Tib Street is a built-up blend of bakeries, bars, florists, cafes, newsagents and sex shops nowadays. It’s an intriguing and peculiar old part of town that seems to have a bit of everything.
But it wasn’t always this way.
For many years, this slender stretch of Northern Quarter had a single definitive trade that used to attract Mancunians in their thousands: animals.
Established as an agricultural space in the 1800s, Tib Street gradually morphed into a pet shop paradise during the early 20th century; a cavalcade of creatures peeking out from behind the windows that lined the street.
Hayley Flynn, the founder of Skyliner and a walking encyclopaedia of Manchester history, has previously dived into the history of the area on her walking tours, having discovered that Tib Street was a truly ‘wild’ part of the city.
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“There’s always been animals on Tib Street since it was established around the 1800s,” Hayley explains.
“But it became less about agriculture and pigs, and more about pets when the area became more developed in the early 1900s.
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“There’s still one pet shop there today but it was the arrival of the Arndale in the mid to late 1970s that saw most of the area close down and businesses move out.
“The area then became what we have today partly through the natural process of gentrification, partly down to arts-led regeneration.”
One of the most prominent traders in Tib Street’s heyday was a man name Walter Smith – who owned one of the longest-running pet shops in the area.
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He eventually sold it to another family, the Browns, but they kept the original name – and the original founder’s legacy survives in a painting titled “Mr Smith’s Dream” created by artist Liz Scrine.
“The Dream piece is based on Under Milk Wood by Dylan Thomas and the plan was the create the dreams of the animals in the pet shops in further lightboxes along the same wall, but the project was never completed,” Hayley informs us.
“So, we have this one piece that seems quite abstract as a standalone installation.”
Tib Street’s markets became bigger and more diverse throughout the 1900s.
As the areas began to attract five-figure attendances on Friday evenings, the pubs opened earlier to accommodate growing numbers of traders.
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“Around Tib Street could draw crowds of up to 10,000 on a Friday night, much of this was market footfall around Smithfield, especially the Shudehill side (the wholesale fish markets on High Street),” Hayley tells us.
“Then to serve the workers of the markets the pubs opened very early in the morning – so it was something of a 24 hour city in that respect.
“Teenagers relied on the markets for entertainment and a social space, and it was popular with sex workers too, so it was a bit of a wild place at times.”
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Much of the animal trade and pet shops shut down on Tib Street in the seventies, but the concealed structure of the street rendered it ideal for explicit stores to pitch up for patrons; away from city residents’ prying eyes.
“The pet shops and other independents along Tib Street were a very popular day out right up until the 70s,” says Hayley.
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“Even later on, strange independent traders who managed to survive in the area for a while longer drew in crowds, there was a latex mask shop that was popular with the younger crowd.”
Modern Tib Street is no longer a round-the-clock fiesta of beasts and booze, but if you crane your neck upwards, the relics of its past are in plain view.
Perched gently on the buildings, you’ll see a pandemonium of painted parrots.
“The birds form part of the same art trail as Mr Smith’s dream, they’re looking back into the building wondering where to go now that the pet shops are closed,” Hayley explains.
“They’re the Sulking Parrots of Tib Street, and have found themselves homeless. There are other birds like this hidden around the Northern Quarter to look out for, from doves to toucans.
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“They’ve been handing around since the late 90s but have been surprisingly overlooked, suppose that’s just testament to the fact we should always look up.”
To discover more about the amazing history of Manchester, you can take a walking tour with Skyliner – led by Hayley herself.
Tours are resuming later this month following lockdown; currently limited to five people due to group restrictions.
Huge sale on Manchester theatre tickets launches, with shows from £11.70
Daisy Jackson
Theatre ticket prices have been slashed in a huge flash sale in Manchester, with big discounts on some of the world’s most famous shows.
Fans will be able to see iconic musicals, plays, and ballets from as little as £11.70, thanks to the ATG Tickets Summer Saver sale.
The theatre ticket platform’s sale has seen tickets reduced by up to 25% for productions performing at both the Palace Theatre and the Opera House Manchester.
Shows taking part in this year’s summer sale include Matilda The Musical, Annie, Matthew Bourne’s Cinderella, Back to the Future The Musical, and even Magic Mike Live.
Theatre shows included in the flash sale in Manchester include smash-hit musical Jersey Boys, which returns to Palace Theatre this September.
ATG Tickets has lowered prices for the musical, which features the greatest hits of Frankie Valli & The Four Seasons, to as low as £11.70.
Tickets for Jersey Boys range from £12.08 to £54.45 in the flash sale, with excellent availability at the time of writing.
Also included in the Manchester sale is Trainspotting the Musical, where tickets are as low as £14.99.
30 years on from the film that changed everything, and following its successful world premiere run in London’s West End, Trainspotting The Musical performs at the Palace Theatre this November.
Burlesque The Musical is included in the theatre tickets saleBack to the Future The Musical in Manchester also has tickets on sale
Next up for Manchester is Burlesque The Musical, which returns to the city for a run of shows at Opera House Manchester next January.
Tickets for Burlesque The Musical, a powerhouse show with songs by Christina Aguilera, Sia and Diane Warren, are priced from just £11.70 in the ATG Summer Saver.
And finally, Back To The Future The Musical returns to Manchester in Summer 2027, with a good handful of tickets now available from just £14.89.
The multi award-winning musical – based off the beloved 1985 film of the same name – had its world premiere in Manchester back in 2020 but the run was cut short by Covid. Now it’s heading back out on a UK tour.
You can see all the theatre shows included in the ATG Summer Saver tickets sale HERE.
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.