Manchester’s nightlife scene is world-famous for good reason – we’re not known as the 24 hour party people for nothing.
As the years have gone on, our city’s nightclub industry has evolved and changed beyond recognition.
The world-famous Hacienda days are long gone, but now Manchester is famed for huge clubnights like Warehouse Project and its under-the-radar events at venues like Hidden and The White Hotel.
We asked our readers which venues they miss dancing the night away in.
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Here’s what you had to say.
Paradise Factory
25 years ago I walked through these doors and into my first gay club – Paradise Factory. I was excited, terrified, turned on and overwhelmed, and this mix of emotions inspired a key scene in my novel #TheMadonnaOfBolton. It’s great to be back + once again I’m feeling overwhelmed. pic.twitter.com/PuRSiz4r1W
On the corner of Princess Street and Charles Street stands a venue that’s been an integral part of Manchester’s music scene for decades.
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Initially the headquarters of Factory Records, in the 90s it became the Paradise Factory, a lively gay club.
Alexier Mayes said the Paradise Factory was the ‘best nightclub ever’, and dozens have agreed with her.
Cedna Jo said: “No other club like it.”
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Maria Telford added: “Indeed! Where else could you bump into the iconic Sue Pollard and Paul Nicholls together in the toilets?”
The Boardwalk
The Boardwalk Climbed the steep narrow stairs in there a lot in the early/mid 90s to see bands play. First visit was in Jan 1990 to see an outfit, The Charlatans who were about to release a debut single. I liked what I saw. They quickly became quite successful
The Boardwalk was a mecca for fans of alternative music, and an iconic live music venue in the 1980s and 1990s.
Its stage was graced by the likes of Oasis, The Stone Roses, Happy Mondays, James and The Verve.
These days it’s an office block, but back then the action took place well outside the hours of 9-5.
Jim Covert-lly remembers it as a ‘great live venue and indie joint’.
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He wrote: “Bit more effort to reach than its rivals and felt like more for those there for the good tunes than to just get battered.”
Janine replied: “I worked there and loved Molotov pop. Great night which luckily moved to the music box.”
Marvin Deans also posted: “Yellow on a Friday night was my first experience of clubbing regularly. When we were allowed in of course. Got turned away a few times.BUT also saw my favourite ever concert there…Maxwell ‘96 and cost £7”
Brahms & Liszt
The old site of Brahms & Lizst on Brown Street, Manchester. Credit: Google Maps
A lot of Mancs seem to remember the trip to the toilets in Brahms & Liszt the most, describing it as the ‘staircase of doom’.
But the venue was also a popular bar in the 1980s, named after Cockney rhyming slang rather than the classical composers.
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In the space that is now Habas, and was previously Panama Hatties, The Manc readers remember some ‘strangely good nights’.
Julie wrote: “Oh the hangovers after the beer kellar… But brahms and list was a little less crowded, so it gets my vote”
Jilli added: “Brahms & Liszt with that very dodgy spiral staircase to the loos”
DeVille’s
They just don’t make nightclubs like this anymore.
DeVille’s and its neighbouring bar Lazy Lil’s were a staple of the Madchester days, but at the heart of the bar was something a bit more unusual.
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The nightlife spot was home to an actual bucking bronco that would fling revellers around regardless of alcohol consumption.
Mike King said: “Devilles with the bucking bronco – great fun when you were hammered”
Damian added: “Devilles, more for the people than the club”
Sankeys is one of those nightclubs that everyone remembers, even if you never stepped foot inside.
The super club was in Ancoats, before the area was filled with the apartments and restaurants.
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Over the years of openings and closures, the venue expanded across several floors of Beehive Mill and added features like a beach (with 50 tonnes of sand), a glowing ceiling, and a non-stop roster of huge names in the world of dance, techno and house music.
Carrie Caffrey said: “Water dripping off the ceiling, bodies tightly packed, bass thumping in your chest and no mobile phones sucking the joy out of living in the moment. Excellent memories”
Will added: “Hadmy best nights in that place! Absolutely rocking”
Michael remembered: “Sankeys – nothing compared to those resident Kaluki parties around 2010 when the basement was only half full but full of absolutely sound heads and not a single d*ck head in sight. Unreal times. We didn’t know how good we had it.”
Adam wrote: “Sankys with resident DJ Avicii RIP! The sad thing is, there really isn’t another superclub in Manchester anymore?!”
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Chris posted: “Met my beautiful GF in Sankey’s in 1996, 26 years later we’re still joined at hip!!!! Forever old house cats!!”
The Hacienda
The Hacienda was arguably Manchester’s most famous nightclub of all time
This one’s pretty obvious – even 25 years after the Hacienda shut down, its traces linger in the city.
The venue was the cornerstone of the Madchester era and credited with changing the face of rave forever.
Lee Berry commented: “The Hacienda was the mecca of house music in Manchester and i had some amazing nights there.”
Nicola said: “The hac, hands down, but I expected most answers wld be, but lots of others named! Just shows how fantastic Manchesters club scene was!”
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Rhys wrote: “we use start at the Athenaeum than workaway along all the bars up to the hacienda … cheerleaders before before the hacienda and then big jugs of beer. Thursday nights were good”
Caravan added: “Hacienda, only went a handful of times but was banging everytime.”
Jilly’s Rockworld
Jilly’s Rockworld shut down in 2010. Credit: Google Maps
Jilly’s Rockworld was one of Manchester’s best nightclubs, a haven for indie rock and alternative music.
The legendary Oxford Road venue shut down for good in 2010, but Mancs will never forget the friendly, welcoming vibe of the venue.
Ursula Tucker wrote: “Jillys. Used to love it. Always felt safe in both and had a great night out.”
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Natalie Power said: “Easily Jillys rockworld! Such an awesome place filled with amazing people, it was the heart of the rock/alternative culture in Manchester, so many good memories from there! Miss it nowhere else compares”
Gavin added: “Jillie’s rock world by far. Everyone was respectful of each other, and in general people would be more than happy to help each other. It wasn’t just a club, it was a community hub.”
Featured image: Flickr
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Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
Daisy Jackson -
4th March 2022 
