It is an absolutely massive few days of music here in Manchester and although while plenty will be focused on the arrival of Parklife, there’s another big name arriving at the Etihad this Weeknd.
See what we did there?…
That’s right, Abel Tesfaye, a.k.a. The Weeknd is one of many amazing incredible acts set to perform this Saturday, following Coldplay last week by taking the stage at Manchester City’s Etihad Stadium.
With The Courteeners kicking off the Heaton Park party vibes on Friday before the Parklife festivities get into full swing, you obviously can’t cram absolutely everyone onto one big field, so for those of you that are going along, here’s everything you need to know.
Are there any tickets left for The Weeknd’s Manchester gig?
We’ve got some bad news for you, tickets to see The Weeknd at the Etihad sold out a while ago — we’re talking seated, standing, hospitality, the lot.
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He is one of the biggest pop and R&B artists on the planet, so not that much of a surprise, to be fair.
You can obviously always keep your eye out on resellers like TicketSwap and Twickets for any spares that might go up but, as always, we advise caution when purchasing second-hand tickets from anyone and to steer well clear of ticket touts.
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Who are The Weeknd’s support acts?
As for those of you who have managed to bag a ticket, you’re in for an absolute treat as not only will you be seeing The Weeknd but his support acts are absolutely dynamite.
As well as prolific producer Mike Dean (not the one that’s usually at the Etihad) as the first support, who has worked with the likes of Kanye West, Travis Scott, Drake and countless other big names — The Weeknd included, obviously — you will also get to see global DJ and electronic sensation Kaytranada before the main event.
Madness, right? For anyone still sleeping on Kaytra (there can’t be many of you left in the world), the fellow Canadian is arguably one of the best live acts going at the minute, selling out stadiums all across the world, headlining Coachella and costing a fair few quid to see alone.
Now, when it comes to setlists, given that artists like switch things up from show to show all the time, we can only ever really give you predictions.
However, according to Setlist.fm and his last show in Passeio Marítimo de Algés, Portugal, he is what you very well be hearing come Saturday night.
We’ll warn you now, it’s an absolute whopper of a line-up.
Take My Breath
Sacrifice (Swedish House Mafia remix)
How Do I Make You Love Me?
Can’t Feel My Face
Lost in the Fire
Hurricane
The Hills
Often
Crew Love
Starboy
House of Balloons
Heartless
Low Life
Reminder
Party Monster
Faith
After Hours
Out of Time
I Feel It Coming
Die for You
Is There Someone Else?
I Was Never There
Wicked Games
Call Out My Name
The Morning
Save Your Tears
Less Than Zero
Encore
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Blinding Lights
Double Fantasy
Creepin’ (Metro Boomin cover)
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What a show this is going to be.
Stage times
Mike Dean/Kaytranada/The Weeknd (via Instagram)
Speaking of the lineup, in case you’re wondering when you can expect each of them to rock up to the Etihad stage, doors are set to open at 4pm and with Manchester set for yet another gorgeous day, you can spend hours enjoying tunes in the heat before the sun even goes down. Wonderful stuff.
While the exact times of each act are yet to be fully announced, the live entertainment is set to start around 7pm, with The Weeknd expected to take the stage around 9pm.
With a setlist this long, who knows how long he tends to go on for, but we’d ballpark that the show will finish around 11pm.
How to get to the Etihad Stadium
Last but not least, getting to the Eithad should be a doddle regardless of how you’re getting there. If you’re choosing public transport, the Metrolink is the most direct route, with a tram stop right outside the ground and just a few stops away from Manchester Piccadilly.
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Both Holt Town and Velopark Metrolink stops, located on either side of the Etihad Campus stop, will not be open for at least an hour after an event at the stadium and they’ll obviously be very busy, so just make sure plan accordingly.
The trams will be very busy though, and since the weather looks so nice again, so you might prefer to walk; if so, it’s only around a 30-minute stroll from town with this safe walking route recommended.
If you need to drive in, official car parking is priced at £25 for cars, £50 for coaches and £40 for minibuses. There are of course other unofficial car parks and drop-off points nearby too, so just make sure you’re not getting ripped off.
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.