The new age of clubbing has finally arrived: Raving in a box.
The minds behind La Discotheque are launching a brand new ‘socially safe rave experience’ in Manchester next month – giving the late night crowd a chance to throw shapes in the strobe lights for the first time in months.
Beginning on 7 August, Puffin Box will welcome party-lovers into the basement of Hilton House for an eight-week series of events running Thursday to Sunday.
Described as an “electrifying 90-minute mini-clubbing experience within your own social bubble”, each box will hold up to eight guests at a time – complete with a fully-stocked fridge of pre-ordered drinks, comfy sofas, a poseur table and dancefloor space.
Guests can leave their boxes for toilet or smoke breaks.
ADVERTISEMENT
Each event will have a maximum capacity of forty guests, with boxes thoroughly cleaned before the next slot begins.
Ticket-holders have been told to “expect the very best light, sound and music” for Puffin Box, with takeovers from local and international club brands and DJ collectives.
ADVERTISEMENT
Familiar names popping up across the series include Hit & Run, Kaluki, Funkademia, Joy Social vs High Hoops, Zutekh, So Flute, Ghosts of Garage, Bad Fun, Hip Hop / Hula, Love Dose and La Discothèque – with the events delivering a diverse range of disco, soul, funk, hip-hop, house and techno music,
Puffin Box say they have launched their new series to “support music, hospitality and events industry workers with paid work whilst simultaneously creating a safe environment for music lovers to come together.”
Additional health and safety measures include a one-way entry-exit system, 2m rule in queues and hand sanitiser stations around the venue.
ADVERTISEMENT
Co-founder of Puffin Box, Kat Warburton said: “As the spiritual home of rave, we’re so excited to launch Puffin Box in Manchester.
“While we can’t go to stereotypical raves in the city we have to adapt, so here we have a rave in a box.
“Manchester’s a buzzing city and everyone’s desperate to get back out but still stay safe, so this is exactly what we’re offering – ace music, exciting entertainment, decent drinks packages, a space for people to enjoy a mini-clubbing experience with friends in a safe and controlled environment.”
You can register online to receive exclusive pre-sale tickets on Tuesday 21 July, 24 hours before general sale goes live on Wednesday 22 July at 9am.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: