Last night we had to bid an emotional farewell to one of the true GOATS of the rock and pop-punk scene, and also a big part of our childhood and adolescence, as Co-op Live Arena hosted Sum 41 for their last-ever Manchester show on their final world tour.
Sum 41 have been going since 1996, which for those who’ve always had a penchant for thrashy guitars, pounding drums, devil horns and bleach-blonde haircuts, probably explains why they’ve managed to play a part in many people’s youth and formative music years over multiple generations.
The Canadian outfit announced their split after 27 years back in May 2023, much to the heartbreak of their fans all over the globe, but we’d like to think of this conclusion not as a break-up but more of a long goodbye, as by all accounts the members left on stage still have a lot of love for each other and us.
Put simply, they’ve just come to a natural conclusion and after the best part of three decades of jumping up and down, shredding guitar solos, touring the world and some very well-known ups and downs, they’re tired – but thankfully not so exhausted that they couldn’t give us one last party. Exhibit A:
Now, if you’re thinking this was just the crescendo and that they saved the best songs, lights and effects for last, you’re dead wrong.
All Killer, No Filler was Sum 41’s highly-anticipated debut way back in 2001 and even to this day, with eight studio albums to their names, a cult favourite 1998 demo tape and a compilation album of their Solid Gold Hits, that title still sums up – pun obviously intended – what they’re all about.
Even with members coming in and out of the band, record label rivalry, frontman Dereyck Whibley’s very widely publicised battle with boozing, his path to reaching an incredible 10 years of sobriety and alarming revelations in his new memoir, they never put out a bad record despite the ups and downs.
Whibley, 44, said as much on stage too; we lost count of how many times he ended one of their many standout tracks by shouting “STOP!” and a sudden cut to black but also the number of moments in which he paused to reminisce and say thank you to the Sum 41 family.
For a man who literally paid £41,000 (of course) to get back his first guitar decades after it was stolen from his house, brought it out on stage, and played the oldest of the old Sum 41 tracks to a delighted Manchester crowd inside the Co-op, taking the time to be nostalgic clearly means a lot to him and us.
Some start.Lots of bells and whistles.Our review of the final ever Sum 41 live show in Manchester. (Credit: The Manc Group)
Whether it was old favourites like ‘The Hell Song’ and ‘Motivation’, the ever-underappreciated middle years of ‘Underclass Hero’ or their heavier metal era, their first-ever EP Half Hour of Power or their most recent and still celebrated singles like ‘Dopamine’ and ‘Landmines’, it all felt intensely reflective.
It also surprised us just how much of their music we retained even after all this time, as we’re not going to pretend that we’ve been across every release over nearly three full decades of their career, but one thing we will tell you is that no matter how old their audience has grown they haven’t forgotten the words.
More importantly, we loved that although there was a mixed-age crowd and even some very young kids in the stands clearly brought along by the parents who grew up on this stuff, as far as we could tell the main mosh pit was full of late 20s to 30-somethings rolling back the years just like the band on stage.
In a current music moment where a fair few bands have recently cancelled shows or the entire remainder of their tours due to fatigue and various other reasons, there was something about a bunch of middle-aged men still dressed as punks and giving every last ounce of their energy on their umpteenth gig that brought a smile to our faces.
Deryck is still fit and fighting.Pyros instantly improves any rock show.Vocals didn’t disappoint even after all this time, guitar and drum solos were on point and who doesn’t love fire?
For this particular music fan, Sum 41 is genuinely one of the earliest music memories I can recall: sitting cross-legged in front of a big old Panasonic box telly with my brother and watching the iconic ‘In Too Deep’ video and both nodding our heads to that timeless riff as if to confirm it was the coolest thing ever.
Seeing them live at the end of their journey felt super emotional and rather full circle too. I have no interest in rolling out in the ‘it’s not a phase’ meme on this occasion and I won’t dare spoil much more of this very special show in case you’re heading to another date, just make sure you stick in there until the very end as you’ve done so faithfully for all these years.
Sum 41 managed to turn their Co-op Live debut but final Manchester gig from a bittersweet goodbye that we’d been dreading for months into a fond farewell where we had to remind ourselves, ‘Don’t be sad it’s over, just be glad that it happened’ and that we were alive to be part of it.
On that note, we have nothing left to say other than ta-ra, thank you for the memories and for playing such a big role in so many people’s early years spent dreaming of being a rockstar.
The Sum 41 live audience made it a night to remember.There were some very real tears around us.We hope to see you again someday.
Bob Vylan dropped from Manchester music festival following Glastonbury controversy
Danny Jones
English punk rap duo Bob Vylan have been dropped from an upcoming music festival in Manchester following the recent controversy surrounding their set at Glastonbury 2025.
The media storm surrounding their much-talked-about and heavily televised Glasto appearance has seen them reportedly dropped by their agency and their US Visas cancelled, along with multiple concerts – one of those being right here in Greater Manchester.
Bob Vylan were scheduled to play RADAR Fest at Victoria Warehouse in Stretford this weekend, but now the organisers have informed gig-goers that the artists will not be performing in their planned slot on Saturday.
The alternative music event did provide any additional details, posting nothing but this image:
For anyone unaware, Vylan were heavily criticised for the pro-Palestine chants, which Glastonbury itself has deemed as having “crossed a line”, labelling the chants against the Israel Defence Forces (IDF) as antisemitic.
Prime Minister Sir Keir Starmer has also commented on the situation.
In addition to RADAR, Vylan were also due to appear at Kave Fest in France the following Sunday, 6 July, but the music event has also decided not to host them.
The BBC also opted not to broadcast Northern Irish band Kneecap as part of their coverage this year, as the Belfast rap trio have also been outspoken on the issue, among many other musicians of late.
Responding to the decision on social media not long after the news broke, the act simply shared the post on their Instagram story along with the caption: “Silence is not an option. We will be fine, the people of Palestine are hurting. Manchester, we will be back.”
Manchester crowned one of the world’s best cities for music lovers
Emily Sergeant
Manchester has been crowned one of the world’s best cities for music lovers, even beating out New York along the way.
If there’s one thing Manchester is known and loved for over anything else, it’s music.
From Oasis and Joy Division, to Happy Mondays, The Smiths, The Stone Roses, The 1975, and even more modern-day acts, there’s no end to the amount of talented artists this city has produced or been home to over the years, all contributing to Manchester being one of the most prestigious music cities there is.
The city’s live music scene has always been thriving, and that continues right through to this very day, as you’ll see big-name musicians including Manchester as a destination in their UK tour schedules more often than not.
This summer is all set to be a sensational celebration of sound, as not only is an immersive art trail, Music for the Senses, taking over the city from this week, but this year’s annual Manchester Day will be music-themed too, marking one of the biggest years for Manchester music in a long time.
Manchester has been named one of the best cities in the world for music lovers / Credit: Manchester City Council | Eldhose Kuryian (via Unsplash)
Oh, and there’s also the small matter of Oasis reforming for a UK tour, including a run of gigs at Heaton Park this month.
So it’s no surprise that Manchester has been named one of the best cities in the world for music lovers, especially as the IFPI Global Music Report has revealed that the UK has the third largest music market globally – with the music industry’s contribution to the UK economy being £6.7 billion on average.
Taking this recent report into consideration, the experts over at SeatPick have collated data to uncover the best UK cities for music lovers, analysing factors such as the number of concerts, homegrown talents, music businesses, and the total number of music venues, to reveal each city’s overall music score out of 10.
Coming in at second place with a music scene score of 8.97/10 is Manchester.
2025 is all set to be a sensational summer of sound in our city / Credit: Supplied
“Manchester remains one of the UK’s most iconic music cities and with 1,204 concerts between 2025-2026, 116 live music venues, and 380 homegrown acts, the city’s live music offering is as strong as ever,” SeatPick said of its findings.
“2025 is shaping up to be a historic year for Manchester, with Oasis reuniting for the first time in over a decade, with a massive comeback show at Heaton Park – the very spot where they played their last hometown gig in 2009.”
While Manchester may have missed out on the UK’s top spot, with that title going to London, in the global rankings, our city has claimed an impressive sixth place, beating out New York’s influential music scene.
Liverpool and Leeds are two of the other northern cities in the UK’s top 10, taking fifth and sixth place respectively.
“Cities which have a larger number of music businesses are key in creating the perfect city for music fans, as this impacts the city’s cultural, economic, and social vibrancy,” explained Gilad Zilberman, who is the CEO of SeatPick.
“A thriving music scene within a city means it can provide more artistic expression, support a wider range of genres, and enrich the cultural landscape, as well as attracting creative talent.”
Danny Jones -
29th October 2024 
