Legendary blues band, The Black Keys, are heading back to Manchester next year, set to play Castlefield Bowl for the very first time. This one’s a biggie.
As the latest headliner announced for Sound of the City 2025, the soulful Ohio rock and alternative duo are returning to 0161 for the third year running, having swapped the AO Arena for Co-op Live this past May, but now they’re set to tick another huge Manc venue off their list.
Confirmed amongst plenty of other big music news released on Monday, 2 December, The Black Keys will be heading to the Bowl as part of a new UK and European tour, with many of the dates including festival slots all over the continent.
While Manchester’s annual outdoor festival has seen some big names in the past, getting an act that boasts this kind of prestige and influence is a huge coup for Sound of the City (SOTC), the lineup for which already looks pretty stacked as it is.
Legendary rock duo @theblackkeys have just announced a run of outdoor headline shows across July 2025 🕺
The Black Keys released their 12th studio album, Ohio Players, back in April: a record heavily inspired by the vibe of band members Dan Auerbach and Patrick Carney’s ongoing ‘record hang’ parties, which have become just as big a deal as their live shows themselves.
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Hailed by Rolling Stone, who wrote, “Whether they set their retro-rock wayback machine to Memphis in the Sixties, the Midwest in the Seventies, or Manchester, England, and L.A. in the Nineties, it all flows together like a beautifully paced DJ set”, their latest here took place at YES over on Charles Street.
The album itself – met with vast critical acclaim (including Audio North‘s humble opinion) – was re-released as an expanded Trophy Edition on 15 November and features collaborations with everyone from our very own Noel Gallagher to Beck, Greg Kurstin, Juicy J and more, earning another Grammy nod too.
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Even more excitingly, their latest collab on tour will see the mighty Miles Kane join them on the road for all three UK dates, meaning Castlefield Bowl will welcome the Birkenhead-born solo artists and Last Shadow Puppets star too. What a billing that is.
The other two shows held here on British shores will be at Alexandra Palace Park in the capital and over at Millenium Square as part of Leeds’ Sound of the City lineup for next year.
With a new music video for their latest single ‘Sin City’ having just debuted too, it’s well and truly going to be a Black Keys-heavy day on the office playlist.
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General admission goes live this Friday, 6 December at 9am but fans can also get exclusive presale access which will begin at the same time on Wednesday morning (4 Nov).
You can get ready to grab your tickets to see The Black Keys at Castlefield Bowl and what will no doubt be one of the biggest shows of the summer on HERE – we’ll see you there.
Meanwhile, Manchester’s month-long music series over at its iconic amphitheatre just keeps getting better, with a whole host of UK and global favourites now confirmed for SOTC 2025.
Featured Images — Larry Niehues/Press Image (supplied)/The Manc Group
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Neil Young U-turns on Glastonbury drop-out after being confirmed as festival headliner
Danny Jones
Barely a beat or two after having seemingly dropped out of the festival, Neil Young has now U-turned on Glastonbury 2025 and now looks set to be headlining it.
Thelegendary musician called out the world-renowned music festival for being under “corporate” control at the whim of the BBC (its official media and broadcasting partner for nearly 30 years) and said he would no longer be playing his slot.
Young went so far as to call it a “corporate turn-off”, claiming the event is “not how I remember it” in a message on his website.
However, just a few days after posting the news, it now appears as though the Canadian singer-songwriter will still be playing Glastonbury – and not just as one of the multiple legends lined up for 2025 either, but as a headliner.
Neil Young is now seemingly headlining Glastonbury 2025. (Credit: Screenshot via Neil Young Archives)
As you can see in the update shared on Friday, 3 January, the 79-year-old now claims there was an “error” in the information he received regarding his performance at the festival.
Having now cleared up whatever confusion occurred, he and his band the Chrome Hearts will in fact be playing the festival as planned, reiterating his long-lasting love for the festival.
Quite a far cry from the sentiment he seemed to be getting across in his previous post, but make of that what you will.
Furthermore, chief organiser Emily Eavis – whose parents Michael and Jean Eavis set up the first ever Glastonbury music festival back in 1970 – not only hopped on social media to confirm that ‘Shakey’ will be performing but that he will be headline the main Pyramid Stage.
“Neil Young is an artist who’s very close to our hearts at Glastonbury”, she wrote, adding: “He does things his own way and that’s why we love him.”
So has he been given a slot upgrade of sorts or what? It still remains a little unclear.
At present, Rod Stewart is set to play the iconic and outright ‘Legends’ slot during Sunday teatime this June. We likely won’t hear much else about the rest of the lineup until sometime in spring.
This, of course, isn’t the first time Neil Young has done a 180 following a well-publicised decision in protest against a big media company.
The music veteran famously removed all of his discography from Spotify for two years before it eventually reappeared back in March 2024.
As for whatever happened between him and the festival or whether this was some gamesmanship from the influential music icon, at the end of the day, he’s heading to Worthy Farm after all.
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
Neil Young’s latest ‘NYA Times Contrarian’ post explains the decision to drop out of Glastonbury.Neil Young in 2023 Credit: Screenshot (via Neil Young website)/Per Ole Hagen (via Flickr)
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?
Danny Jones -
2nd December 2024 
