Manc music veteran Richard Ashcroft has big hopes for the upcoming season of live music at Wigan’s Robin Park, insisting that gigs like his self-titled double bill could help his hometown become “a focal point music for the first time in years”.
The former Verve frontman turned successful solo artist was speaking to host Anna Jameson on BBC Radio Manchester earlier this week when he explained just how big a deal this series of Wigan concerts could be for the area.
Beyond the likes of himself, his former band, The Lathums and Railway Children, to name just a few, there aren’t too many notable music names to have come out from the WN postcode – but that isn’t to say there isn’t plenty of talent and potential to do so.
Bigging up the borough as an “amazing place” that’s perhaps sometimes overlooked, he’s keeping his fingers crossed that Mancs and people from all over the region, including the local council, can “get right behind” the upcoming calendar of Wigan concerts to shine the spotlight on it once again.
As he goes on to tell Jameson, he envisions this going on to become a platform for new, up-and-coming artists not only from Wigan but across Greater Manchester, insisting that “there’ll be this week where young bands play venues, bigger bands come” and so on, giving grassroots something “to build to”.
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Noting that the foundations have already been lain with this first lot of gigs, with the likes of fellow natives The Stanleys and Maxwell Varey named as two of Richard Ashcroft‘s warm-up acts this summer, alongside more well-known outfits like Cast and The Zutons.
In the middle of the pack, you also have rising Scouse stars Red Rum Club and The Royston Club from Wrexham, who are also making plenty of waves, so it looks like the groundwork is very much there.
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There are a variety of other gigs at Robin Park as the area looks to emulate the early success seen from similar bookings over in Wythenshawe like Noel Gallagher’s headliner in 2023 and in Wigan later this year, as well as Blossoms’ mini-festival.
The 52-year-old believes his shows among the others at Robin Park this summer could leave a “legacy” and give something for people to look back on and remember it as a moment in which, “for the first time in years, Wigan became a focal point for music” in the North and across the country.
Speaking to ITV earlier this week also, the Britpop legend admitted that despite coming up in the same era as the likes of The Stone Roses and Oasis, not to mention in such close proximity, those figures always seemed “larger than life” but that it’s an honour to go back home on such a big scale.
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It’s been over two and a half decades since he and The Verve played their iconic Haigh Hall gig to more than 33,000 locals and the two Robin Park gigs on 20-21 July are set to be on an equally massive scale.
You can still try and grab tickets and listen to the rest of his interview on BBC Sounds HERE.
Featured Images — BBC Radio Manchester/Ed Webster (via Flickr)
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Festival-goers urged to stop taking wheelie bins full of booze
Daisy Jackson
Festival-goers have been warned not to take wheelie bins full of alcohol to festivals with them this summer.
The warning has come ahead of this year’s Download Festival, which takes place next month and kicks off the summer’s biggest run of festival dates.
But a major train operator has said there have been incidents in the past of passengers trying to travel to festivals with wheelie bins and luggage trolleys.
Passengers have had to be reminded that wheelie bins are not permitted on board, and they should instead only carry as much luggage as they can comfortably carry.
The warning comes from East Midlands Railway, one of the key services that will whisk people to Download Festival between 10 and 14 June.
Customers returning from the festival are also encouraged to use boot-cleaning brushes provided at stations to help remove mud before boarding trains.
Philippa Cresswell, customer experience director at East Midlands Railway, said: “We’re encouraging customers to travel light.
“Last year, some festive goers tried to board services with wheelie bins or festival trolleys full of beer. While it might seem like a great idea for getting your supplies to the festival, it just isn’t safe or possible to bring them onboard train services.”
Festival-goers urged to stop taking wheelie bins full of booze
EMR has also warned customers to plan journeys in advance, with engineering work taking place at various locations on the Midland Main Line, near where Download Festival takes place.
She continued: “We’re advising customers travelling to Download Festival to plan their journeys in advance and be aware that essential engineering work will affect services across the weekend.
“As a result, some services will be reduced or amended, and passengers should check before they travel and allow extra time.”
Review | PinkPantheress turns O2 Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, O2 Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Danny Jones -
1st May 2024 
