Live music is finally returning to Manchester as The Stoller Hall becomes the first venue in the city centre to launch a full live concert programme since March.
The 500-seat music venue has announced an exciting line-up of concerts – including a mix of in-person and online performances – this week, making it the first full programme of live music events to return to any music venue in Manchester since lockdown restrictions began back in March.
The concert series will begin this November – with performances streamed live for online ticket holders – as well as live shows for reduced capacity, socially-distanced audiences in the venue itself.
In response to global travel restrictions as a result of the coronavirus (COVID-19) pandemic, this concert series has been curated to explore the theme of travel, and will bring the world’s finest classical, jazz and folk music from around the world to audiences in Manchester, performed by leading local, national and international performers.
The Stoller Hall is also thought to be the first venue to launch a public concert programme with the support provided by the UK government’s Culture Recovery Fund.
Speaking on the launch of the concert programme, Fran Healey – General Manager of The Stoller Hall – said: “We’re fighting to return to a world-class live music experience in the face of this pandemic.
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“With Tier 3 lockdown restrictions now in place in Manchester, we’re abiding by the strictest of COVID-safety measures [and] reduced capacity ticketing in our venue means that audiences will be treated to a very exclusive experience.
“Thank you to everyone whose generous donations have helped The Stoller Hall to stay on its feet since the pandemic began.
“Now the government’s Culture Recovery Fund grant has given us the means to move forwards, we will play our part by bringing some spectacular live music to our stages, supporting the cultural economy and returning world-class live music to the nation.”
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The Stoller HallThe Stoller Hall
She continued: “Most of us aren’t doing much travel at the moment, so this programme will bring sounds from around the world to audiences, as well as music from the best of our homegrown talent. This is the first step on the road to recovery, and there’s a long way to go, but it’s a huge milestone,
“Not just for us, but for the whole live music industry.
“Our autumn-winter programme is always a busy one, but this year it will be more emotional than we could ever have imagined.”
So, what’s in store for audiences from next month then?
Launching The Stoller Hall ‘Broadcasts Series’ is a celebration of the best of British brass, as the British Horn Society present a recital by Ben Goldscheider and Huw Watkins streamed live on Sunday 1st November, and then on 18th November, British concert pianist Murray McLachlan – who has appeared as concerto soloist with many leading UK orchestras – will perform a live of Beethoven piano sonatas in honour of the composer’s 250th birthday year.
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The Stoller Hall will be also hosting a series of three concerts with Manchester Camerata, and will be blending physical and virtual audiences to embrace the best of Manchester’s music scene within the programme.
Yesterday something special happened! ⭐️⚡️
Musicians, educators & performers – all together again! ❤️
Performing for both socially-distanced in-venue audiences and live stream ticket holders are 2019 Parkhouse Award winners, The Lux Trio.
The award-winning group – which was formed in Berlin by pianist Eunyoo An, violinist Jae Hyeong Lee and cellist Hoon Sun Chae – has performed all over the world and received an array of awards including the first price at Gasteig Musikpreis competition in Munich, the Alice-Samter-Stiftung Kammermusikwettbewerb in Berlin, and the Artsylvia Foundation chamber music audition in South Korea.
Their first album on the Korean label O’ New World Music was released in 2018, and they will be one of the first live European acts in The Stoller Hall programme on Thursday 26th November.
The European leg of The Stoller Hall’s world tour will take audiences on a journey through Polish classical music.
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British violinist Jennifer Pike MBE – former BBC Young Musician of the Year award winner – will perform pieces celebrating her Polish roots, and Manchester Collective – one of The Stoller Hall’s ensembles in residence, known for creating intimate and captivating live music experiences – will perform work by remarkable Polish composer Górecki, for an exclusive audience in the venue only.
You can book tickets to events, find more information, and familiarise yourself with all COVID-secure procedures via The Stoller Hall website here.
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Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Emily Sergeant -
30th October 2020 
