Peculiarly, horror movies about the end of the world have enjoyed a new lease of life during the pandemic.
In waking life, a deadly virus has been spreading across the planet and forced millions to take shelter in indoors. Yet viewing figures for the likes of Steven Soderbergh’s Contagion and Wolfgang Petersen’s Outbreak have skyrocketed.
It might seem strange that people would choose to digest pandemic-themed media when a global emergency is happening right outside their window. But there’s actually some interesting psychology behind it.
Watching scary films about the end of the world is a coping mechanism; allowing us to imagine – and come to terms with – a potential worst-case scenario.
Whilst audience have been lapping up dystopian cinema – lockdown has proven to be a fertile breeding ground for horror flicks.
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And one of the most exciting, upcoming apocalyptic productions is being shot right here in Manchester: Day of the Clones.
Billed as a mishmash of Dawn of the Dead and The Thing (shot with the methodology of Werner Herzog) – Day of the Clones is a twisty sci-fi horror about a scientist hiding in an isolated farmhouse with a group of survivors after the clones he created take over the world.
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The movie is the brainchild of Manchester-born director and Hollywood screenwriter Eric Steele – who is steering the film for Vamoose Productions.
Elaborating on the plot, Eric explains: “It’s all about a small group of people confined in a very claustrophobic space who are forced to get on with each other, something I’m sure a lot of people can relate to at the moment!
“I always found the idea of clones quite creepy, and human cloning is downright terrifying. But when the pandemic hit, I thought this would be a good project because it is contained and claustrophobic – ideal for shooting with a few actors and the minimum of crew.”
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Eric has called Day of the Clones his most ambitious project to date – with the movie starring a mixture of local amateur actors and some familiar professionals seen in the likes of Shameless, Peaky Blinders and Hollyoaks.
But perhaps the most intriguing performer on set is a robot – played by a “specially-built mannequin.”
Day of the Clones is Eric’s second feature film, with the director shooting the self-funded Boy #5 – a Manchester-based vampire flick – in 2019, which is currently playing the festival circuit.
Originally starting out in the movie business as a screenwriter and selling his scripts over the internet, Eric saw one of his works, The Student, picked up by the company that made Stephen King’s Creepshow.
However, it wasn’t until he met his producing partner Barry Morton that he decided to give directing a try.
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Last year, the pair set up their own production company, Vamoose Productions Ltd, and are now hoping to make many more films set in Manchester under this banner.
Eric found himself drawing on all kinds of cinematic influences for Day of the Clones; including the likes of Danny Boyle’s 28 Day Later, Alex Garland’s Ex Machina, Ben Wheatley’s A Field In England, and the classic Hammer Horror films of the seventies.
But his biggest source of inspiration has been Manchester itself.
“[Manchester] is such an interesting city,” says Eric.
“Having lived here all my life, I know its good sides and bad sides. There’s tremendous wealth and poverty. There’s lots of crime but also a thriving art scene.
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“Turn a street corner in Manchester and you’ll never know what you’ll find, from a giant mural to a Brazilian-themed restaurant to an ancient derelict factory.”
With its gritty aesthetic and surviving remnants of the industrial revolution, Eric calls Manchester a “horror filmmaker’s dream”.
“I think it’s that humdrum, everyday despair of the Industrial North,” he says.
“There are remnants of the city’s great past everywhere. Sometimes it feels like you’re walking through a graveyard dedicated to the industrial revolution.
“Mixed in with those amazing old mills are brand new high rise complexes that look surreal and futuristic. It’s a great combination of ancient and modern.
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“For our vampire film “Boy #5” we shot outside a pub with a glowing non crucifix on the wall, outside the abandoned abattoir and in the middle of the busy city centre on a Friday night!”
Day of the Clones has so far been largely self-funded – and now Eric and his production team are looking for donations to help complete the movie.
People will receive perks in exchange for contributions, with all money raised going towards props, postproduction facilities, securing named actors for cameo roles, and visual effects.
It’s a terrific opportunity to support the local arts – and watch a thrilling, terrifying horror film play out in your backyard as a result.
Head over to the crowdfunding page here to learn more.
You can also read about Day of the Clones via the film’s official Facebook page.
Feature
Mercury Prize 2026 review: RAYE takes home the crown as Newcastle celebrates the very best in music
Clementine Hall
One of the biggest nights in music kicked off last night as the Mercury Prize 2026 was awarded.
If there was ever a night to fall head over heels in love with British and Irish music, the 2026 Mercury Prize made a very convincing case.
Bringing together some of the country’s most exciting artists under one roof in Newcastle, this year’s ceremony was a reminder of just how much talent is packed into the current music scene.
