You might recognise these two from the programme Waterloo Road, first moving into the public eye as Rhona and Shona Mansfield in the popular high school drama.
But twin sisters Millie and Hope Katana – a.k.a. The KTNA – have done A LOT of growing up since then.
Now two strong independent women, the self-titled ‘Sisterz of Darkness’, with their edgy style and alluring sound, couldn’t be further away from the school ties and blazers that kickstarted their career.
First of all, we’re too curious about the nickname. So The KTNA tell us how it came about – amongst all the other things that the duo have got going on right now.
“The ‘Sisterz of Darkness’ came to be, originally, because we wear a lot of black and a lot of black high shine leather and PVC – think trinity from the matrix,” said Millie and Hope. “That coupled with the fact we write with a lot of melancholy and sadness, it became the perfect nickname for us and it stuck. We actually love it.”
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With this, The KNTA have managed to forge a strong image and brand that works seamlessly together with their music. The girls are the full package, brimming with passion and a raw honesty.
A strong sisterly bond
The music industry is a tough nut to crack, everyone knows this. But no one knows it more than those who are working tirelessly to make a break. Luckily, the KTNA are there – and they’ve got each other. And as twin sisters, their bond runs even deeper than your typical duo or band, producing a whole new level of trust.
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“We’ve been singing together in harmony since before we could talk. I think it’s subconsciously something we always knew we wanted to do,” they said. “However the reality is, it’s really difficult.”
“To know your sister is as disappointed or heartbroken sometimes is awful. That said we wouldn’t change it for the world. There’s always someone for me to trust, somewhere safe and that’s with my sister. That’s pretty amazing.”
They’ve got their mum to thank for their taste in music, who has fed them on a diet of purely “the finest music of the past” throughout their childhood. Because of this, the girls cite Stevie Wonder as their biggest inspiration, describing his song writing as “other-worldly”. This is all thanks to their mum’s music time machine.
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Though, as they’ve got older, they’re into soft rock and classical a bit more. This shines through in their music today, and is clearly what gives them their refined soulful yet punky edge – the signature The KTNA style.
Empowering music
With over a year spent in lockdown, they were able to put plenty of time aside to lay down the foundations of their brand-new EP ‘Resurgence’ which is out on 24 November.
As long-time fans of The KTNA, we know they produce empowering music time and time again. And this new project will be no different. Except we might be seeing a new era of The KTNA.
“‘Resurgence’ is slightly more up-tempo but we’re still dark-sided chicks,” Millie and Hope tell us. “It’s entirely self-written and produced – and as women, we are so, so proud of being able to put out work that hasn’t been dictated by men. Resurgence is our re-birth.”
Ahead of the release of Resurgence, they’ve released a couple of from the project, like ‘Can’t Stop It’ which is a sultry R&B track, accompanied by some amazing leather and chain-clad visuals.
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Now you’ll see why the nickname “Sisterz of Darkness” makes sense. But more importantly, the playful metaphor of the chains explores the idea of breaking free from things are holding you down. This is what the girls are all about. Building strength and hope through their song writing, to help others through their own experiences.
On the road
As well as new music, the KTNA have just announced their first ever headline tour for next year. Which if you’ve seen these two perform live before, you’ll know they come into their own and are bursting with personality.
So the tour kicks off on Wednesday 30 March at Headrow House in Leeds. Then they’ll visit Bristol and London before winding up back in Manchester on Saturday 2 April where they’ll play YES’s Pink Room.
Millie and Hope admit one of their favourite things about touring and performing in front of crowds is making people cry.
Okay, not actually cry like that, obviously. But what they mean is seeing people get emotional over their music means here job here is done. They’ve created something that means that much to someone.
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“Looking out into the crowd and seeing people singing along or crying is the best feeling in the world. It still blows our mind that people know our songs to be honest.
“There’s nothing better than going to see a great show with great music and we cannot wait to do that every night. Being on stage is our most favourite thing to do, so we are going to give it some right welly!” they said.
Tickets are on sale now, grab them whilst you can here.
The future
With new music and touring all in the pipeline, The KTNA are still looking beyond that. With plans for a third EP already in motion to complete the trilogy, the girls will finally make a start on an album after that.
But above all else, they’re just ready to play more shows, make more beautiful music and keep growing as artist, producers and people. And we’re looking forward to seeing where The KTNA go.
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If you’re a fan of music in Manchester, head here to read more – and make sure you’re following The Manc Audio for updates on music and events in the city.
LF System, DJ Paulette and Turno announced as headliners for ‘The Drop’ music series
Thomas Melia
A returning music series is taking place in Manchester again and it’s bringing together even more great DJs for some fantastic live sets.
Titled ‘The Drop’, this music celebration is the mastermind of Skiddle and Headstock, who have collaborated to raise funds to support the music industry and mental health awareness.
Both the leading organisations put music at the forefront of what they do with Skiddle as a UK-based online ticket platform and Headstock, a hugely important music and mental health social enterprise.
‘The Drop’ is a monthly event series created to raise funds for several charities that exist to support the mental health of people working in the music industry.
Credit: Publicity Picture (Supplied)
This all-new event has support from The Warehouse Project, one of the leading nightlife and music entertainment spots not just in Manchester but the UK, bringing in acts from all over the world.
There are lots of music-tailored companies getting involved too including our very own music counterpart, Audio North.
Currently, there are three big headliners that have just been announced and these acts are certainly music champions in the dance music scene, featuring LF System, DJ Paulette and Turno.
LF System has reached incredible heights thanks to their unforgettable tune ‘Afraid To Feel’, which has now racked up nearly 500 million Spotify streams globally since its release in 2022.
Manchester music legend and Haçienda queen, DJ Paulette has also seen huge success with her mind-blowing mixes and soundtracking various music events.
The final headliner to be announced so far is Turno, who has played out to crowds of 10,000 at WHP and is respected for his eclectic drum and bass beats.
DJ Paulette is always lifting our energy no matter where she goes.Turno is about to bring some drum and bass bangers.LF System are ready to show off some well-crafted mixes.Credit: Publicity Pictures (Supplied)
‘The Drop’ kickstarts on 27 March for the Spring season with international DJ and producer Turno from 6:30-11pm, with sets happening every month following, tickets are already available.
Read more:
Moovin Festival announces 2025 lineup for much-loved Stockport event
You Are Not Alone Festival deliver gutting delay news
Three iconic Manchester bands nominated to join the legendary Rock & Roll Hall of Fame
Following on from this is the sensational LF System are taking over with a coffee table set joined by some special yet-to-be-announced guests on 24 April – tickets HERE.
Finally, DJ Paulette will be bringing those massive rave bangers and combining it with her usual charismatic energy on 15 May – grab your tickets now.
Cage the Elephant at Manchester O2 Apollo – as electric, explosive and energetic as ever
Daisy Jackson
Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer
Hannah Starkie -
5th November 2021 
