Sacha Lord has announced that he is to exit his role at Parklife and The Warehouse Project with immediate effect.
Greater Manchester‘s Night Time Economy Advisor, and the current Chair of the Night Time Industries Association (NTIA), co-founded The Warehouse Project alongside business partners, Sam Kandel and Rich McGinnis, all the way back in 2006, and following the undeniable success of the venture, went on to launch Parklife festival in 2010.
But now, after 30 years at the top of Manchester’s music scene, Sacha has decided now is the time to step away from the industry and move on to “the next chapter” to focus on a number of other exciting future endeavours.
He has today confirmed he will be departing the businesses following a transfer of shares to LN Gaiety – which was agreed in 2021.
“The decision to step down was not an easy one,” Sacha said in an official statement.
“I will miss the team, the events, the customers, I’ll even miss the stress and the late nights, but I’ve known for a long time that Parklife 2024 was going to be the last for me. There could not have been a more perfect moment for me to step away than now – exactly 30 years since my first event at The Hacienda.
Sacha, who last month announced he is expecting a baby with his wife, Demi, says he’s “so excited for what’s to come” in the future.
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He continued: “This decision will free up my time to focus on my roles in the night time economy and hospitality sectors, and of course, most importantly, the birth of my first child with my beautiful wife Demi later this year.”
Sacha Lord announces he’s leaving his role at Parklife and The Warehouse Project / Credit: Greater Mancunians Project (via Supplied)
The Warehouse Project has regularly been named one of the best nightclubs in the world, and was even described by DJ Mag as “the concept that flipped the British nightlife script”, thanks to the countless internationally-acclaimed artists that have featured on the lineups over the last two decades.
Parklife, on the other hand, is Europe’s largest metropolitan music festival held annually, and has welcomed some of the biggest names in music, including Liam Gallagher, The 1975, and 50 Cent, to its Heaton Park stages.
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Closing out his exiting statement, Sacha said he’d like to thank the “millions of people who have stepped foot into The Warehouse Project or Parklife over the last few decades”, as well as express its gratitude to “those who have supported me and the team”.
The Warehouse Project was founded in 2006, and Parklife first began life in 2010 / Credit: WHP | Steve Turvey (via Supplied)
“I would also like to thank the tens of thousands of staff members we’ve had over the years, the suppliers, and those closest to me for putting up with the late nights.
“I am very excited to watch from afar, and I’d like to wish the team the very best going forward.”
Looking ahead, Sacha says he will now continue his work as “a voice for hospitality” across the UK, and will focus on several other avenues of business.
As well as having served as the region’s Night Time Economy Adviser since 2018, and currently holding the position as Chair of the NTIA, Sacha is also the Chair of the local football team, Wythenshawe FC, and is the founder of his very-own charity, the Sacha Lord Foundation.
The Sacha Lord Foundation is a charitable organisation seeking to encourage and support young people entering the hospitality sector.
Featured Image – Darren Robinson Photography (via Supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
18th July 2024 
