Manchester’s only direct-from-garden-centre music event, Green Island Festival, is returning with free tickets, big charity projects and more.
Now in its fifth year, Green Island Festival is back for 2025 and its set to be bigger and better than ever before, spread across three dates throughout the summer.
The lineup is as diverse as ever bringing in a range of acts from all over the globe such as Australia to local grassroots talents that deserve a turn in the spotlight.
I sat down with the event organisers for this one-of-a-kind music festival George and Stephan to find out why you should go to this hidden music festival in a garden centre.
What makes your festival different from any other?
George: Definitely the garden centre aspect. There’s an escapism element to it and we’re also doing pretty well at championing the grassroots scene, giving people a platform to showcase their music. We’re trying to not be super focused on one specific type of music or genre this feeds through to our lineups.
ADVERTISEMENT
Stephan: We’ve been lucky being able to attract different age ranges from 18 and 19 all the way up to 50 and 60 year olds. The people are what make it what it is and they’ve stuck with us from day dot really, it’s one big community. Managing to get a very diverse lineup in place is important too.
Georgegetting the crowd hyped at Green Island Festival.Music festival in a Manchester garden centre? We’re in.
Who came up with the idea to host a festival in a garden centre?
Stephan: George. He walked past the garden centre and thought that’s the perfect place.
ADVERTISEMENT
We didn’t know we didn’t know each other at first then George found my page (Me Gusta Collective) and I was fully up for it straight away, and since then we’ve been best friends. And, like, I’ve called him like, my best friend.
Manchester is known for its love of music, how did you guys fall in love with music and then eventually fall in love with festival organising?
George: It’s always come pretty naturally to both of us. Stephan’s done lots of work with Band on the Wall and I did various bits at Freight Island and Canvas when it was still open. Our favourite part is when we’re planning and scheming the flow of the festival and lineup.
Stephan: I guess our love of different types of music comes from our upbringings really. I listened to a lot of salsa and my dad used to throw events when I was a kid with family members so creating events has always been around me. I started my first night when I was 19 in Germany after I fell in love with house music and electronic music in Manchester so I feel like the path to creating events has always been laid out but it took me a while to make a living out of it.
Good vibes only at Green Festival Island 2025.Stephanperforming under his DJ alias Atiké.
Stephan, you’ve been a long time supporter of indie artists and local venues, working at band on the wall yourself. So how important is it for you to see local artists reflected in Green Island’s lineup?
ADVERTISEMENT
Stephan: It’s so important to us. We’ve got the marquee stage which is all about local acts and our bandstand stage too. There’s High Hoops [A Manchester-based Queer club night], which has been going for years now, and same goes to Eves’Drop Collective [A group of female DJs from across the UK] that have been doing bits for such a long time, and Ruf Dug who is a no brainer for the lineup.
George: When it comes to headliners there’s only a handful per day and the rest of Green Island [Festival] is pretty much grassroots music. Paying a fortune for each act isn’t the only way to bring a lot of people together and sell a lot tickets, people are interested in grassroots more than ever.
Tickets are quite reasonably priced, too, with children and under 13’s getting free entry, what made you decide to offer this?
Stephan: We want to make this festival available for families so you would have to pay for every kid to get in, it ends up being so expensive.
George: We worked pretty hard on finding the perfect price point for the festival so it can operate but not break the bank because it’s pretty crazy how expensive tickets are getting now.
ADVERTISEMENT
Children and under 13’s can get into Green Island Festival for free.The wonderful Green Island Festival team.
What made you choose a lineup that spans lots of different sounds, rather than sticking to a few main genres?
Stephan: We come from a background of music purists who listened to lots of records to a lot of records. I was listening to African bands who are fully authentic much like grassroots music it’s raw. , raw, it’s fresh. We’ve been able to come up with a lineup that fuses African music, Latin music, sounds from the Middle East with ska, house, drum and bass, even jazz. We know exactly what we want to hear.
George: It’s the appreciation of music across the spectrum, there’s so many different facets to it, and we programme a solid lineup that incorporates all of them. We love a challenge and we love feeding the energy throughout the day, leading to the last little crescendo at the end.
