Legendary local musician Tim Burgess has written a touching tribute to the late, great Gary ‘Mani’ Mounfield as people continue to pay their respects to the iconic Stone Roses bass player.
The Charlatans’ frontman, who recently got the band back in the recording studio for their stunning 14th studio album, is one of many who have taken the time to honour the influential Manc musician over the past few days.
Mani, 63, who also saw his career reignited as a regular member of Primal Scream after his time with the Roses, sadly passed away last week.
Penning a lengthy eulogy for The Sunday Times, Burgess was unaware that the digital version of the paper would be behind a paywall, deciding instead to share it publicly online.
Sharing the first few excerpts from the full article, the 58-year-old lead singer, solo artist and Salfordian said of Mani: “People have more stories to tell of their shared adventures with Mani than anyone else I know, often simply about enjoying a gig with him.”
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The most striking part of his column is how much of it reiterates not just the Crumpsall native’s undying love for music but his raw obsession with the medium.
Perhaps most touchingly, however, is how he is positioned as “everyone’s mate” in the piece – a sentiment that seems to have been echoed all over social media, among the countless Manchester United fans that bumped into him at games, in the pub chat since and countless other corners.
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Burgess is one of several high-profile artists to have honoured Mounfield in their own way; Richard Ashcroft and Oasis playing the ‘She Bangs the Drums’ riff and dedicating ‘Live Forever’ to their idol, The Membranes member and Louder Than War boss, John Robb, speaking via the BBC, just to name a few.
A particularly heartbreaking line is when he says, “On hearing the news of his death last week, I found solace in the idea that Mani lived life to the full. But at 63, it was a life cut lamentably short.” You can read more down below.
Since disclosing the Times write-up with his followers, it’s clear that the 58-year-old is going through a period of reflection following the death of not just a peer and role model but a close friend.
On Sunday, he summed up his feelings perfectly: “Go to that gig. Listen to that song, dust off that record player, learn to play that guitar. Music helps us through. Life can be overwhelming at times. Music can help, I promise you that.”
We couldn’t agree more.
Speaking of – we don’t know about you, but we’re going to be playing the best of The Stone Roses for the foreseeable future, and there’s a good chance we’ll also be heading to Chorlton for a special tribute DJ set by one of his friends and former colleagues.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
25th November 2025 
