It’s been an absolutely unreal 12 months for The Lottery Winners and to top it all, they rounded out the year in style by bringing out not one, not two, but three UK music icons for their recent run of Manchester gigs: ‘Boy George’, Bez from Happy Mondays and the Reverend himself, Jon McClure.
The high-flying indie pop group and local legends from Leigh toasted an unbelievable 2024 with their ‘Burning House Party’ residency, playing three consecutive nights at Manchester Academy.
Better yet, with their new album KOKO (Keep On Keeping On) set to release in the new year with several tracks including some rather big feature artists once again, they decided to bring out a few of those famous faces as special guests this past weekend.
The Greater Manchester band genuinely caught everyone by surprise when guitarist Robert Lally did the classic Stars In Their Eyes walk-off and was reintroduced as Boy George himself.
‘Boy George’ and Bez join Lottery Winners on stage
Well played indeed.
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The former Culture Club lead singer went on to perform alongside the Wigan outfit as they played their track, ‘Let Me Down‘. Well, not really… it turned out to be his very talented lookalike ‘Boy Gorgeous’ but ah well, still a crowd-pleaser nonetheless.
As mentioned, Boy George is just one of many impressive feature artists that The Lottery Winners have notched over the past year or so, having previously worked with Frank Turner, KT Tunstall and even fellow Manc, Shaun Ryder.
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The Happy Mondays star featured in the music video for their song ‘Money’ on their last record, ART (Anxiety Replacement Therapy), and was arguably their biggest coup to date next to Turner, who has now worked on several tracks with the four-piece and played live with them on multiple occasions.
As another surprise on night two at Manchester Academy, frontman Thom Rylance might not have been able to bring out Ryder in the flesh, but he did rope in some hype-man help from long-standing band partner and best mate Bez to delight the crowd and shake his trademark maracas throughout.
Lottery Winners Keep On collabing
But it doesn’t stop there either.
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Set to release in February, their upcoming fourth LP will not only see the return of Frank Turner for his third studio collaboration with the band, but they’re adding even more names into the Northern music mix for this latest record.
As well as songs featuring Rick Witter of Shed Seven and even Chad Kroeger of Nickleback (yes, we said Nickelback) their lead single also features Sheffield favourite Jon McClure of Reverend and the Makers.
Their uplifting track ‘You Again’ has enjoyed plenty of radio play since it was released back in September and the Yorkshireman also made an appearance during their city centre residency.
These lot have such a lovely, collaborative thing going on are we are absolutely here for it.
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As if things weren’t massive enough already, having supported massive bands like Nickelback and headlining festivals like Kendal Calling this year, 2025 looks set to get even bigger for the gang with a potentially game-changing support slot.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
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Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Danny Jones -
30th December 2024 
