You might recognise these two from the programme Waterloo Road, first moving into the public eye as Rhona and Shona Mansfield in the popular high school drama.
But twin sisters Millie and Hope Katana – a.k.a. The KTNA – have done A LOT of growing up since then.
Now two strong independent women, the self-titled ‘Sisterz of Darkness’, with their edgy style and alluring sound, couldn’t be further away from the school ties and blazers that kickstarted their career.
First of all, we’re too curious about the nickname. So The KTNA tell us how it came about – amongst all the other things that the duo have got going on right now.
“The ‘Sisterz of Darkness’ came to be, originally, because we wear a lot of black and a lot of black high shine leather and PVC – think trinity from the matrix,” said Millie and Hope. “That coupled with the fact we write with a lot of melancholy and sadness, it became the perfect nickname for us and it stuck. We actually love it.”
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With this, The KNTA have managed to forge a strong image and brand that works seamlessly together with their music. The girls are the full package, brimming with passion and a raw honesty.
A strong sisterly bond
The music industry is a tough nut to crack, everyone knows this. But no one knows it more than those who are working tirelessly to make a break. Luckily, the KTNA are there – and they’ve got each other. And as twin sisters, their bond runs even deeper than your typical duo or band, producing a whole new level of trust.
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“We’ve been singing together in harmony since before we could talk. I think it’s subconsciously something we always knew we wanted to do,” they said. “However the reality is, it’s really difficult.”
“To know your sister is as disappointed or heartbroken sometimes is awful. That said we wouldn’t change it for the world. There’s always someone for me to trust, somewhere safe and that’s with my sister. That’s pretty amazing.”
They’ve got their mum to thank for their taste in music, who has fed them on a diet of purely “the finest music of the past” throughout their childhood. Because of this, the girls cite Stevie Wonder as their biggest inspiration, describing his song writing as “other-worldly”. This is all thanks to their mum’s music time machine.
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Though, as they’ve got older, they’re into soft rock and classical a bit more. This shines through in their music today, and is clearly what gives them their refined soulful yet punky edge – the signature The KTNA style.
Empowering music
With over a year spent in lockdown, they were able to put plenty of time aside to lay down the foundations of their brand-new EP ‘Resurgence’ which is out on 24 November.
As long-time fans of The KTNA, we know they produce empowering music time and time again. And this new project will be no different. Except we might be seeing a new era of The KTNA.
“‘Resurgence’ is slightly more up-tempo but we’re still dark-sided chicks,” Millie and Hope tell us. “It’s entirely self-written and produced – and as women, we are so, so proud of being able to put out work that hasn’t been dictated by men. Resurgence is our re-birth.”
Ahead of the release of Resurgence, they’ve released a couple of from the project, like ‘Can’t Stop It’ which is a sultry R&B track, accompanied by some amazing leather and chain-clad visuals.
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Now you’ll see why the nickname “Sisterz of Darkness” makes sense. But more importantly, the playful metaphor of the chains explores the idea of breaking free from things are holding you down. This is what the girls are all about. Building strength and hope through their song writing, to help others through their own experiences.
On the road
As well as new music, the KTNA have just announced their first ever headline tour for next year. Which if you’ve seen these two perform live before, you’ll know they come into their own and are bursting with personality.
So the tour kicks off on Wednesday 30 March at Headrow House in Leeds. Then they’ll visit Bristol and London before winding up back in Manchester on Saturday 2 April where they’ll play YES’s Pink Room.
Millie and Hope admit one of their favourite things about touring and performing in front of crowds is making people cry.
Okay, not actually cry like that, obviously. But what they mean is seeing people get emotional over their music means here job here is done. They’ve created something that means that much to someone.
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“Looking out into the crowd and seeing people singing along or crying is the best feeling in the world. It still blows our mind that people know our songs to be honest.
“There’s nothing better than going to see a great show with great music and we cannot wait to do that every night. Being on stage is our most favourite thing to do, so we are going to give it some right welly!” they said.
Tickets are on sale now, grab them whilst you can here.
The future
With new music and touring all in the pipeline, The KTNA are still looking beyond that. With plans for a third EP already in motion to complete the trilogy, the girls will finally make a start on an album after that.
But above all else, they’re just ready to play more shows, make more beautiful music and keep growing as artist, producers and people. And we’re looking forward to seeing where The KTNA go.
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If you’re a fan of music in Manchester, head here to read more – and make sure you’re following The Manc Audio for updates on music and events in the city.
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Hannah Starkie -
5th November 2021 
