An academy in Manchester is playing a pivotal role in vastly improving the language skills of non-English speaking residents from all over the world.
The English for Speakers of Other Languages (ESOL) Academy, run by skills specialist Seetec Outsource, is aiming to decrease unemployment and create a course to help non-English speakers integrate into their communities and boost their job opportunities.
Since the outbreak of the coronavirus pandemic, unemployment has risen to unprecedented highs – including a 2.6 percentage point increase in Manchester, bringing it up from 4.1% in March to 6.7% of the city’s working age population as of April 2020.
As well as increasing job opportunities, the course is keen to help its ESOL learners integrate into society, especially since lockdown has left many feeling isolated and alone; in turn affecting mental health.
The Academy said: “The deep-rooted values of the Skills Academy are aimed at empowering individuals across the community with the tools to achieve their work ambitions.”
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Lubna Abdelmoneim, mother of four, came from Sudan to Manchester last year and started the course in September.
She said: “I do this for job opportunities, but for my kids also, because I am learning here, now I have to keep up with them because my kids, they are learning fast.
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“I don’t want it to be like at some point different languages and I can’t understand what they are reading or what they are doing and then I can’t help them with their homework, so I would like to be able to help them. I want a better life.”
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As well as providing socially distanced face-to-face lessons during the week, the Academy has also given every ESOL learner a free tablet, with data and storage, as many may not have a home laptop or even a WiFi connection.
Tutor Nina Snelson said: “It’s about giving a bit more for them, so that they can learn more easily, rather than one; trying to learn a language, and then two; thinking I can’t do this because I can’t even see the screen.”
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Workbooks are also available to download for those without access to technology, and during the first national lockdown in March, Nina personally printed and posted workbooks to the learners in order to ensure that they were progressing.
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This course targets those who are aiming to improve themselves and their lives, and it is clear how important both the learning and the social interaction is for the people who attend.
Darko Cule, originally from Croatia, has lived in Ireland for the last four years, and moved to Manchester last year, where he found and lost a job in a short period of time due to the pandemic.
He said: “You don’t have anything to do you have to stay at home, and I don’t think this situation is good for anyone and I feel really good coming here every day Monday to Thursday, having a chat with my colleagues which I really like, jokes here, and it really helps.
“Especially because you learn something, English is not my first language you know and you can always improve and learn something new that will help you later.”
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Seetec Outsource
The lockdown caused issues for this course as it did across all educational settings, but the stakes were higher for these ESOL learners because many felt that their job prospects were hugely hindered until they had a stronger English Language base.
Michal Woszczyk is from Poland but has been a resident Mancunian for six years.
He realised his IT business was in trouble due to the pandemic and felt that he needed to improve his English skills in order to give his business the best chance to bounce back.
He said: “In the beginning it was very difficult for me to communicate with some customers because they did not feel very comfy when I spoke with them, but when I showed them how much experience I have, they trusted me. This is why I wanted to do this course.”
As well as his current IT business, Michal also has a history of tutoring in Poland in IT and graphic design, and he hopes to continue further down this career path upon the completion of the course.
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The community aspect of the courses on offer are essential; enabling people to sit in a room together and bond over a shared objective – which has a great impact on mental health but also helps to diminish prejudice and stigma.
Aiming to end stereotypes that surround many people who take this course was a key factor in why tutor Nina took this role.
She said: “As a British born individual I have a real problem with other individuals who have a negative opinion of people who can be considered an ESOL learner.
“They may be blamed for taking over certain aspects of the country etc, and it is something that I want to change.”
Nina encompasses everything that this course represents and every life-changing teacher that most of us have had, she is determined to help others make a positive change to their lives.
What is obvious about this course is that it is attended by people who are determined, intelligent and willing to learn in order to increase their chances at a better life.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Our new tune, brought to life by Samuel Jones at Low Four Studios + Norman Nitzsche at Calyx Mastering
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Gemma Bradley -
16th December 2020 
