You might recognise these two from the programme Waterloo Road, first moving into the public eye as Rhona and Shona Mansfield in the popular high school drama.
But twin sisters Millie and Hope Katana – a.k.a. The KTNA – have done A LOT of growing up since then.
Now two strong independent women, the self-titled ‘Sisterz of Darkness’, with their edgy style and alluring sound, couldn’t be further away from the school ties and blazers that kickstarted their career.
First of all, we’re too curious about the nickname. So The KTNA tell us how it came about – amongst all the other things that the duo have got going on right now.
“The ‘Sisterz of Darkness’ came to be, originally, because we wear a lot of black and a lot of black high shine leather and PVC – think trinity from the matrix,” said Millie and Hope. “That coupled with the fact we write with a lot of melancholy and sadness, it became the perfect nickname for us and it stuck. We actually love it.”
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With this, The KNTA have managed to forge a strong image and brand that works seamlessly together with their music. The girls are the full package, brimming with passion and a raw honesty.
A strong sisterly bond
The music industry is a tough nut to crack, everyone knows this. But no one knows it more than those who are working tirelessly to make a break. Luckily, the KTNA are there – and they’ve got each other. And as twin sisters, their bond runs even deeper than your typical duo or band, producing a whole new level of trust.
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“We’ve been singing together in harmony since before we could talk. I think it’s subconsciously something we always knew we wanted to do,” they said. “However the reality is, it’s really difficult.”
“To know your sister is as disappointed or heartbroken sometimes is awful. That said we wouldn’t change it for the world. There’s always someone for me to trust, somewhere safe and that’s with my sister. That’s pretty amazing.”
They’ve got their mum to thank for their taste in music, who has fed them on a diet of purely “the finest music of the past” throughout their childhood. Because of this, the girls cite Stevie Wonder as their biggest inspiration, describing his song writing as “other-worldly”. This is all thanks to their mum’s music time machine.
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Though, as they’ve got older, they’re into soft rock and classical a bit more. This shines through in their music today, and is clearly what gives them their refined soulful yet punky edge – the signature The KTNA style.
Empowering music
With over a year spent in lockdown, they were able to put plenty of time aside to lay down the foundations of their brand-new EP ‘Resurgence’ which is out on 24 November.
As long-time fans of The KTNA, we know they produce empowering music time and time again. And this new project will be no different. Except we might be seeing a new era of The KTNA.
“‘Resurgence’ is slightly more up-tempo but we’re still dark-sided chicks,” Millie and Hope tell us. “It’s entirely self-written and produced – and as women, we are so, so proud of being able to put out work that hasn’t been dictated by men. Resurgence is our re-birth.”
Ahead of the release of Resurgence, they’ve released a couple of from the project, like ‘Can’t Stop It’ which is a sultry R&B track, accompanied by some amazing leather and chain-clad visuals.
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Now you’ll see why the nickname “Sisterz of Darkness” makes sense. But more importantly, the playful metaphor of the chains explores the idea of breaking free from things are holding you down. This is what the girls are all about. Building strength and hope through their song writing, to help others through their own experiences.
On the road
As well as new music, the KTNA have just announced their first ever headline tour for next year. Which if you’ve seen these two perform live before, you’ll know they come into their own and are bursting with personality.
So the tour kicks off on Wednesday 30 March at Headrow House in Leeds. Then they’ll visit Bristol and London before winding up back in Manchester on Saturday 2 April where they’ll play YES’s Pink Room.
Millie and Hope admit one of their favourite things about touring and performing in front of crowds is making people cry.
Okay, not actually cry like that, obviously. But what they mean is seeing people get emotional over their music means here job here is done. They’ve created something that means that much to someone.
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“Looking out into the crowd and seeing people singing along or crying is the best feeling in the world. It still blows our mind that people know our songs to be honest.
“There’s nothing better than going to see a great show with great music and we cannot wait to do that every night. Being on stage is our most favourite thing to do, so we are going to give it some right welly!” they said.
Tickets are on sale now, grab them whilst you can here.
The future
With new music and touring all in the pipeline, The KTNA are still looking beyond that. With plans for a third EP already in motion to complete the trilogy, the girls will finally make a start on an album after that.
But above all else, they’re just ready to play more shows, make more beautiful music and keep growing as artist, producers and people. And we’re looking forward to seeing where The KTNA go.
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If you’re a fan of music in Manchester, head here to read more – and make sure you’re following The Manc Audio for updates on music and events in the city.
Legendary Hulme community pub The Old Abbey Taphouse to reopen
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme – the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue will live on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, is currently being carefully restored ahead of its big relaunch just next week.
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’ll also be affordable, hearty pub grub including Pieminister pies, and a huge range of beers from local breweries and beyond.
The team bringing The Abbey to life are Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth – Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manchester venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year; and Gareth is the founder of multi-venue festival Manchester Psych Fest.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch is part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
Glimpses of The Abbey’s refurb. Credit: The Manc Group
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth Hemmingfield from The Abbey commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area. Honouring the pub’s history while building its future.”
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.
Hannah Starkie -
5th November 2021 
