Sure, there are plenty of people who can work their way around an eyeshadow palette, or pull off a simple highlight and contour, with a lipstick look to finish, but there’s no denying that some people possess more of a natural talent when it comes to makeup artistry than others.
And yes – the level and skill of makeup application we’re talking about here is an art.
If you’ve ever found yourself skeptical of that statement, you only have to take a look at the work of Ashton-native and “professional shapeshifter” Nicky Hill to have all of those doubts proven wrong.
The 27-year-old’s self-taught talents are to thank for her transformations into some of the world’s most famous and instantly-recognisable faces – from Cher and Angelina Jolie, to Adele and even Mrs Doubtfire – that not only have you looking twice to check it’s not the real thing, but have also, quite-rightly, lead her to becoming a respected name in the makeup industry across the UK.
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Some of the jaw-dropping celebrity transformations that Nicky – who is also a trained Microblading artist – has managed to pull off over her seven year career have amassed her a loyal fanbase of over 11.6K followers and counting on social media.
But they aren’t even half of what she’s capable of.
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“I started experimenting with SFX, illusion and artistic makeup around four and a half years ago now.” Nicky told us.
“Being a makeup artist is my full-time job and hobby, and some of my work [even] went viral [at the start], but because I was new to the makeup scene, I didn’t realise I needed to watermark my pictures, so I never got credited for it, which was unfortunate – and they still circulate to this day.
“I fell off the waggon a bit due to this, and my mental health wasn’t the best at the time [either],
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“So it was only in the last year that I’ve come back to the makeup scene, and a lot of my work has blown up [on social media] during lockdown.
“I’ve been receiving a lot of recognition, which I feel very grateful for”.
While makeup may a talent that Nicky has only been honing and perfecting in recent years, as you can probably imagine, her artistic interests showed themselves from an early age, and her clear abilities were pretty evident right off the bat.
“I have always been very artistic,” Nicky continued.
“I loved anything to do with art and had a keen eye for detail – I just love being able to use my face as a blank canvas and use art as a form of expression.
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“I started posting pictures online, and the more I posted, the more attention they received.
“I regularly look at illusion and abstract art, or anything which tricks the eye, and take inspiration from other fellow artists and their styles, but I always like to try and do original work and stay away from trends”.
She doesn’t neglect to mention the fact that it takes a lot of hard work to achieve what she has, but Nicky’s originality and intentions with her makeup looks are clear.
Though for the majority of us who find it hard to apply mascara without poking ourselves in the eye, or even come up against difficulty when trying to draw a convincing stick man, never mind attempting optical illusions, all of this still leaves one major question that we need answering.
How the heck does she do it?
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Without revealing too many of her industry secrets, Nicky tried to break it down for us.
She said: “My celebrity transformations [in particular] are done by contouring the face to the face shape of the people I want to turn myself into.
“I will look at a headshot of them on Google, see where the shading lands on their face and features, and recreate that on my own face, [and] this is done with heavy highlighting and contouring, and adapting to their facial expressions as well.
“My first ever look I did like this was Angelina Jolie, and I received a lot of attention for that when I posted it, so I was hooked ever since.
“[When it comes to] the illusion looks, [they are] inspired by optical illusions and illusion art.
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“I use my face as the canvas for it [and] it’s all about getting the shading right, and by doing that, I can create the illusion of 3D art, negative space, holes, cracks – you name it.”
You’re probably not shocked to find out that the answer to that is a pretty long time, as Nicky admits: “A lot of my looks take me anywhere from four to nine hours to complete.
“It takes a lot of attention to detail”.
Well it may take a lot of time and attention to detail, but when you have a talent and a passion that’s as clear as this, it’s certainly time well spent.
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You can find more of Nicky Hill’s work and keep up to date with her latest creations and transformations on her social media platforms – Instagram, Twitter, and TikTok.
Vanilli’s – the Manchester bakery and dessert spot that has carried on the tradition of an old Italian favourite
Danny Jones
Vanilli’s Cake Company is one of those names whose reach extends far and wide, with a history that goes way back into the past, and a deeper Greater Manchester heritage than you can imagine.
It’s one almost as rich as the desserts they’ve been making across the city centre and beyond for decades, but it also begins back in Italy.
Formerly San Marco Products, a fellow cult-favourite bakery, suppliers and catering company from way back, owner Sapna Kumar took over their old premises on Crown Industrial Estate over in Ancoats more than six years ago, and has been carrying on their sweet treat traditions ever since.
The difference these days is that it’s gone from more of an Italian ‘pasticceria’ to a Mancunian bakery with both local and Indian roots.
Born out of pregnancy cravings ahead of her third child, ironically, Vanilli’s Cake Co. went from an unfortunately timed passion project conceived on the cusp of the pandemic to a mainstay of Greater Manchester and North West markets and now part of a mini Manc empire in the making.
After taking control of the old commercial premises back in 2020, their understated but impressively high-output unit still has lots of regulars in the know coming in for the good stuff, but still operates somewhat under the radar.
Maybe that’s part of the reason their quality control has remained at such a high level: although they provide to plenty of vendors all across the city and wider region, they’ve never overextended themselves to the point that even the slightest of standards slips.
If you’ve met Sapna before – the charismatic matriarch behind this brand and others like spin-off Cake Bar Co. and most recently, Punjabee – you’ll know that she doesn’t do anything by half measures.
And yes, there are Vanilli’s desserts on sale here, too.
A familiar face at the likes of Foodie Friday and various other street food stalls across the 10 boroughs and even further afield, she’s been doing some of these events since the very outset.
Sadly, without going into too much detail, she admits that there have been instances where her generosity has been “taken advantage of on more than one occasion”, but they will never stop her continuing to offer a helping hand.
The difference this time, however, is that she’s not simply putting others before herself all the time anymore; the Manc mum who’s played mother to many through her work over the years is finally shouting about herself and her unsung but nevertheless dedicated and talented team more.
And not just a little bit, either (no half measures, remember?) – she proudly proclaims that not only does Vanilli’s serve up some of the most authentic traditional recipes, but she happily lays claim to whipping up “the best Manchester tart” you’ll find anywhere.
As for this location, specifically, she simply wants to give people like you a reminder that it’s been there for more than 30 years at this point
She’s also looking to rebuild support throughout the community by teaming up with local brands and creators moving forward. Again, it’s about time she finally got on the receiving end of ‘You scratch my back, I’ll scratch yours’, which sounds like it’s long overdue.
Having recently put on a speciality spread for us, showcasing not only the classic but some fresh new ideas and creative takes on familiar, we can assure you some very delicious things are coming from Vanilli’s throughout the rest of 2026.
So, if like Sapna, you love “indulging in the sweeter side of life”, give a Vanilli’s cake, pastry or one of their other tasty desserts soon.
Find all of these and more at Unit 8, Crown Industrial, Poland Street, M4 6BN. (Credit: The Manc)
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Emily Sergeant -
29th January 2021 
