Manchester’s nightlife scene is world-famous for good reason – we’re not known as the 24 hour party people for nothing.
As the years have gone on, our city’s nightclub industry has evolved and changed beyond recognition.
The world-famous Hacienda days are long gone, but now Manchester is famed for huge clubnights like Warehouse Project and its under-the-radar events at venues like Hidden and The White Hotel.
We asked our readers which venues they miss dancing the night away in.
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Here’s what you had to say.
Paradise Factory
25 years ago I walked through these doors and into my first gay club – Paradise Factory. I was excited, terrified, turned on and overwhelmed, and this mix of emotions inspired a key scene in my novel #TheMadonnaOfBolton. It’s great to be back + once again I’m feeling overwhelmed. pic.twitter.com/PuRSiz4r1W
On the corner of Princess Street and Charles Street stands a venue that’s been an integral part of Manchester’s music scene for decades.
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Initially the headquarters of Factory Records, in the 90s it became the Paradise Factory, a lively gay club.
Alexier Mayes said the Paradise Factory was the ‘best nightclub ever’, and dozens have agreed with her.
Cedna Jo said: “No other club like it.”
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Maria Telford added: “Indeed! Where else could you bump into the iconic Sue Pollard and Paul Nicholls together in the toilets?”
The Boardwalk
The Boardwalk Climbed the steep narrow stairs in there a lot in the early/mid 90s to see bands play. First visit was in Jan 1990 to see an outfit, The Charlatans who were about to release a debut single. I liked what I saw. They quickly became quite successful
The Boardwalk was a mecca for fans of alternative music, and an iconic live music venue in the 1980s and 1990s.
Its stage was graced by the likes of Oasis, The Stone Roses, Happy Mondays, James and The Verve.
These days it’s an office block, but back then the action took place well outside the hours of 9-5.
Jim Covert-lly remembers it as a ‘great live venue and indie joint’.
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He wrote: “Bit more effort to reach than its rivals and felt like more for those there for the good tunes than to just get battered.”
Janine replied: “I worked there and loved Molotov pop. Great night which luckily moved to the music box.”
Marvin Deans also posted: “Yellow on a Friday night was my first experience of clubbing regularly. When we were allowed in of course. Got turned away a few times.BUT also saw my favourite ever concert there…Maxwell ‘96 and cost £7”
Brahms & Liszt
The old site of Brahms & Lizst on Brown Street, Manchester. Credit: Google Maps
A lot of Mancs seem to remember the trip to the toilets in Brahms & Liszt the most, describing it as the ‘staircase of doom’.
But the venue was also a popular bar in the 1980s, named after Cockney rhyming slang rather than the classical composers.
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In the space that is now Habas, and was previously Panama Hatties, The Manc readers remember some ‘strangely good nights’.
Julie wrote: “Oh the hangovers after the beer kellar… But brahms and list was a little less crowded, so it gets my vote”
Jilli added: “Brahms & Liszt with that very dodgy spiral staircase to the loos”
DeVille’s
They just don’t make nightclubs like this anymore.
DeVille’s and its neighbouring bar Lazy Lil’s were a staple of the Madchester days, but at the heart of the bar was something a bit more unusual.
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The nightlife spot was home to an actual bucking bronco that would fling revellers around regardless of alcohol consumption.
Mike King said: “Devilles with the bucking bronco – great fun when you were hammered”
Damian added: “Devilles, more for the people than the club”
Sankeys is one of those nightclubs that everyone remembers, even if you never stepped foot inside.
The super club was in Ancoats, before the area was filled with the apartments and restaurants.
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Over the years of openings and closures, the venue expanded across several floors of Beehive Mill and added features like a beach (with 50 tonnes of sand), a glowing ceiling, and a non-stop roster of huge names in the world of dance, techno and house music.
Carrie Caffrey said: “Water dripping off the ceiling, bodies tightly packed, bass thumping in your chest and no mobile phones sucking the joy out of living in the moment. Excellent memories”
Will added: “Hadmy best nights in that place! Absolutely rocking”
Michael remembered: “Sankeys – nothing compared to those resident Kaluki parties around 2010 when the basement was only half full but full of absolutely sound heads and not a single d*ck head in sight. Unreal times. We didn’t know how good we had it.”
