Noel Gallagher is not only one of the greatest songwriters of a generation, but perhaps one of Britain’s best-ever; he’s certainly in the top five of all time from Greater Manchester, but did you know how the story behind how one of his best (you heard) songs, ‘Dead In The Water’ came to be?
Or rather, do you know how one little radio performance produced one of his best vocal performances to date? Keep reading…
In case you’ve never heard the haunting ‘Dead In The Water’, taken from Noel Gallagher’s High Flying Birds LP three, Who Built The Moon?, it is very much just that: an almost ghostly and preciously quiet, acoustic song that became a cult favourite on the LP and even more beloved live track.
But this tune was never even supposed to be on the album; the deep cut, which was only ever played live a few times during concerts prior to its being released to the world, was taken from a radio show on Irish station RTÉ 2FM – and Noel didn’t even know it was being recorded.
Played during 2015, and it barely even needed ‘mastering’ before being released in 2017.
As explained by RTÉ’s Damian Chennells, Noel was promoting the previous album, Chasing Yesterday (his sophomore HFB outing and just second solo album up to that point), and during the session in the studio, Damian decided to hit record on an otherwise behind-the-scenes moment.
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You can actually hear him going back and forth with the sound engineer at the start of the track – one he’d only just finished writing the night before – before he actually starts playing and the rest, as they say, is history.
We love the notion that the piano player didn’t even know what he was doing until Noel started playing.
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Taped and ultimately tracked thanks to a spur-of-the-moment decision made in 2FM Studio 8 at the national free-to-air network’s radio centre in Dublin, Oasis and High Flying Birds fans, as well as lovers of Noel and music in general, got one of the most beautiful stripped-back listening experiences imaginable.
Returning to Ireland some time later, and just four years prior to getting Oasis back together for the Live ’25 world tour show that is now well underway, he performed it once again for The Late Late Show, which goes out on RTÉ One and RTÉ Player.
Some might argue he sounds even better this time around, but just as he says in the interview above, there is something truly special and unfiltered about that first raw and ridiculously good live recording.
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From 2015 to 2021, and even present day, the story behind the original ‘Dead in the Water’ recording is fascinating.
Many have even speculated that the chatter recorded at the start and played to crowds on just a handful of occasions may have even foreshadowed the eventual reunion, as it seems to feature discussion surrounding Liam
The radio tech himself said in the recent retrospective interview of his own, he felt in the moment that “this song is an Oasis B-side” and was the only one played on the day that could easily slip onto one of their records.
As for Who Built The Moon?, a.k.a. HFB3, the album never featured ever B-sides of its own; instead, it just had one extra bonus track right at the very end of the 48:46 run-time – ‘Dead in the Water (live at RTÉ 2FM Studios, Dublin)’.
So there you have it: one of Noel’s most emotional, in-the-zone/lost-in-the-moment vocal performances in history, and one that so many still rate right up there with his very bits of music, may never have been if it wasn’t for ‘Damo’. So thanks, mate, I guess…
Are there any other tracks like ‘Dead in the Water’ where you love the back-story almost as much as the song itself? Bonus points if they’re by Greater Manchester artists.
All-girl K-pop powerhouse aespa book MASSIVE Manchester arena show
Danny Jones
All-girl K-pop group, ‘aespa’, are coming to Manchester for some of their largest performances to date as part of a new global tour.
If you know anything about the K-pop scene, you’ll know that most acts are even bigger than you could ever imagine.
Manchester has gained a steady supply of gigs from artists within the genre over the past year or so, and now aespa are the latest to book the AO Arena for a headline show.
Rest assured, these tickets will fly…
aespa SYNK : COMPLæXITY
Catch the LIVE TOUR in Manchester at @AOArena on Thu 14th January 2027!
Register by [Wed 29 Apr at 6AM PT / 8PM CT / 9AM ET] for access to the artist presale: https://t.co/JuWFFMCE8Q
Dubbed the ‘SYNK : Complæxity World Tour’, this follows on from their last live iteration, ‘æXIS LINE’ shows, which began back in August 2025 and, technically, have only just ended this April.
As per an official press release, “Produced by Live Nation, the tour will bring aespa’s acclaimed live production and immersive performance experience to arenas across Asia, North America, Latin America, the UK, and Europe.”
There are actually just two shows in the entirety of Britain (the other being down in the capital), and Manchester has the good fortune of kicking off not only being the first of both, but the inaugural date of the entire European leg.
Consider us honoured.
Made up of a talented quartet – Karina, Giselle, Winter, and Ningning, the rising South Korean stars – this female-led phenomenon is arguably one of the fastest rising acts in the world of K-pop.
Having now been to a couple of these shows for ourselves, we’re starting to understand that these artists might have some of the most passionate followings on the planet.
Kicking off the latest run of performances back in their home country’s capital of Seoul, they’ll hit multiple continents before wrapping things up in Paris.
aespa EU tour dates 2027
14 January – AO Arena, Manchester
16 Jan – London
19 Jan – Amsterdam
22 Jan – Stockholm
24 Jan – Copenhagen
26 Jan – Berlin
29 Jan – Milan
31 Jan – Barcelona
2 February – Paris
If you’re a fan or are interested in throwing your hat in the ring for a first K-pop gig experience, you can register by signing up for their exclusive pre-sale window.
As for general admission, tickets to see aespa at the AO Arena in Manchester will go live at 3pm on Wednesday, 6 May; you can get ready to grab yours HERE.
Music industry rallies around pub and music venue as it’s hit with ‘malicious’ noise complaints
Daisy Jackson
A much-loved pub and live music venue is struggling with a series of ‘malicious’ noise complaints, prompting a huge outpouring of support from music industry insiders.
The Golden Lion over in Todmorden is facing uncertainty amidst the complaints from ‘some random’.
Matthanee ‘Gig’ Nilavongse, who runs the venue and its live music offering, said he’s ‘had enough’ and believes The Golden Lion is being targeted, The Hoot reports.
It echoes a similar situation in Manchester city centre several years ago, when Night & Day Cafe faced closures based on noise complaints from a resident in a nearby flat.
Gig stressed that nothing in the venue – the sound system, sound proofing, or anything else in its set-up – has changed since the noise complaints started.
He also added that people have been travelling from across the UK and even further afield to attend its events, benefitting the wider community of businesses and local economy.
He added: “Bank holiday next weekend and I’II not tolerate the threat from anyone.”
Hundreds of people, including industry names like Sacha Lord, Luke Cowdrey, and Hot Chip’s Joe Goddard, have voiced their support for the grassroots venue.
Sacha Lord offered his help fighting the complaints, then added: “I’m sick to death of these NIMBYS who threaten businesses and jobs.”
Chelsea Teesdale, head of marketing for the Warehouse Project and Parklife, said: “Sorry you’re going through this. The golden lion means so much to many. I go to all kinds of gigs and venues, nothing is quite like the magic of your home.”
And Nite School Manchester wrote: “So sorry to hear you’re going through this. What you’ve built at The Golden Lion for the people of Tod (& far beyond!) is a guiding star to us Gig, and we’ll be doing everything we can to support you & the team.”
Following on from this heartwarming display of affection for the venue, Gig added: “Thank you for all supports near and far, you’re close to my heart.
“The show must go on, I’m not back down until the door is close.”