For anyone whose soul is still at least partly stuck in the 90s, or who still maintains that Take That are the best boyband ever, you’ll be absolutely buzzing to learn that a new documentary series about the legendary British group is coming to Netflix.
Only a few months on from their blockbuster return to Manchester at the AO Arena and even more recently their reduced residency at Co-op Live as part of their massive world tour, Take That fans will soon be able to roll back the years even further thanks to the upcoming docuseries.
Coming exclusively to the Netflix streaming platform, this is the first standalone Take That documentary of its kind outside of a 44-minute featurette that aired on Channel 5 back in 2009.
While details are still very limited, this comes not long after the success of Robbie Williams’ self-titled documentary series which also landed on Netflix in November last year.
A new TAKE THAT series is in production! With access to Gary, Howard and Mark and featuring interviews with Jason and Robbie, this series will give unprecedented insight into one of Britain’s most successful and beloved bands.
As explained in the announcement, although the release date is yet to be confirmed, they have detailed that not only will the production team have access to the current lineup of Gary Barlow, Howard Donald and Mark Owen, but it will also “feature interviews with Jason [Orange] and Robbie.”
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Promising to “give unprecedented insight into one of Britain’s most successful and beloved bands”, you can expect the show (the number of episodes is still unknown) never-before-seen footage of the group and sit-downs with the five-piece.
It’s been a full decade since the band were all together, with Robbie returning for a short stint between 2010 and 2014 before exiting with Jason once again, but the three remaining members have continued to release new music and achieve huge commercial success both here in the UK and across the globe.
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Barlow himself says has long been of the belief Williams and Orange might one day come back for good and, who knows? Even if there are still fences to be mended, maybe projects like this might help bring that possibility back into the frame.
"There was one person being managed in Take That, and it was Gary Barlow."
Old wounds come to the surface in four-part documentary ROBBIE WILLIAMS, only on Netflix. pic.twitter.com/KX40QsAEGd
Having formed in Manchester back in 1990 and with several members hailing from 0161 to start with – Mark born in Oldham, Howard from Droyslden, Jason from Crumpsall and even Gary only from down the road in Cheshire – it goes without saying that their connection to our musical city is strong.
The iconic boyband’s collective home, for all intents and purposes, we think we speak for everyone when we say, one: we can’t wait to watch this series and two; we sincerely hope we see them all stood side by side again some day.
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When we know more information about Netflix’s now highly-anticipated Take That documentary, believe us, you’ll be the first to know.
Until then, we’ll just keep reliving how nostalgic this night was:
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: