Tuesday night saw thousands head towards the Etihad Campus for two massive events: one of them being Man City playing in the Champions League and the other one, arguably the biggest metal gig of the year as Sleep Token made their Co-op Live debut.
The alternative prog metal group have had an unreal 12 months or so and while the mysterious, masked rockers have actually been around since 2016, the past year has been truly seismic for their now global profile – hence why they were able to sell out Manchester’s biggest arena at the first time of asking.
Bands don’t just walk into places like the 23,500-capacity Co-op Live arena; anyone playing gigs of that size needs to have earned a rather massive audience in order to do and, in the case of this particular artist, that following feels a little bit more cult-like and fanatical.
We mean that in the nicest way possible, by the way, and we now well and truly have faith in the musical and slightly macabre church of Sleep Token. It all started with an unforgettable intro.
Actually, first off, we have to give a huge hand to warm-up act Bilmuri. We were admittedly almost just as excited to see these guys for the first time and they pulled an absolute blinder landing the support slot for this modern metal gig as, much like the main event, their music is just a bit different.
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In the same way that Sleep Token aren’t just straight-up heavy, thrash, death or any particular kind of metal for that matter, neither are Bilmuri. For one, they’re straight-up hilarious, with frontman Johnny Franck spending lots of time both cracking up and ‘cranking’ up the crowd by ‘the hog’ in between songs, amidst playing a mix of alternative metal, post-hardcore and pop-punk.
The various genres being fused on stage are truly wild. Growling and Kevin James at the Daytona 500 samples (yep) are followed by everything from catchy pop choruses to wonderful jazzy solos from their incredible saxophonist and backing singer Gabi Rose, and that’s just the tip of the iceberg. Point is, us fans in the crowd may have only been few, but it worked because their style is every bit as sprawling.
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Bilmuri will be back playing the Ritz here in Manchester in March of next year; we sincerely recommend you give them a listen and grab a ticket because they were just non-stop fun. We can only imagine how good value for money a full headline show in a smaller venue filled their listeners is. Now onto the ‘cult’.
We love these guys so much – give them a try. (Credit: The Manc Group)
Sleep Token took Manchester to mass
Although the London-formed five-piece has fully lent into this whole semi-religious angle – even labelling attendance to one of their gigs and singing along to the often celestial vocals of their once anonymous frontman as ‘worship’ – it’s a theme that’s sadly been used as a stick to beat metalheads with in the past.
There is undoubtedly a gothic and somewhat satanic element to their aesthetic, especially on the face of things with the painted black arms, Japanese-influenced masks covered in ritualistic markings and dripping with blood etc., but when you actually look beyond the surface it’s simply good world-building.
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Lead singer ‘Vessel’ (all of the band members go by specific monikers) had his identity figured out not too long ago, but the whole idea of his overall style, purpose and allure is that he’s supposed to be the physical embodiment of something bigger and a conduit within the wider Sleep Token lore.
Oh yeah, this stuff is super detailed.
Most notably, though, it was probably the visuals overall that really struck us the most. It wasn’t just in looking at the various slightly demonic-looking characters on stage and hooded figures that served as the most enchanting backing singers, it was the utterly stunning production levels.
When we say it was possibly the most impressive use of lighting and effects we’ve come across in our many years of gigging, we’re not exaggerating. From that incredible entrance and hanging LEDs dripping with colour throughout slow songs, to the smoke literally creeping along broad beams of light like some kind of ghostly presence, it felt like we were in a trance at several points throughout the gig.
Mesmerising (Credit: The Manc Group)
Metal isn’t just lots of aggressive guitar and drums – at least not any more
It was in moments like this that we were taken aback by just how wholesome the crowd had been all night – again, something that heavier rock gigs never get credit for. In fact, a current trend at metal shows is for people to hold up pictures of their cats and that was exactly what we walked into. Adorable.
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The point we’re getting at is that while this particular show had plenty of headbanging of course, especially with how insane some of the bass and drum work is in Sleep Token’s many breakdowns, Co-op Live wasn’t pure moshpits and carnage. Far from it, to be honest.
When those aforementioned lights were tracing around the massive arena, we constantly found ourselves looking around the room and staring up at the sky, before immediately noticing thousands of other people doing the same. There were just as many heart symbols in the air as there were devil horns.
Phone torches were held high during ‘Euclid’ and the room lit up like a night sky. That’s nothing at gigs these days, we know, but it’s worth noting just to put things into perspective for those who may have long misunderstood the metal crowd, ‘moshers’ and ’emos’ – whatever meaningless word gets thrown around most these days.
Who wore it better?He truly was a godly figure up there on that stage at times.Cosplays and a Manc choir? There was nothing ‘devil-worshipping’ about this crowd, they were wholesome AF. (Credit: The Manc Group)
The highlights were as you would expect if you’re a fan: ‘The Offering’ got those grumbly distorted guitars in nice and early, ‘Granite’ had everyone from the goth girls to the middle-aged blokes doing their very best sexy dance; ‘Alkaline’ put literal chills on our spine – as did all of the vocals from start to finish.
It may have just been our ears playing tricks on us but Vessel’s voice and quivering hands were so full of emotion that we swear we could hear him crying through the lyrics on more than one occasion. Whether for the pageantry or not, there were plenty of very real people smiling up at him with teary eyes.
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You’ll never hear quite as much genre-bending as you do in ‘The Summoning’ and watching everyone change gears from just pure, no-nonsense heavy metal to grooving out to the sudden shift to funk rock was a real joy. It was probably the standout of the whole night, but it was a triumph all-round.
We’ve been enjoying Sleep Token from afar for a while now and always really appreciated how technically impressive and groundbreaking the music felt, even just on a pure sonic level, but it’s only now we’ve been to one of their shows that we think we ‘get‘ the obsession and why more and more followers are flocking to see them live in the flesh.
Call it unique, strange, disturbing — call it whatever you want, the fans couldn’t care less. It was a pseudo-religious experience for a lot of people in that room and while it may take us a while to fully convert, we’re very open to the concept. Even if just for that magical intro alone, to be honest.
Live music has always been like church to us, so we can always get behind hero-worshipping like this.
Kings of Leon at Co-op Live Manchester – tickets, times, setlist and more for UK tour
Thomas Melia
American rock band Kings of Leon are making their way to Manchester for a second visit to Co-op Live as part of their current EU/UK arena tour.
Formed in 1999 by brothers Caleb, Nathan, Jared, plus their cousin Matthew Followill, the rock band has gone on to achieve nine top 40 singles and six UK number one albums.
The rockers have two singles in Spotify’s Billions Club, including their standout hit ‘Sex on Fire’, which has amassed over 2 billion streams and ‘Use Somebody’ with 1.2 billion – two tracks that helped skyrocket them from cult favourites here in Britain to global superstars.
This four-piece’s latest LP, Can We Please Have Fun, dropped mid-2024 and knowing how energetic crowds were at the previous Manc gig, it’s safe to say we’ve got this covered.
They even let us know the England score last time out (read our full review), too.
Gig guide – Kings of Leon at Co-op Live, Manchester
Kings of Leon UK tour dates
Fri 3 July – Glasgow, UK – Bellahouston Park
Sat 4 July – Manchester, UK – Co-op Live
Mon 6 July – Leeds, UK – First Direct Bank Arena
Are there any tickets left for Kings of Leon at Co-op Live?
If you’re wondering where you’ll ‘Find Me’ on Saturday 4 July, it is probably watching these four relatives play their two decades’ worth of hits at Co-op Live.
Don’t ‘Waste a Moment’ as there’s only a limited number of tickets left if you’re after catching a glimpse of Kings of Leon live – get yours HERE.
Kings of Leon are gearing up for their Manchester gig at Co-op Live this July (Credit: Press shot)
Kings of Leon setlist for 2026 UK tour
These American rockers have been performing all across Europe, switching up a couple of songs at each show; however, the hits below have featured at most of their appearances.
Slow Night, So Long
Waste a Moment
Find Me
On Call
Radioactive
The Bucket
Revelry
Manhattan
Use Somebody
Wait For M
Split Screen
Closer
Molly’s Chambers
Razz
MyParty
Supersoaker
Fans
Back Down South
Seen
Pyro
Black Thumbnail
To Space
Knocked Up
Sex on Fire
What are the stage times for Kings of Leon in Manchester?
Doors for Kings of Leon at Co-op Live in Manchester are set to open at 6pm with a kick-off time of 7pm from a huge indie rock band.
Supporting the US rockers is a band who have received comparisons to Kings of Leon, the loud-and-proud Scottish stars The Snuts, known for their tracks like ‘Glasgow’, ‘Elephants’ and ‘Maybe California’.
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
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Tickets for Kings of Leon’s UK tour dates are selling out fast. (Credit: Raph_PH via Wikimedia Commons)
Featured Images — Publicity pictures (supplied)/Raph_PH (Flickr/WikiCommons)/Audio North
Audio
The best Northern music artists of the month | June 2026
Danny Jones
It’s that time again: we’re back with more fantastic musical artists from across the country’s incredibly creative and talented Northern reaches.
Yes, in case you missed the switch-up in our last edition, with our Audio North team’s work only ramping up by the minute, we’re no longer just sticking to Manchester acts.
After last month’s edition, which saw us gather five different recommendations from all over the North, we’ve got five more bands and artists for you.
