Sacha Lord has announced that he is to exit his role at Parklife and The Warehouse Project with immediate effect.
Greater Manchester‘s Night Time Economy Advisor, and the current Chair of the Night Time Industries Association (NTIA), co-founded The Warehouse Project alongside business partners, Sam Kandel and Rich McGinnis, all the way back in 2006, and following the undeniable success of the venture, went on to launch Parklife festival in 2010.
But now, after 30 years at the top of Manchester’s music scene, Sacha has decided now is the time to step away from the industry and move on to “the next chapter” to focus on a number of other exciting future endeavours.
He has today confirmed he will be departing the businesses following a transfer of shares to LN Gaiety – which was agreed in 2021.
“The decision to step down was not an easy one,” Sacha said in an official statement.
“I will miss the team, the events, the customers, I’ll even miss the stress and the late nights, but I’ve known for a long time that Parklife 2024 was going to be the last for me. There could not have been a more perfect moment for me to step away than now – exactly 30 years since my first event at The Hacienda.
Sacha, who last month announced he is expecting a baby with his wife, Demi, says he’s “so excited for what’s to come” in the future.
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He continued: “This decision will free up my time to focus on my roles in the night time economy and hospitality sectors, and of course, most importantly, the birth of my first child with my beautiful wife Demi later this year.”
Sacha Lord announces he’s leaving his role at Parklife and The Warehouse Project / Credit: Greater Mancunians Project (via Supplied)
The Warehouse Project has regularly been named one of the best nightclubs in the world, and was even described by DJ Mag as “the concept that flipped the British nightlife script”, thanks to the countless internationally-acclaimed artists that have featured on the lineups over the last two decades.
Parklife, on the other hand, is Europe’s largest metropolitan music festival held annually, and has welcomed some of the biggest names in music, including Liam Gallagher, The 1975, and 50 Cent, to its Heaton Park stages.
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Closing out his exiting statement, Sacha said he’d like to thank the “millions of people who have stepped foot into The Warehouse Project or Parklife over the last few decades”, as well as express its gratitude to “those who have supported me and the team”.
The Warehouse Project was founded in 2006, and Parklife first began life in 2010 / Credit: WHP | Steve Turvey (via Supplied)
“I would also like to thank the tens of thousands of staff members we’ve had over the years, the suppliers, and those closest to me for putting up with the late nights.
“I am very excited to watch from afar, and I’d like to wish the team the very best going forward.”
Looking ahead, Sacha says he will now continue his work as “a voice for hospitality” across the UK, and will focus on several other avenues of business.
As well as having served as the region’s Night Time Economy Adviser since 2018, and currently holding the position as Chair of the NTIA, Sacha is also the Chair of the local football team, Wythenshawe FC, and is the founder of his very-own charity, the Sacha Lord Foundation.
The Sacha Lord Foundation is a charitable organisation seeking to encourage and support young people entering the hospitality sector.
Featured Image – Darren Robinson Photography (via Supplied)
Audio
Lady Gaga is a tour-de-force of talent at the Co-op Live Manchester
Clementine Hall
Lady Gaga proves she’s a truly world-class act after two sold-out nights at the Co-op Live Manchester, as if we needed any reminding.
The city of Manchester has been flooded with harness-wearing, mesh-sporting little monsters over the past two days.
And that’s because the absolute icon that is Lady Gaga brought her ‘Mayhem Ball’ to the Co-op Live for two nights.
I don’t think you’ll find anyone who doesn’t know who this fabulous woman is. Over the past decade, she’s won an Oscar, headlined the Super Bowl, performed in blockbusters alongside Al Pacino, no less, and her songs are literally ingrained into our minds.
It’s been a whole 11 years (yes, really) since she performed in Manchester, and it’s safe to say she was back with a bang.
The performance was split up into five distinct acts, and each one was as exhausting and exhilarating as the next.
She begins the show by bopping out of a comically huge red dress, but this staging was only the start of what madness was about to ensue.
Luckily, we’d been prepared by the other half of the Audio North team, who had the equal privilege of seeing her on night one and were left similarly speechless.
Throughout the 30-song epic, we had crutches, sand pits, cages, skeletons, enough wigs to produce an amateur production of Annie, and we didn’t question any of it. Why would we? It’s Lady Gaga.
Kicking things off with ‘Bloody Mary’, the two and a half hour marathon didn’t leave any stones unturned.
We had all the bangers, from ‘Just Dance’ and ‘Paparazzi’ to ‘Bad Romance’ and ‘Applause’, it had us wondering why any other superstar even bothers putting a song out these days.
Pop is in a good place at the moment with the likes of Sabrina Carpenter, Chappell Roan, Dua Lipa, Billie Eilish and so on, but you can make a strong case for Gaga having helped pave the way for every lady in the business ever since.
Gaga truly had us in the palm of her hands (or claws at one point), even more so when she left the stage to de-robe and show her more vulnerable side for the last two songs – beanie firmly on.
It wasn’t just a concert: this was a fully-fledged tour de force of talent that Manchester won’t forget any time soon.
Sometimes there’s no point in intellectualising why someone has that ‘X-factor’; sometimes you just have to take a step back and say WOW.
Manchester nightclub clamps down on no-phones policy after ‘disappointing’ rule breakers
Daisy Jackson
Amber’s, a nightclub in Manchester with a strict no-filming policy inside, has shared a strict new set of rules to prevent people using their phones.
The venue says it’s seen an ‘increased amount of phones on the dance floor’ despite its very clear policy against such a thing.
That’s included a recent set from Fred Again, where videos of his show were all over social media the next day.
Amber’s has said it’s ‘disappointing’ to see people flouting the rules of the space, leading to the venue introducing a zero tolerance policy.
Fans who are caught filming on their phones will be asked to leave Amber’s on the spot – no second chances.
There’ll even be extra members of staff patrolling the venue, to protect the ‘vibe of the space’.
“If you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s,” they shared.
Amber’s wrote in a statement today: “Since our launch back in December, we have made it very clear that we are a No Phones venue. We want to create an experience for everyone where they are present in the moment and not distracted by phones.
“While the majority of people that attend Amber’s keep their phones away, there are a select few that don’t.
“This is of course disappointing.
“Over the recent weeks and months, we have seen an increased amount of phones filming on the dancefloor and we are aware of numerous videos shot on phone appearing online.
“To those that come to Amber’s and respect our house rules, thank you, you are contributing to an incredible vibe in the room.
“For those that don’t, we ask that you think about the space and the people around you before removing your stickers.
“The rules previously have been that if you are seen filming on your phone, you are politely asked to stop, if you are seen again, you are asked to leave the venue.
“From now on, as a renewed pledge to our No Phones policy, if you are seen recording in the venue, you will be asked to leave, there will be no second chances.
“There will now be extra members of staff patrolling the venue, ensuring that the vibe of the space is protected and if you are spotted at any point across the night using your phone to record, you will no longer be permitted inside Amber’s.
“Open your mind. Honour the concept. Respect the space.”