Like many, we were gutted to see it go and relieved to see its sister site in Chorlton survive, but we’re now pleased to confirm that the former watering hole and food spot will be reborn as a new music venue and Irish-themed bar.
Set to be called Mother Mary’s, the former Font venue is set to burst back onto the Manc hospitality scene by mid-June.
The original bar was an absolute institution. (Credit: The Manc)
The venture, which is being headed up by nightlife veterans Greg Dwyer, Joseph Finegan and Chris Sharp, will see a complete refit with brand-new bars, a bespoke KV2 audio setup and a stunning lighting system that will illuminate two epic stages. The once familiar space is set to look rather different.
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With the two stages split across both floors, music is set to be at the very centre of Mother Mary’s business model; this isn’t just Font 2.0, it’s a whole new space built to spotlight live bands and wonderful performances whilst providing a platform for new and upcoming DJs and performers.
However, they’re still sticking to their food and drink roots, don’t you worry.
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Set to serve an impressive food menu headed up by Chef Andrew James and his Blackbird concept, as seen in Stockport, the residency at Mother Mary’s will see the menu feature all-day breakfasts, brunch, hearty Irish favourites and some American classics too.
Can’t go wrong.
Credit: Supplied/The Manc
When it comes to booze, they haven’t lost their touch over here either, promising a dedicated cocktail menu, not to mention some of Manchester’s best beers, wines, cities and craft ales.
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The menu will also pay homage to its history by serving a signature cocktail called ‘The Font’ with the ingredients and inspiration to change every three months, all for just £2 in a nod to the old gaff being one of the most affordable places to drink in town.
Mother Mary’s is also set to host a weekly event schedule including local and touring bands, curated entertainment, a jam-packed brunch every Saturday split across two floors, an open mic approach every Monday, stand-up comedy and more.
Greg, Joe and Chris have over 25 years of experience in hospitality, combined both with working in live music and concert promoting.
Greg has toured with some of the world’s biggest bands and worked with Manc nightclubs and music venues; Joe is instantly recognisable on the local music scene through his work with Gorilla, The Deaf Institute and South on some of their largest events, while Chris boats a similar background and pedigree.
This will always be a good place to boozeThe food menu at the original Font wasn’t too shabby eitherCredit: The Manc Eats
Dwyer said of the new project: “Mother Mary’s is all about providing a space for grassroots live music. I started going out around here, I was in here all the time and I was even fortunate enough to play records here a long time ago, so this is an unbelievable opportunity and to do it with two good friends that I’ve met along the way is incredible.
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“We’ll be taking good care of the former Font site. The three of us have a wealth of experience and a bunch of ideas to make this a sustainable live music venue. Our tagline for Mother Mary’s is strangely familiar: ‘We’re a home away from home’. The old Font Bar is there, it’s familiar but strangely different.”
Finegan added: “The Font Bar has been a staple on the Manchester bar scene for almost 20 years so to come into such an establishment was a daunting feat. We knew people would be coming in and saying I used to come here 15 years ago, ‘What have they done to the place?’
“We had to consider how to make quality changes that would matter to the customer. Mother Mary’s as a concept has a number of moving parts but still keeps the heritage of the bar utilising old antique furniture and paying homage to former traditions. We are super excited for the launch in June and to bring our vision to life.”
We, for one, are just excited to see what the team delivers and we’re just glad to see the old spot on New Wakefield Street not just reopen but reborn as something hopefully even bigger and better.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: