Last night we had to bid an emotional farewell to one of the true GOATS of the rock and pop-punk scene, and also a big part of our childhood and adolescence, as Co-op Live Arena hosted Sum 41 for their last-ever Manchester show on their final world tour.
Sum 41 have been going since 1996, which for those who’ve always had a penchant for thrashy guitars, pounding drums, devil horns and bleach-blonde haircuts, probably explains why they’ve managed to play a part in many people’s youth and formative music years over multiple generations.
The Canadian outfit announced their split after 27 years back in May 2023, much to the heartbreak of their fans all over the globe, but we’d like to think of this conclusion not as a break-up but more of a long goodbye, as by all accounts the members left on stage still have a lot of love for each other and us.
Put simply, they’ve just come to a natural conclusion and after the best part of three decades of jumping up and down, shredding guitar solos, touring the world and some very well-known ups and downs, they’re tired – but thankfully not so exhausted that they couldn’t give us one last party. Exhibit A:
Now, if you’re thinking this was just the crescendo and that they saved the best songs, lights and effects for last, you’re dead wrong.
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All Killer, No Filler was Sum 41’s highly-anticipated debut way back in 2001 and even to this day, with eight studio albums to their names, a cult favourite 1998 demo tape and a compilation album of their Solid Gold Hits, that title still sums up – pun obviously intended – what they’re all about.
Even with members coming in and out of the band, record label rivalry, frontman Dereyck Whibley’s very widely publicised battle with boozing, his path to reaching an incredible 10 years of sobriety and alarming revelations in his new memoir, they never put out a bad record despite the ups and downs.
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Whibley, 44, said as much on stage too; we lost count of how many times he ended one of their many standout tracks by shouting “STOP!” and a sudden cut to black but also the number of moments in which he paused to reminisce and say thank you to the Sum 41 family.
For a man who literally paid £41,000 (of course) to get back his first guitar decades after it was stolen from his house, brought it out on stage, and played the oldest of the old Sum 41 tracks to a delighted Manchester crowd inside the Co-op, taking the time to be nostalgic clearly means a lot to him and us.
Some start.Lots of bells and whistles.Our review of the final ever Sum 41 live show in Manchester. (Credit: The Manc Group)
Whether it was old favourites like ‘The Hell Song’ and ‘Motivation’, the ever-underappreciated middle years of ‘Underclass Hero’ or their heavier metal era, their first-ever EP Half Hour of Power or their most recent and still celebrated singles like ‘Dopamine’ and ‘Landmines’, it all felt intensely reflective.
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It also surprised us just how much of their music we retained even after all this time, as we’re not going to pretend that we’ve been across every release over nearly three full decades of their career, but one thing we will tell you is that no matter how old their audience has grown they haven’t forgotten the words.
More importantly, we loved that although there was a mixed-age crowd and even some very young kids in the stands clearly brought along by the parents who grew up on this stuff, as far as we could tell the main mosh pit was full of late 20s to 30-somethings rolling back the years just like the band on stage.
In a current music moment where a fair few bands have recently cancelled shows or the entire remainder of their tours due to fatigue and various other reasons, there was something about a bunch of middle-aged men still dressed as punks and giving every last ounce of their energy on their umpteenth gig that brought a smile to our faces.
Deryck is still fit and fighting.Pyros instantly improves any rock show.Vocals didn’t disappoint even after all this time, guitar and drum solos were on point and who doesn’t love fire?
For this particular music fan, Sum 41 is genuinely one of the earliest music memories I can recall: sitting cross-legged in front of a big old Panasonic box telly with my brother and watching the iconic ‘In Too Deep’ video and both nodding our heads to that timeless riff as if to confirm it was the coolest thing ever.
Seeing them live at the end of their journey felt super emotional and rather full circle too. I have no interest in rolling out in the ‘it’s not a phase’ meme on this occasion and I won’t dare spoil much more of this very special show in case you’re heading to another date, just make sure you stick in there until the very end as you’ve done so faithfully for all these years.
Sum 41 managed to turn their Co-op Live debut but final Manchester gig from a bittersweet goodbye that we’d been dreading for months into a fond farewell where we had to remind ourselves, ‘Don’t be sad it’s over, just be glad that it happened’ and that we were alive to be part of it.
On that note, we have nothing left to say other than ta-ra, thank you for the memories and for playing such a big role in so many people’s early years spent dreaming of being a rockstar.
The Sum 41 live audience made it a night to remember.There were some very real tears around us.We hope to see you again someday.
You can line dance to Lily Allen’s West End Girl in full right here in Manchester
Thomas Melia
After a fun way to kickstart the New Year? Some people might suggest hobbies like ‘Tennis’, but how about a line dancing class playing Lily Allen’s new album in its entirety – we know which we’d rather do.
Grab your nearest ‘Nonmonogamummy’ or take ‘Madeline’, if you know one, because there’s a line dance class where you get to line dance to Lily Allen’s West End Girl in full right here in Manchester.
Hosted by Red Rodeo Club, a queer line dancing group based in Manchester, who have hosted monthly artist-inspired events city wide including Chappell Roan, Beyoncé, Charli XCX and more.
This troupe even managed to line dance all the way to one of Manchester’s most reputable LGBTQIA+ nights of the year, performing on the Archive stage at Homobloc just last month.
Now, Red Rodeo is returning with another special night that is sure to interest all the West Endand North West girls across Manchester, as it prepares a Lily Allen line dance spectacular later this month.
If you’re ‘Ruminating’ about attending this event, there’s absolutely no pressure or dance experience needed as the group prides itself on providing ‘classic boot-scootin tutorials with a party vibe’.
You’ll definitely be in good company regardless of your dance partners, as hosting the event is Violet Blonde, known for their extraordinary outfits and love of Country icon Dolly Parton.
We’re already onto a winner…
Your dance instructor for the night is the remarkable Shanika Sunrise, a rapper and producer, who boasts a seriously impressive roster of acts they’ve opened for, including Chappell Roan, Cupcakke and Moonchild Sanelly.
Opportunities like this aren’t always feasible for everyone, which is something this line dance group is aware of as they’re offering a ‘Red Rodeo Club Low Income Ticket’, suited for students, unwaged and disabled attendees.
Red Rodeo Club is bringing the ‘Lily Allen edition’ line dance class to Fairfield Social Club in Manchester on Thursday, 29 January 2026, from 7-10:30pm.
If you’re interested in grapevine stepping or electric shuffling your way to the Lily Allen West End Girl line dance event in Manchester, you can find tickets HERE.
The smash-hit daytime rave where you can still be in bed early is returning to Manchester
Clementine Hall
That’s right: Day Fever, the daytime rave designed to still get you tucked in at a reasonable hour, is coming back to Manchester city centre this year.
Following their biggest raft of shows across the UK and Ireland in 2025, the smash-hit night out that is very much aimed at those of us 30 and over – but fellow sleepy heads are obviously more than welcome – Day Fever are targeting big things in 2026.
Launched in early 2024 by actress Vicky McClure and Reverend & The Makers frontman, Jon McClure, Day Fever has become a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm – and let’s be honest, who can blame them?
The founders (L-R): Jon McClure, James O’Hara, Jonny Owen, Vicky and Chris McClure. (supplied)
Running from 3-8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
“It started as a WhatsApp idea”, says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’”
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From here in 0161 and our mates over in Leeds, to Newcastle, Glasgow and many more, each Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
For starters, just look at the turnout they got over Christmas: