always someone for me to trust, somewhere safe and that’s with my sister. That’s pretty amazing.”
They’ve got their mum to thank for their taste in music, who has fed them on a diet of purely “the finest music of the past” throughout their childhood. Because of this, the girls cite Stevie Wonder as their biggest inspiration, describing his song writing as “other-worldly”. This is all thanks to their mum’s music time machine.
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Though, as they’ve got older, they’re into soft rock and classical a bit more. This shines through in their music today, and is clearly what gives them their refined soulful yet punky edge – the signature The KTNA style.
Empowering music
With over a year spent in lockdown, they were able to put plenty of time aside to lay down the foundations of their brand-new EP ‘Resurgence’ which is out on 24 November.
As long-time fans of The KTNA, we know they produce empowering music time and time again. And this new project will be no different. Except we might be seeing a new era of The KTNA.
“‘Resurgence’ is slightly more up-tempo but we’re still dark-sided chicks,” Millie and Hope tell us. “It’s entirely self-written and produced – and as women, we are so, so proud of being able to put out work that hasn’t been dictated by men. Resurgence is our re-birth.”
Ahead of the release of Resurgence, they’ve released a couple of from the project, like ‘Can’t Stop It’ which is a sultry R&B track, accompanied by some amazing leather and chain-clad visuals.
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Now you’ll see why the nickname “Sisterz of Darkness” makes sense. But more importantly, the playful metaphor of the chains explores the idea of breaking free from things are holding you down. This is what the girls are all about. Building strength and hope through their song writing, to help others through their own experiences.
On the road
As well as new music, the KTNA have just announced their first ever headline tour for next year. Which if you’ve seen these two perform live before, you’ll know they come into their own and are bursting with personality.
So the tour kicks off on Wednesday 30 March at Headrow House in Leeds. Then they’ll visit Bristol and London before winding up back in Manchester on Saturday 2 April where they’ll play YES’s Pink Room.
Millie and Hope admit one of their favourite things about touring and performing in front of crowds is making people cry.
Okay, not actually cry like that, obviously. But what they mean is seeing people get emotional over their music means here job here is done. They’ve created something that means that much to someone.
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“Looking out into the crowd and seeing people singing along or crying is the best feeling in the world. It still blows our mind that people know our songs to be honest.
“There’s nothing better than going to see a great show with great music and we cannot wait to do that every night. Being on stage is our most favourite thing to do, so we are going to give it some right welly!” they said.
Tickets are on sale now, grab them whilst you can here.
The future
With new music and touring all in the pipeline, The KTNA are still looking beyond that. With plans for a third EP already in motion to complete the trilogy, the girls will finally make a start on an album after that.
But above all else, they’re just ready to play more shows, make more beautiful music and keep growing as artist, producers and people. And we’re looking forward to seeing where The KTNA go.
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If you’re a fan of music in Manchester, head here to read more – and make sure you’re following The Manc Audio for updates on music and events in the city.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.