Well, well, well – it’s nearly the end of the year, and we’re on to our second-to-last round of local music artists based in and around Greater Manchester that are getting us excited for this year.
2025 has been ‘the year’ of many bands, some of whom are still well and truly riding the wave of popularity from the previous calendar, to be honest. But it’s also been unreal for new releases and ones to watch.
Never more so than here in our region, as we Mancunians – whether through birth, relocation or eventual adoption (if you love this place, it’ll love you back) – remain the most prolific musical hub in the UK, perhaps on the planet.
Squirm at our sincerity/perceived hyperbole all you want; we mean it, and we have five more artist suggestions for you to prove it. Let’s get stuck in.
Greater Manchester music you need to check out
1. TTSSFU
We’re kicking things off in Wigan this month: the first of our monthly artist picks is the curiously named TTSSFU, which is the stage name of 21-year-old native, Tasmin Stephens. The guitarist for fellow local band, Duvet, this new project has quickly caught our attention for all the right reasons.
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It’s been labelled as DIY shoegaze, and while we don’t disagree with the description one bit – even the fairly melancholic, introspective, longing, ‘tragic youth’ content of the lyrics sort of fit that mould – but it doesn’t quite do the heavily textured sonics and techniques justice.
While singles like ‘Forever’ feel more like a familiar indie-girl alt-pop track (it actually made us think of Hazel English meets Soccer Mommy, specifically), that’s one note in the wide wall of sound she builds in her recent release, Blown. We’d suggest ‘Call U Back’ and ‘Being Young’ as stops two and three.
Now, if it’s more of those shoegazey influences that you want, Pins have been going at it since 2011 and arguably feel a little less abstract/more subtle in their approach, but they still deserve way more credit for the nevertheless impressive and experimental work they’ve been doing in the genre for over a decade.
Hot Slick, which dropped during the pandemic, was their most electronic and quite literally digital outing to date, and while admittedly not our favourite, it did show they had plenty of room and keenness to push in different directions, and it looks like it could be paying off at the start of this next chapter.
They returned this past September with their newest single, ‘I’ll Be Yours’, and we’ve thoroughly enjoyed diving back into their world and seeing what else they have in their locker. That mini-marching drum on its own has gotten stuck in our heads, but we still love listening to ‘LUVU4LYF’ and their tune with the one and only Iggy Pop. Yes, really…
There’s always something fascinating about musicians who’ve actually been around for donkey’s years but have never made little more than a relatively small catalogue, especially when they’re this good. Proud Mary should tell you everything you need to know from their name alone, but it comes in spades.
A Manchester-born blues and folk rock band formed in 1998, we’ll confess we never stray too far from their self-titled debut – which is now approaching its 25th anniversary and is delightful from start to finish – but there is still a very rich albeit short discography to be enjoyed here.
If you’re just looking for the most well-known tracks, you can’t go wrong with ‘Very Best Friend’, but we also like a couple from their last album, Songs From Catalina, like ‘Space and Places’, and ‘Hats Off’ could trick anyone into thinking it was classic bluegrass straight from Kentucky – only it’s Manc.
Never gets old this one.
4. pyncher
Our penultimate pick for November’s artists of the month is the promising alternative quartet, pyncher. We’d heard smatterings of them throughout this year, but having finally now sat with their debut album, Every Town Needs A Stranger, we’ve fallen headlong into a full-on love affair.
Starting out as another underground post-punk outfit looking to make their mark in an increasingly saturated sect of the current British alt-rock scene, it’s their punchy, straightforward but satisfyingly jangly, irreverent style that not only puts us in mind of contemporaries like Seb Lowe, but has totally won us over.
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The swagger feels VERY rock and roll, the vocal delivery almost feels like it takes the piss out of polished singing, and as for recommendations, ‘Back to the Country’ is the perfect introduction to their sound; ‘Dirty Feet’ almost starts like an alternative guitar-driven skat and feels very post-modern, and ‘Steely Dan’ might be our most replayed song of the last few weeks full stop.
5. Still Blank
Lastly, we’re pleased to report that the Spotify algorithm properly did its job this time by suggesting not only related groups/similar-sounding acts on the artist’s radio, but actually giving us one that we became so quickly enamoured with that we dove right down deep into the rabbit hole.
We’re talking about Still Blank, whose unique blend of laid-back yet soulful vocals, layered guitars and pedals, with drowny ambience, nods to everything from The Durutti Column and Radiohead – ‘Arpeggi’, specifically – to early New Order and more, it’s a dreamy, synth-soaked mix we can’t get enough of.
Set up by multi-talented Jordy from Hawaii and guitarist Ben, who’s from right here in 0161, we could genuinely and wholeheartedly recommend every song on their debut record for a different reason. The more we listen to it, the more we struggle to land on any real semblance of our favourites; it’s nigh on impossible because.
Along with pyncher, this might be one of the most perfect debuts we’ve had the good fortune of coming across in god knows how long. For once, we’ll save you the lengthy, verbose descriptions – just listen to it and prepare to have little else in your ears for the foreseeable.
We hope you enjoyed this latest round-up of Greater Manchester music, both new and old, and you can rest assured we’ll be back again for one final edition for 2025 at the same time next month.
And, as always, please do give us your own suggestions in the comments, as we’re always on the lookout for exciting talents worthy of making the monthly Audio North list.
You can see who we picked out last month down below.
Fatboy Slim at Aviva Studios – still electrifying after decades in the game
Lonnie Bowes
At Aviva Studios, Fatboy Slim showed that even after decades in the game, he’s still finding new ways to electrify a room.
Set against a backdrop of lasers, confetti cannons and LED Screens Fatboy Slim felt less like a DJ and more like the lord of acid ballroom, ready for the tidal wave of fans in front of him.
Whether you’re an old-school Mancunian rave head or a new kid on the block you knew he was always in control, issuing a constant bombardment of psychedelic colours and smiley faces.
Long before he stepped up to the decks, anticipation had been building and when the first beat dropped the response was immediate.
From the very beginning it was clear he knew his Manc audience were hooked. Pictures of cultural iconics like Chadwick Bosman, Idris Elber and Andy Warhol were totted on the screen behind him.
He played The Rockafeller Skank, setting out his set with an obvious hit.
It was Ya Mama (Push the tempo) to bellow out across the vast floor of Aviva Studios next, accompanied by the original 2010 music video on the backdrop behind him.
Fatboy Slim at Aviva Studios in Manchester. Credit: The Manc Group
From there, the set unfolded like a guided tour through decades of dance floor dominance, old and new blending seamlessly.
The crowd was then hit by ‘Groove Amada – I see you baby (Fatboy Slim Remix)’ the shift that occurred at that moment is something only a tune of that stature can deliver.
Throughout the set, he doubled down on the heavier moments. ‘Weapon of Choice’ landed like a controlled explosion with lights strobing, bass reverberating through your chest, while a remix of ‘Mr Brightside’ originally by The Killers showcased his ability to stretch a breakdown just long enough to keep thousands hanging in suspense.
The emotional high point arrived with ‘Praise You’. Phones lifted, arms wrapped around shoulders, strangers turned into temporary best mates. For a few minutes, Aviva Studio’s felt less like a room and more like a shared memory in the making.
But sentimentality didn’t linger for too long. This is Fatboy Slim, after all. The pace soon ramped back up with ‘Eat, Sleep, Rave, Repeat’ delivering that spine tingling, hands in the air, friends on shoulders moment that defines nights like these.
Even between tracks, he worked the crowd with the confidence of someone who knows exactly what they’re doing, after 40 years it’s absolutely no surprise to us. A Hawaiian shirt , a well-timed rewind, a teasing fake drop and not to mention a for airhorns it’s showmanship at it’s finest.
As the main set drew to a close, ‘Right here, Right Now’ felt like a finale in itself. The track even these days feels defiant, euphoric, and was shouted back in fragments by a crowd that’s lived with this track for years, while a percentage of the crowd hearing it live for the first time.
The encore didn’t mess about. One final surge of energy, one last seismic drop, and boom! More confetti, fireworks, lights and smoke than even Greater Manchester Fire Department could handle. It sent Aviva Studios into a closing frenzy. Fans were sweat-drenched, smiling, and reluctant to see the lights come up.
Fatboy Slim at Aviva Studios wasn’t just another tour stop. It was a reminder that while trends shift and scenes evolve, few artists understand the architecture of a great night out quite like he does. Decades in, and he’s still orchestrating chaos with pinpoint precision. Once again proving that some acts don’t fade with time, they just refine the formula.
RAYE at Co-op Live – tickets, times, setlist and more for Manchester shows
Thomas Melia
If you’re asking, “Baby, where the hell is my RAYE gig guide?” – fear no more: here’s everything you need to know for her Manchester shows.
This part pop, part soul, part R’n’B champion needs no explanation with seven BRIT awards, two Ivor Novello awards and a Grammy in her collection so far, it’s safe to say RAYE has made a name for herself.
Hailing from Tooting, South London, Rachel Keen, recognised by her artist moniker RAYE, has amassed 8.5 billion streams on Spotify, with almost 15 songs receiving over 100 million streams.
Her discography is one of the most distinctive, with an endless list of hits like ‘WHERE IS MY HUSBAND!’, ‘Escapism.’, ‘Prada’, ‘Worth It.’, ‘You Don’t Know Me’ all under her belt.
Now, RAYE is gearing up to play the biggest tour of her career so far, and she’s chosen to pay Manchester a visit, not once, but twice, as she performs at the 23,500 seater Co-op Live.
Gig guide | RAYE at Co-op Live, Manchester – all you need to know
RAYE is heading to Co-op Live Manchester on 17 & 18 February / Photo Credit: Callum Walker Hutchinson via Press Shot (supplied)
Anyone after witnessing RAYE and letting out all their ‘Oscar Winning Tears’ in front of this South London singer has two opportunities to do so with tickets for her two Manchester shows still available.
Thinking February 17 is the date you’d like to see RAYE in Manchester at Co-op Live, and maybe even take your friend? (Bonus points if their name is ‘Suzanne’) – tickets HERE.
February 18 sounding more like your style? Take the ‘Love of Your Life’ to watch this phenomenal artist dominate Co-op Live at her second Manchester date HERE.
Or, grab your ‘Black Mascara’ while “Sipping on Chardonnay 2016” as there’s even a couple of premium seating options courtesy of Seat Unique HERE.
RAYE setlist for 2026 tour
Credit: Sebastian Kapfhammer/Callum Walker Hutchinson via Press Shots (supplied)
If you’re reading this setlist and wondering why you don’t know some tracks, that’s because they’re from RAYE’s highly-anticipated sophomore release THIS ALBUM MAY CONTAIN NEW MUSIC.
But don’t worry, as there’s still plenty of songs from My 21st Century Blues and her decade-spanning career, too.
I Will Overcome
WHERE IS MY HUSBAND!
The Thrill Is Gone.
Skin & Bones
Suzanne
Beware the South London Lover Boy
Flip a Switch. / Decline
Five Star Hotels.
The Winter Woman
Hard Out Here
Genesis, pt. ii
Fly Me to the Moon
Worth It.
Nightingale Lane
Ice Cream Man.
I Know You’re Hurting
Oscar Winning Tears.
Click Clack Symphony
Secrets
You Don’t Know Me
Black Mascara.
Prada
Joy (with Amma and Absolutely)
Escapism.
Stage times for RAYE and her support acts at Co-op Live, Manchester
Co-op Live has a strict curfew of 11pm, meaning we can ′Buss It Down’, with this multi-talented artist and still be tucked up in bed before the early hours.
Anyone attending can expect the doors to open at 6:30pm, with a kick-off time expected to be 7:30pm, with support being a family affair as RAYE’s sisters Amma and Absolutely take to the stage.
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1:00am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live. You also get free Bee Network travel with any valid event.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
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Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Danny Jones -
1st December 2025 
