Live music is finally returning to Manchester as The Stoller Hall becomes the first venue in the city centre to launch a full live concert programme since March.
The 500-seat music venue has announced an exciting line-up of concerts – including a mix of in-person and online performances – this week, making it the first full programme of live music events to return to any music venue in Manchester since lockdown restrictions began back in March.
The concert series will begin this November – with performances streamed live for online ticket holders – as well as live shows for reduced capacity, socially-distanced audiences in the venue itself.
In response to global travel restrictions as a result of the coronavirus (COVID-19) pandemic, this concert series has been curated to explore the theme of travel, and will bring the world’s finest classical, jazz and folk music from around the world to audiences in Manchester, performed by leading local, national and international performers.
The Stoller Hall is also thought to be the first venue to launch a public concert programme with the support provided by the UK government’s Culture Recovery Fund.
Speaking on the launch of the concert programme, Fran Healey – General Manager of The Stoller Hall – said: “We’re fighting to return to a world-class live music experience in the face of this pandemic.
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“With Tier 3 lockdown restrictions now in place in Manchester, we’re abiding by the strictest of COVID-safety measures [and] reduced capacity ticketing in our venue means that audiences will be treated to a very exclusive experience.
“Thank you to everyone whose generous donations have helped The Stoller Hall to stay on its feet since the pandemic began.
“Now the government’s Culture Recovery Fund grant has given us the means to move forwards, we will play our part by bringing some spectacular live music to our stages, supporting the cultural economy and returning world-class live music to the nation.”
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The Stoller HallThe Stoller Hall
She continued: “Most of us aren’t doing much travel at the moment, so this programme will bring sounds from around the world to audiences, as well as music from the best of our homegrown talent. This is the first step on the road to recovery, and there’s a long way to go, but it’s a huge milestone,
“Not just for us, but for the whole live music industry.
“Our autumn-winter programme is always a busy one, but this year it will be more emotional than we could ever have imagined.”
So, what’s in store for audiences from next month then?
Launching The Stoller Hall ‘Broadcasts Series’ is a celebration of the best of British brass, as the British Horn Society present a recital by Ben Goldscheider and Huw Watkins streamed live on Sunday 1st November, and then on 18th November, British concert pianist Murray McLachlan – who has appeared as concerto soloist with many leading UK orchestras – will perform a live of Beethoven piano sonatas in honour of the composer’s 250th birthday year.
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The Stoller Hall will be also hosting a series of three concerts with Manchester Camerata, and will be blending physical and virtual audiences to embrace the best of Manchester’s music scene within the programme.
Yesterday something special happened! ⭐️⚡️
Musicians, educators & performers – all together again! ❤️
Performing for both socially-distanced in-venue audiences and live stream ticket holders are 2019 Parkhouse Award winners, The Lux Trio.
The award-winning group – which was formed in Berlin by pianist Eunyoo An, violinist Jae Hyeong Lee and cellist Hoon Sun Chae – has performed all over the world and received an array of awards including the first price at Gasteig Musikpreis competition in Munich, the Alice-Samter-Stiftung Kammermusikwettbewerb in Berlin, and the Artsylvia Foundation chamber music audition in South Korea.
Their first album on the Korean label O’ New World Music was released in 2018, and they will be one of the first live European acts in The Stoller Hall programme on Thursday 26th November.
The European leg of The Stoller Hall’s world tour will take audiences on a journey through Polish classical music.
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British violinist Jennifer Pike MBE – former BBC Young Musician of the Year award winner – will perform pieces celebrating her Polish roots, and Manchester Collective – one of The Stoller Hall’s ensembles in residence, known for creating intimate and captivating live music experiences – will perform work by remarkable Polish composer Górecki, for an exclusive audience in the venue only.
You can book tickets to events, find more information, and familiarise yourself with all COVID-secure procedures via The Stoller Hall website here.
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Emily Sergeant -
30th October 2020 