You also give attendees the option to donate £1 to Eat Well MCR with every ticket bought, how important is this charity to the pair of you?
George: We know Kathleen [Co-founder of Eat Well MCR] quite well, she’s always been a huge supporter of us so we do what we can to support whatever she’s got going on. We managed to raise quite a bit of money for them last year. Also, when you’re buying food from our vendors you can add a donation for this initiative which last year 90% of everybody that ordered food added on £1 or more which was very nice to see.
ADVERTISEMENT
We also work with Play It Green where we have a levy on our ticket and 50% goes to them so they can plant trees around the world. We want to make our festival more sustainable in the long term and eventually be net zero.
Stephan I know you also have a DJ alias, Atiké, how excited are you to play the festival alongside all acts?
Stephan: I can’t wait, I’m doing a b2b set with Little O who is amazing. I met her on Bandcamp, now we’re playing together. I went all over Dublin to see her and because I grew up in Ireland it’s quite nice to kind of reconnect with that side of me. I asked her if she fancied doing a b2b set with me and she was all for it. We bounce off each other so well.
If you could describe green album festival in three words, what would you choose? George: Inclusive, friendly, vibrant. Stephan: Sunshine, diversity and friendship.
Tickets for ‘Green Island Festival 2025’ range from full price to low-income and neighbours tickets at just £12.50 and entry for children under 13 completely FREE – Get ready to grab your tickets for Green Island 2025 HERE.
Featured Images – Publicity Pictures (via Supplied)
Audio
Kendal Calling turns 21 in fine form with a brilliant bunch of headliners – and that was just the start…
Danny Jones
Oh, what a long weekend we had at Kendal Calling 2026, our fourth consecutive visit to the beloved festival proclaimed as ‘the favourite’ by many across the North West, and forever ‘the best’ if you hail from in and around Cumbria.
Now 21 editions into its run, the Penrith party down in Lowther Deer Park has gone from being a cult classic among natives in and around the Lake District a couple of decades ago, to one celebrated all over – and for good reason.
Apart from delivering stellar lineups year in, year out, it’s also one of the most family-friendly festivals you’ll ever come across.
But having said that, they still know how to kick a party into gear when the sun sets…
With The Kooks, The Cribs, Manchester up-and-comers Spangled, Oldham’s very own Tim Burgess, and many more opening up the party on Thursday night, they hit the ground running early doors.
Speaking of the turf, the wider arena was nice and dry this year, with punters only being treated to very short showery intervals, and most overnight.
Having the perfect conditions obviously helps, but we will say that Kendal Calling remains one of the brave few that powers in through regardless of the weather.
Nevertheless, we didn’t have to worry about it for KC2026, and maybe it’s just recency bias, but the entire festival site somehow looked prettier than ever, especially soaked in all that sun.
The dappled rays coming through trees over in the ‘Lost Eden’ definitely made the Woodlands stage as special as we’ve ever seen it – including those magical neon nights – and we even got to chat with Yorkshire lass Ellur ahead of her spellbinding set out in the forest.
Still surprising people more than two decades in
Lots caught us by surprise this year, such as Dutch indie pop group Son Mieux (our new obsession, by the way), as well as Fletchr Fletchr, who we now believe really need to be seen live to truly appreciate every aspect of their huge potential.
And then there was rising Sunderland star Tom A. Smith (again, over in the Woodlands), who joked he was “never there” after filling in on short notice at the same festival he first played when he was 12.
Fair to say he’s come some way since then, and you won’t find many more electric performers from this very confident, talented and still very young man.
But nothing more so than the surprise acoustic set starring the legendary Pete Doherty ahead of The Libertines’ main stage slot later that day, which we had to sprint across the fields to just about catch after hearing about. We had to climb up the side of a window to get the view of those that beat us there.