From established legends to the names shaping what comes next, it was an absolute belter.
Images: Audio North
Held at the Newcastle Utilita Arena for the second year running, I think everybody in that room felt very lucky to be there to see firsthand who took home the coveted prize.
The shortlist brought together an impressive mix of artists, with Florence + The Machine, Olivia Dean, JADE, Suede, Pulp, Dave and Sir Paul McCartney among the big names making the lineup very star studded indeed.
Suede kicked things off with ‘Dancing With The Europeans’, bringing their unmistakable energy to the ceremony, while Pulp delivered ‘Begging For Change’ as part of the HELP(2) charity compilation.
It was a line-up that demonstrated the sheer range of music being made across the UK and Ireland, from contemporary pop to established rock and even jungle thanks to Bradford’s own Nia Archives.
And of course, there was one woman who had every reason to leave with a smile on her face.
RAYE took home the coveted Mercury Prize for THIS MUSIC MAY CONTAIN HOPE., an ambitious, genre-hopping album that blends jazz, soul, R&B and classical influences into something so fabulously unique.
Image: Audio North
Newcastle’s own Knats performance was definitely a highlight of the evening, combining slick jazz with spoken-word poetry against a projection of The Tyne Bridge.
A fitting image, and one that underlines the importance of holding such huge events in the north and highlighting the obvious talent that thrives here.
The 2026 Mercury Prize was a brilliant showcase of the country’s music at its best.
And with RAYE taking home the trophy, it’s clear there is plenty of ‘hope’ left in British music.
The most magical Christmas displays have now landed at one of the North West’s best garden centres
Emily Sergeant
Christmas has officially arrived at one of the best garden centres in the North West, and it’s just as magical as you’d hope it would be.
Just outside of Greater Manchester in the village of Glazebury in Warrington, you’ll find Bents Garden and Home – a multi award-winning destination garden centre that’s often voted one of the region’s best. It’s great place to visit all year round, but as anyone who has ever made the trip there will tell you, this place really comes alive during the festive season.
Bents first started out life all the way back in 1937, when Alfred and Margaret Bent began growing and selling roses in the front garden of their terraced house in Glazebury.
Ever since then, the business has gone from strength to strength – opening its first dedicated garden centre building in the early 1950s, and then undergoing several expansions in the 60 years that followed to create the place we know and love today.
A place that’s home to everything you need to kit out your home and garden, several cafes and restaurants, a food hall, a cook shop, a children’s boutique, and plenty more.
Christmas has arrived at Bents Garden and Home for 2026 / Credit: The Manc Group
And then at Christmas time, you can also get to wander around all the magical festive displays and stop for a bite to eat at the winter food markets.
Christmas at Bents originally began in the 1970s, establishing what would become one of the garden centre’s most successful – and favourite – times of the year, with people travelling in their thousands from all across the North West to visit, making it an annual tradition in the festive events calendar for many families.
With a jaw-dropping display to suit everyone’s festive decor tastes, Christmas at Bents really does need to be seen to be believed.
Expertly decorated trees form the centrepiece of each display, with all the baubles and decorations adorning them for sale by the side for you to recreate yourself at home.
Walking around the centre, you’ll also find every type of artificial tree (both normal and pre-lit), an array of fairy lights, wreaths, and garlands, before you arrive at what is sure to be one of the best Christmas Lemax Model Village set-ups you’ve probably ever seen.
A trip to Bents is an annual festive tradition for thousands across the North West / Credit: The Manc Group
Then, once you’ve filled your basket up with all the decs you need, you have to stop off at the Winter Food Markets before you head home.
There’s a wide array of different street food options to choose from like bratwursts, giant filled Yorkshire puddings, loaded fries, nachos, mac and cheese, crepes, churros, and build-your-own crumble, before taking a pew in one of the little wooden huts and washing it all down with festive-themed hot chocolates and mulled wine.
Don’t forget to stop off at the food hall, farm shop, and deli counters to stock up on plenty of goodies there before you leave too.
Basically, if you’ve never been to Bents before, we honestly cannot recommend it enough – even more so during Christmas time.
Don’t forget to stop off at the Winter Food Markets before heading home / Credit: The Manc Group
But it is really important to note that it does get very busy here, especially on weekends and at peak times like the run up to Christmas.
So you may have to be prepared to patiently wait for parking spaces and cooperate with your fellow shoppers, as well as join queues at the cafes and restaurants, all while respecting the hard-working staff at all times.
Let’s be as respectful as possible, and make this a place where everyone can enjoy a magical festive experience in 2026.