Some of the world’s greatest music has come from Greater Manchester.
Indie. Electronic. Hip-hop. Whichever genre you explore, you’re sure to find Mancunian fingerprints in there somewhere.
Even in a category as niche as early mobile music.
Case in point: The Kersal Massive.
This infamous trio of MCs recorded a rap video in a Salford shed back in 2006 and cemented their place in history as some of the first ever viral video stars.
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Sure, their music was great for a very different – and unintentional – reason. But it was still great nonetheless.
Even today, the very mention of Kersal can prompt an impression of: “Get on the bus with me daysavahhh, smoke da reefa in the cornahhh”.
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In the mid-noughties, The Kersal Massive were as big as their name suggested – with their freestyle being bluetoothed between more mobiles than Akon’s “Smack That”.
The group – which consisted of Clio-driving leader C-Mac, helium-voiced bus enthusiast Lil’ Kev, and hypeman Ginger Joe (essentially Kersal Massive’s very own Flava Flav) – only ever shot one music video.
But whilst most media from the blurry-looking, scruffy-sounding world of mobile videos – which was largely populated by happy slapping and donk music – has died out, Kersal’s track lives on.
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With fingers in the air and frowns on their faces, the wannabe rappers managed to squeeze lyrics about drugs, money, cars, women, public transport and a hatred for Levenshulme into their 45-second freestyle.
Kevin Powder – a presenter known for his zany schtick – actually ventured up to meet the gang on their own stomping ground several months after the video appeared, asking Kersal to perform a second rendition of the song that became synonymous with the Sony Ericsson.
The gang – by this point a little older with broken voices – generously obliged, reciting the lyrics word-for-word.
Powder is then flagged out of the estate, the video ends, and poof, Salford’s young Gs disappeared.
The popularity of their video, though, was a sign of things to come.
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Little did they know it, but Kersal were the first faces of the original viral content boom – which suddenly began turning obscure figures in Britain into overnight celebrities via the magic of the internet.
One of the most successful examples was market trader Muhammad Shahid Nazir (AKA One Pound Fish Man), who earned a recording contract after being captured on camera singing about the price of seafood at Upton Park.
Still, despite the increasingly congested arena of viral stars, The Kersal Massive continued to resurface on social media from time to time. And, whenever they did, people would always ask the question: Whatever happened to those guys?
It’s been thirteen years since the gang were seen on camera together, and all signs seem to suggest their lives have taken very different paths.
The Tab claimed they’d tracked down frontman C-Mac in 2016, who didn’t appear to look back on his five minutes of fame with too much nostalgia.
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He apparently told the website: “The video still does the rounds now and then, but that’s about it. I don’t get noticed about it anymore so it’s done and gone for me.
“I am not in touch with the other two lads anymore.”
C-Mac’s sidekick Kev made his own headlines in 2017. But not for the right reasons.
GMP
Local police posted an image, whom the Reddit community believed to be Lil’ Kev, online in the summer of that year, appealing for information on his whereabouts after he was suspected of gun offences.
The enigmatic Ginger Joe, fittingly, has yet to resurface.
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But we like to think he’s still out there somewhere. Over in the corner. Being the main man he always was…
The Manc Audio to take over the DJ decks at the iconic Night & Day this summer
Dean Hadcock
Here at The Manc, we constantly and proudly shine a spotlight onto Manchester’s music scene through our dedicated music platform The Manc Audio.
And now our coolest platform is heading off Instagram and out in to the real world, taking over the decks at the truly iconic Night & Day Cafe.
You can expect to hear us spinning some tunes from bright new talents, as well as the names we all already know and love.
Taking place on 24 June, The Manc Audio will be on the DJ decks at Night & Day from 7pm to 11pm, warming up your Saturday night before Manchester band Honk take over the weekly event Loose Joints.
In two weeks’ time, you’ll be boogying to everything from soul, disco and funk, to indie and post-punk, all with just one thing in common – it’s music to get you off your seat and dance to.
Think ABBA, Jungle, and Talking Heads in a non-stop onslaught of immaculate vibes.
Come down for a drink or two, say hi and maybe even have a boogie, it’s free entry after all.
Night & Day is one of Manchester’s most iconic grassroots venues, now more than 30 years old.
For decades, it’s been welcoming brilliant musicians, including over the course of their careers the likes of Ed Sheeran, Arctic Monkeys, Wet Leg, James Bay and Elbow.
It’s a Northern Quarter landmark too, thanks to its familiar burgundy frontage and cosy interior.
Pixies to play three Manchester gigs as part of major European tour in 2024
Emily Sergeant
Pixies are heading out on a European tour in 2024, and they’re stopping off here in Manchester for three nights.
After recently playing to intimate Manchester crowds at the relaunch of iconic music venue, Band on the Wall, and to thousands at Castlefield Bowl as part of 2023’s Sounds of the City concert series, Pixies have announced they’ll be making a return to our city once again next year, and they’ve got three gigs lined-up.
The influential and pioneering US alt rock band are set to head out on a tour of some of the biggest cities in Europe tour in 2024, and will be performing a selection of tracks from their hugely-acclaimed albums, Bossanova and Trompe Le Monde – which were released in 1990 and 1991 respectively.
Black Francis and co will be taking over Manchester’s iconic Albert Hall for three major gigs on Tuesday 12, Wednesday 13, and Thursday 14 March 2024.
Bossanova was the band’s third studio album, and was praised by critics for showing their less primal side, with a recurring sci-fi theme running throughout, and surf and space rock influences at the forefront.
‘Alison’, ‘Dig For Fire’, ‘Velouria’, and ‘Cecilia Ann’ were just some of the notable tracks from the album.
Trompe Le Monde, on the other hand, was known for having bookended a run of landmark records for the band, and although it was their fourth album, it’s arguably the most playful in their catalogue – with singles ‘Planet of Sound’, ‘Alec Eiffel’, and ‘Letter to Memphis’ featuring lyrics on UFOs, conspiracy theories, and more to prove Black Francis and co were still restless to push their sound forward.
Both albums are described by critics as sounding just as fresh and relevant today in 2023 as they did when they were released over 30 years ago.
Bossanova (1990) and Trompe Le Monde (1991) by Pixies / Credit: Wikimedia Commons
Pixies’ celebration of these two iconic albums will see them perform across major European cites such as London, Dublin, Paris, and Amsterdam, as well as Manchester for three nights.
Pixies – Bossanova x Trompe Le Monde Tour 2024
8, 9 & 10 March – Olympia Theatre Dublin
12, 13 & 14 March – Albert Hall Manchester
16, 17 & 18 March – O2 Forum Kentish Town (London)
20, 21 & 22 March – Paradiso Amsterdam
25, 26 & 27 March – L’Olympia Theatre Paris
Tickets to the Bossanova x Trompe Le Monde Tour 2024 are officially set to go on general sale this Friday 9 June from 9am.
The Manc Audio -
22nd December 2020 