This year, we also thought we’d go around and ask those who know it best just what makes it so special, and more importantly, what keeps them coming back. Here’s what they had to say:
“I’ve been five times over 11 years. I’m Cumbrian-born but based in Manchester, so there’s always the pull to travel back home for it, and I’d definitely come more if I could. First memory that pops into mind is seeing The Vaccines when they were just getting big, and now over a decade on I got to see them on the main stage all these years and albums later – really full circle.
“One of the best parts about it is just how much there is on; back when I first started coming, they still were spotlighting local bands like Colt 45, but they just so happened to be on the same bill as Snoop Dog – and now I’ve seen everyone from Tom Jones and the Sugarhill Gang to The Darkness and now Biffy.
“Despite the festival growing in size and in terms of the acts that flock to it now, it still feels like one that looks after smaller names; it’s still got that wholesome, all-ages feel, and can be enjoyed for lots more than the music. I’ve definitely grown a new appreciation for everything it has to offer as I’ve gotten older.”
Nick, 32, from Dearham
The LathumsBiffy ClyroRed Rum ClubDeaf Havana, and SO many more…Credit: Audio North
We also asked another seasoned veteran of the annual summer fest how they’d sum it up in as few words as possible, to which they responded: “Nature, variety and (at times) questionable weather.”
Once again, we’ve definitely had wetter ones in the past – it is the North of England after all – but the music gods were smiling down on us all weekend long, and that extra dose of vitamin D definitely helped keep us going.
More personal highlights include closing headliners Wolf Alice, as well as Circa Waves and Groove Armada on the final night, as we somehow managed to catch a bit of all three, not to mention Deaf Havana, who drew their loyal crowd of passionate fans and gave us one of the best sets of the whole weekend.
And then, of course, there was ‘Biffy… F***ing… Clyroooo’. The Manc arm of the Audio North team were lucky enough to catch the Scottish gods at their huge headline gig at Co-op Live, but BOY did jumping around in a sea of people from all over as confetti, streamers, fireworks, and literal fire hit even harder.
With Kendal, Tramlines, Parklife, Beat-Herder, and Neighbourhood Weekender all under our belt already this year, we feel truly blessed to be in what is undoubtedly one of the best periods for live music festivals we’ve known; you can check out some of our other reviews down below.
Other than that, all we have left to say is thank you to Hanglands and the KC crew as always for having us along, and we’ll catch you in the fields the same time next year. Over and out.
A reimagined dance music celebration is coming to Manchester later this year
Thomas Melia
Get ready to hear some of the biggest anthems in dance music, reimagined and given an orchestral transformation right here in Manchester city centre.
Powerhouse music business Ministry of Sound has been uplifting and promoting dance music through its varied and electric live events for over three decades.
Now, it’s putting an all-new take on all your favourite dancefloor fillers that have been released over the past 30 years with a 31-piece orchestra, a whole team of vocalists and a stacked setlist.
Expect to hear the likes of Fatboy Slim with his huge tune ‘Right Here, Right Now’ alongside Darude’s standout hit ‘Sandstorm’, as performed by a live orchestral arrangement and light production.
After receiving a great reception at major music settings like Gone Wild, The Big Feastival and Silverstone Festival, paired with a sold-out show at the Royal Albert Hall, this all-new live show now visits the music capital of the North.
Of course, it’s only fitting that Manchester gets the chance to experience this innovative twist on classics and anthems, considering the city’s vibrant club contributions like the Madchester scene and legendary music institution the Hacienda.
Now, dance, house and trance spanning the past 30 years come together courtesy of the Ministry of Sound Classical, playing out across UK locations like Brighton, Newcastle and Birmingham, as well as Manchester.
The show is playing out at city-centre gig hotspot O2 Apollo, and is about to teach 3,500 Mancunians dance music history through a dance-meets-orchestra concert like no other.
This live music extravaganza is organised and led by dance music pioneers Ministry of Sound, who developed and defined the 1990s house music scene in London and across the country.
Ministry of Sound Classical is heading to O2 Apollo in Manchester on Friday 18 December with tickets and more information available HERE.
Featured Image – Press Shot (Supplied via Ministry of Sound)
Thomas Melia -
22nd May 2025 