Whether it’s an up-and-coming act or one you’ve just forgotten about – maybe they’ve got some notable new material for the first time in a fair while – so long as they’re from up this direction, we’re trying to give props wherever we can. Let’s get stuck in, shall we?
Names from the North we’ve been listening to lately
1. Aaron Dinning
First up, of course, we most certainly will be starting with our official Audio North Artist of the Month for June: Aaron Dinning – a wonderful singer-songwriter who straddles roots in the North East, Yorkshire and now Greater Manchester.
A fast-growing LGBTQIA+ figure, this Durham-born solo artist reflects plenty on what it was like growing up gay on Wearside, as well as how he’s begun to carve a career path of his own thus far, studying and finding his feet in Leeds before moving to 0161.
There’s simply so much both we and, more importantly, HE has to say about his work: which is why you can read our full write-up about this talented young artist right HERE.
In at number two is a name who’s been steadily growing in popularity and who also has her foot in more than one camp; the Glasgow-born adopted scouser that is Brooke Combe is someone we think is only one or two big moments away from blowing up, so enjoy her as ‘your new thing’ while you can.
From seeing her live at the since-closed Canvas (now Ambers) in Manchester city centre as part of Neighbourhood Festival years ago, to catching her playing one of the bigger slots at 2026’s Weekender version in Warrington, the momentum is building.
So much so, we even saw her opening up for showbiz star Jeff Goldblum earlier this year – she even got him to drink IRN BRU. ‘Are You With Me? is the first song we ever heard, and we’ve been hooked ever since, be it ‘How Can I Tell You? (To Love Me More)’ or her new single ‘Tears Won’t Lie’.
Just by chance, a few years ago, we came across a unique gig series by INNSide North UK and Meliá Hotels, where budding artists were being invited to play intimate stripped-back sets from a bedroom: it was here that we first stumbled upon the Geordie charmer, Andrew Cushin.
We think this lad has the voice, lyricism, style and kind of soon-to-bloom following to go to the next level, especially with the right support shows and festival stages; having his song feature on the BBC’s World Cup 2026 coverage certainly hasn’t hurt.
Recommendation-wise, ‘Where’s My Family Gone’ never gets old and we enjoy the upbeat, summery rock energy of his latest track, ‘Goodbye’, and we love the passion locals show for the cult favourite ‘Wor Flags’ in honour of beloved Newcastle United and the dedicated supporters group of the same name.
4. Keyside
Another Liverpudlian entry, rising quartet Keyside have a fervent and super-engaged fan base that’s developing much faster than most recently formed four-pieces you’ll find within this already oversaturated genre; having only been around since 2022, they’re already doing bits.
Whether it be the somewhat high-pitched and perfect level of nasally vocals, the often folky-sounding style of guitar, or at least three out of four haircuts reminding us of The Kooks, there’s something very attractive about their particular jangly brand of indie revival.
I promise that my own personal passion for anything citrus-related isn’t the only reason I enjoy ‘Lemon And Lime’, and as for other standouts, we’d recommend trying out ‘Angeline’ and ‘Runaway’ from their upcoming self-titled debut album in just a few weeks’ time.
See us live on our UK Instore tour
06 Aug – Bury – 5pm sold out – 9pm show just added ‼️ 07 Aug – Leeds – low tickets ‼️ 08 Aug – Liverpool – selling fast ‼️ 09 Aug – London 10 Aug – Nottingham 13 Aug – Glasgow 14 Aug – Edinburgh – low tickets ‼️
Last but not least, we want to heap some long overdue praise on West Yorkshire‘s very own Embrace, a.k.a. the eternal underdogs of domestic alternative rock but one for which our soft spot will never go away. Call it post-Britpop, ‘dad rock’ – call it whatever you want, all we know is we still love these lot.
Perhaps a slight victim of breaking through right after one of the golden eras of guitar-driven music this country has ever seen, it feels like five-piece has never quite been given the plaudits they deserve for consistently putting out beyond solid studio material for the best part of three decades.
We’ve found that they sometimes fall into the category of band where you know their tracks even if you don’t know it’s the – think ‘Gravity’ and ‘Ashes’ – but we’re still eagerly awaiting the day we get to hear the likes of ‘Road to Nowhere’ and our new obsessession, ‘Funny’, in the, at times, genuinely anthemic stadium rock setting they deserve. Just watch them celebrate another top 10 album this month.
There’s something very charming and old-school about this music video.
Sadly, that’s all she wrote – at least until next month anyway.
As always, we sincerely hope you enjoy our picks, and please do drop in any suggestions of what we should listen to next ahead of July’s round-up.
We’re already totting up a few names, and truth be told, we’re still listening to plenty from May’s list, too.