Adam wrote: “Sankys with resident DJ Avicii RIP! The sad thing is, there really isn’t another superclub in Manchester anymore?!”
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Chris posted: “Met my beautiful GF in Sankey’s in 1996, 26 years later we’re still joined at hip!!!! Forever old house cats!!”
The Hacienda
The Hacienda was arguably Manchester’s most famous nightclub of all time
This one’s pretty obvious – even 25 years after the Hacienda shut down, its traces linger in the city.
The venue was the cornerstone of the Madchester era and credited with changing the face of rave forever.
Lee Berry commented: “The Hacienda was the mecca of house music in Manchester and i had some amazing nights there.”
Nicola said: “The hac, hands down, but I expected most answers wld be, but lots of others named! Just shows how fantastic Manchesters club scene was!”
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Rhys wrote: “we use start at the Athenaeum than workaway along all the bars up to the hacienda … cheerleaders before before the hacienda and then big jugs of beer. Thursday nights were good”
Caravan added: “Hacienda, only went a handful of times but was banging everytime.”
Jilly’s Rockworld
Jilly’s Rockworld shut down in 2010. Credit: Google Maps
Jilly’s Rockworld was one of Manchester’s best nightclubs, a haven for indie rock and alternative music.
The legendary Oxford Road venue shut down for good in 2010, but Mancs will never forget the friendly, welcoming vibe of the venue.
Ursula Tucker wrote: “Jillys. Used to love it. Always felt safe in both and had a great night out.”
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Natalie Power said: “Easily Jillys rockworld! Such an awesome place filled with amazing people, it was the heart of the rock/alternative culture in Manchester, so many good memories from there! Miss it nowhere else compares”
Gavin added: “Jillie’s rock world by far. Everyone was respectful of each other, and in general people would be more than happy to help each other. It wasn’t just a club, it was a community hub.”
Featured image: Flickr
Audio
LF System, DJ Paulette and Turno announced as headliners for ‘The Drop’ music series
Thomas Melia
A returning music series is taking place in Manchester again and it’s bringing together even more great DJs for some fantastic live sets.
Titled ‘The Drop’, this music celebration is the mastermind of Skiddle and Headstock, who have collaborated to raise funds to support the music industry and mental health awareness.
Both the leading organisations put music at the forefront of what they do with Skiddle as a UK-based online ticket platform and Headstock, a hugely important music and mental health social enterprise.
‘The Drop’ is a monthly event series created to raise funds for several charities that exist to support the mental health of people working in the music industry.
Credit: Publicity Picture (Supplied)
This all-new event has support from The Warehouse Project, one of the leading nightlife and music entertainment spots not just in Manchester but the UK, bringing in acts from all over the world.
There are lots of music-tailored companies getting involved too including our very own music counterpart, Audio North.
Currently, there are three big headliners that have just been announced and these acts are certainly music champions in the dance music scene, featuring LF System, DJ Paulette and Turno.
LF System has reached incredible heights thanks to their unforgettable tune ‘Afraid To Feel’, which has now racked up nearly 500 million Spotify streams globally since its release in 2022.
Manchester music legend and Haçienda queen, DJ Paulette has also seen huge success with her mind-blowing mixes and soundtracking various music events.
The final headliner to be announced so far is Turno, who has played out to crowds of 10,000 at WHP and is respected for his eclectic drum and bass beats.
DJ Paulette is always lifting our energy no matter where she goes.Turno is about to bring some drum and bass bangers.LF System are ready to show off some well-crafted mixes.Credit: Publicity Pictures (Supplied)
‘The Drop’ kickstarts on 27 March for the Spring season with international DJ and producer Turno from 6:30-11pm, with sets happening every month following, tickets are already available.
Read more:
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Following on from this is the sensational LF System are taking over with a coffee table set joined by some special yet-to-be-announced guests on 24 April – tickets HERE.
Finally, DJ Paulette will be bringing those massive rave bangers and combining it with her usual charismatic energy on 15 May – grab your tickets now.
Cage the Elephant at Manchester O2 Apollo – as electric, explosive and energetic as ever
Daisy Jackson
Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer