Last night finally saw the inaugural Northern Music Awards take place at the iconic Albert Hall, a night celebrating everything we know and love about the North: we love our music and we’re bloody good at it, and we also know how to have a knees up better than anyone.
The landmark awards ceremony, put on by music therapy charity Nordoff and Robbins and backed by dozens of local, national and global brands (including our lovely selves here at The Manc) has been 18 months in the making and faced plenty of obstacles, but nothing us Northerners couldn’t overcome.
More importantly, it was well worth the wait. Hosted by BBC Radio 6 Music presenter and passionate Nordoff and Robbins ambassador, Chris Hawkins, the night was packed not only with handing out shiny gongs but moving speeches, live performances from some big acts and a great ol’ boogie at the end.
From digs about Co-op Live not quite being ready and jabs at the government, HS2 and investment in Northern infrastructure when an award-winner couldn’t make it on time, to Gary Neville telling City fans to “f*ck off” and Andy Burham giving a rousing speech about why the North is top banana, it had it all.
So who picked up what at the first-ever NMAs for 2024?
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The winners of the very first Northern Music Awards
Although a few acts recognised on the night had to phone in, the overall turnout was incredible, with speeches and a stunning stripped-down performance by Liam Fray, household names like Simon Rimmer helping hand out the gorgeously floral and abstract trophies, it was a truly special night at Albert Hall.
It was also wonderful to see how many people were getting involved with Nordoff and Robbins’ charity raffle and silent auction, with all the proceeds going straight back into helping the non-profit carry out its heartwarming work across the country.
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But let’s get into who took home the bit of bronze, shall we?
Music and Culture for Wellbeing: Dance Syndrome – Lancashire
Inspirational Venue of the Year (under 500 cap): Brudenell Social Club – Leeds
Inspirational Venue of the Year (under 2000 cap): Band on the Wall – Manchester
Festival of the Year: Beat-Herder – Lancashire
Well, look who it is!
Industry Icon Award: Michael Adex – Manchester
Newcomer of the Year: English Teacher – Leeds
DJ of the Year: DJ Paulette – Manchester
Breakthrough Act of the Year: The K’s – Earlestown
Artist of the Year: Louis Tomlinson – Doncaster
Band of the Year: The Courteeners – Manchester
Music Moment of the Year: Aitch, Glastonbury – Manchester
Disruptor in Music: The Reytons – Rotherham
Northern Icon Award: Lisa Stansfield – Manchester
Special Recognition Award: Melanie C – Merseyside
LiveNation’s Northern Music Award: Tim Burgess – Salford
Congratulations to all of the winners – so well deserved and all spoke so well about why a dedicated Northern Music Awards matters, embodying exactly why we love it so much up here.
Host Hawkins said it perfectly on the night, these posh dos could take place at who knows where in the future just so long as the only rule is: “insert Northern town or city here“. It was an honour to kick off the Northern Music Awards here in Manchester but we’ll happily big up our Northern cousins any day.
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As he reminded us by expertly reeling off a lengthy list of the iconic names to have come out of not just 0161 but the North in general – he even managed to make it rhyme, for the most part – it’d be greedy try and keep it all to ourselves when there are so many other top-tier venues that deserve spotlighting.
Who knows, maybe it’ll head Yorkshire way and our friends over at The Hoot will help take on that difficult second album in 2025.
Regardless, we’ll remember the legend that is Lisa Stansfield still not even breaking a sweat as she got the Albert Hall up on its feet forever and we cannot wait for next year, wherever it may be.
Rochdale AFC go viral with song choice during promotion party celebrations
Danny Jones
Rochdale AFC are going viral on their return to the Football League, not just because of the remarkable end to their already spectacular season, but over their song choice during the promotion party in the dressing room.
We promise you: even if you haven’t seen it already, you will absolutely love this clip.
For those who haven’t been following their journey over the 25/26 campaign, Rochdale AFC were promoted back to League Two and the EFL proper, after more than a century in the top four divisions came to an end back in 2023.
Thankfully for the Greater Manchester side, who have always served as an important grassroots side throughout the decades, their hiatus wasn’t too long, and scenes inside the Wembley dressing room have been circulating all over social media – especially thanks to the track selection.
— National League on DAZN (@DAZN_NationalLg) May 10, 2026
If Olivia Dean is the artist of the moment, then Rochdale simply have to be one of the teams of the year.
Lifting the National League playoff trophy in the aftermath of a tense 2-2 draw, where the Vallians came back from a two-goal deficit to bring the tie level – thanks to goals from substitute Tyler Smith and Emmanuel Dieseruvwe in the 78th and 96th minute, respectively – you could say they were men in need.
Managing to then survive extra time and make it to penalties, another pair of crucial saves in the shoot-out from starring keeper Oliver Whatmuff, and a decisive miss from Boreham Wood’s Cameron Cox sealed the dramatic win for The Dale.
Breathless stuff.
All that being said, you’d expect some of the usual football-adjacent big win bangers to be heard in the aftermath of a playoff win: ‘Freed From Desire’, chants of ‘We are going up’, ‘Sweet Caroline’ these days, and so on.
But not these lot: they decided to stick on ‘Man I Need’, singing their hearts out and jumping up and down in unison like they were in one of her two recent Manc crowds themselves.
In case you missed it, her Co-op live shows were unsurprisingly incredible, but we’ll admit that seeing a bunch of blokes scream and cheer as they throw drinks in the air and sip suds straight from the shiny cup has definitely added another dimension to our love for this song and the Olivia ‘Deannaissance’.
Not only has the soulful singer-songwriter written one of the best radio hits in recent memory, for our money, but she’s even getting now former non-league footballers choosing her as the soundtrack to their main character moments.
You just love to see it (watch the full highlights HERE).
With Jimmy McNulty’s side having only just narrowly missed out on automatic promotion and the National League crown in that crazy title-decider against fellow entertainers York City, it can’t be denied that they’ve been the other truly box office outfit this term; another late comeback proved it once again.
No side with over 100 points and 90 goals scored should be denied going up and a piece of silverware, which is why, although they’ve been a great advert from the fifth tier, so many are still calling for ‘3UP’. We want more moments like this, please…
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?