Khruangbin, meaning ‘airplane’ in Thai, is a rather fitting name for a group who take their fans on a voyage across genres and styles through their funky, melodic tones.
Their second night in Manchester was no exception, as the first snow of the season began to fall outside the audience was psychedelically transported to sun-soaked places with Khruangbin’s celestial and enchanting melodies.
The set was laid back and minimal, featuring three arched windows and a white staircase that the band members travelled up and down smoothly throughout.
It’s fair to say that bassist, Laura Lee Ochoa, might just be one of the coolest people we’ve ever laid our eyes on.
Khruangbin in Manchester. (Credit: The Manc Group)
Sporting sequin black trousers that twinkled under the stage lights and a matching sequin headband, we’ve already started planning our Christmas party looks accordingly.
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Accompanied by guitarist Mark Speer, both were of course wearing their iconic chunky black fringed wigs that shimmied side to side with every key change and with every understated, choreographed movement.
The first half of the evening was dedicated to their latest album, A La Sala. It’s a chilled album that features Ochoa’s soft vocals drifting over soothing drum work and ambient guitar.
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With every track, the colour scheme of the windows behind them changed and Ochoa pinpointed each bass line with a point of the toe, a dip in her step, a quick turn of the head. The entire audience were left completely mesmerised, united in a syncopated head bop from the start.
Khruangbin’s psychedelic tones left us in a magical trance, and so the second half which featured more funky tracks from the trio was very much welcomed.
Playing fan favourites such as ‘White Gloves and People Everywhere (Still Alive)’, the audience couldn’t help but throw a few shapes and so did Ochoa and Speer.
Their choreography was so carefully considered and in synch, even their sips of water were in perfect harmony.
Encore songs ‘Evan Finds the Third Room’ and ‘Maria Tambien’ showed off quintessential guitar-driven Khruangbin melodies, providing the perfect end to their final night in Manchester.
Seeing Khruangbin live is a very unique experience, let alone in a venue like the O2 Apollo; I entered with an amateur knowledge of their songs and left eager to deep-dive into their vast catalogue.
Featured Images – Press image (supplied)/The Manc Group
Gigs & Nightlife
Five Manchester artists we’ve been listening to | November 2025
Danny Jones
Well, well, well – it’s nearly the end of the year, and we’re on to our second-to-last round of local music artists based in and around Greater Manchester that are getting us excited for this year.
2025 has been ‘the year’ of many bands, some of whom are still well and truly riding the wave of popularity from the previous calendar, to be honest. But it’s also been unreal for new releases and ones to watch.
Never more so than here in our region, as we Mancunians – whether through birth, relocation or eventual adoption (if you love this place, it’ll love you back) – remain the most prolific musical hub in the UK, perhaps on the planet.
Squirm at our sincerity/perceived hyperbole all you want; we mean it, and we have five more artist suggestions for you to prove it. Let’s get stuck in.
Greater Manchester music you need to check out
1. TTSSFU
We’re kicking things off in Wigan this month: the first of our monthly artist picks is the curiously named TTSSFU, which is the stage name of 21-year-old native, Tasmin Stephens. The guitarist for fellow local band, Duvet, this new project has quickly caught our attention for all the right reasons.
It’s been labelled as DIY shoegaze, and while we don’t disagree with the description one bit – even the fairly melancholic, introspective, longing, ‘tragic youth’ content of the lyrics sort of fit that mould – but it doesn’t quite do the heavily textured sonics and techniques justice.
While singles like ‘Forever’ feel more like a familiar indie-girl alt-pop track (it actually made us think of Hazel English meets Soccer Mommy, specifically), that’s one note in the wide wall of sound she builds in her recent release, Blown. We’d suggest ‘Call U Back’ and ‘Being Young’ as stops two and three.
Now, if it’s more of those shoegazey influences that you want, Pins have been going at it since 2011 and arguably feel a little less abstract/more subtle in their approach, but they still deserve way more credit for the nevertheless impressive and experimental work they’ve been doing in the genre for over a decade.
Hot Slick, which dropped during the pandemic, was their most electronic and quite literally digital outing to date, and while admittedly not our favourite, it did show they had plenty of room and keenness to push in different directions, and it looks like it could be paying off at the start of this next chapter.
They returned this past September with their newest single, ‘I’ll Be Yours’, and we’ve thoroughly enjoyed diving back into their world and seeing what else they have in their locker. That mini-marching drum on its own has gotten stuck in our heads, but we still love listening to ‘LUVU4LYF’ and their tune with the one and only Iggy Pop. Yes, really…
There’s always something fascinating about musicians who’ve actually been around for donkey’s years but have never made little more than a relatively small catalogue, especially when they’re this good. Proud Mary should tell you everything you need to know from their name alone, but it comes in spades.
A Manchester-born blues and folk rock band formed in 1998, we’ll confess we never stray too far from their self-titled debut – which is now approaching its 25th anniversary and is delightful from start to finish – but there is still a very rich albeit short discography to be enjoyed here.
If you’re just looking for the most well-known tracks, you can’t go wrong with ‘Very Best Friend’, but we also like a couple from their last album, Songs From Catalina, like ‘Space and Places’, and ‘Hats Off’ could trick anyone into thinking it was classic bluegrass straight from Kentucky – only it’s Manc.
Never gets old this one.
4. pyncher
Our penultimate pick for November’s artists of the month is the promising alternative quartet, pyncher. We’d heard smatterings of them throughout this year, but having finally now sat with their debut album, Every Town Needs A Stranger, we’ve fallen headlong into a full-on love affair.
Starting out as another underground post-punk outfit looking to make their mark in an increasingly saturated sect of the current British alt-rock scene, it’s their punchy, straightforward but satisfyingly jangly, irreverent style that not only puts us in mind of contemporaries like Seb Lowe, but has totally won us over.
The swagger feels VERY rock and roll, the vocal delivery almost feels like it takes the piss out of polished singing, and as for recommendations, ‘Back to the Country’ is the perfect introduction to their sound; ‘Dirty Feet’ almost starts like an alternative guitar-driven skat and feels very post-modern, and ‘Steely Dan’ might be our most replayed song of the last few weeks full stop.
5. Still Blank
Lastly, we’re pleased to report that the Spotify algorithm properly did its job this time by suggesting not only related groups/similar-sounding acts on the artist’s radio, but actually giving us one that we became so quickly enamoured with that we dove right down deep into the rabbit hole.
We’re talking about Still Blank, whose unique blend of laid-back yet soulful vocals, layered guitars and pedals, with drowny ambience, nods to everything from The Durutti Column and Radiohead – ‘Arpeggi’, specifically – to early New Order and more, it’s a dreamy, synth-soaked mix we can’t get enough of.
Set up by multi-talented Jordy from Hawaii and guitarist Ben, who’s from right here in 0161, we could genuinely and wholeheartedly recommend every song on their debut record for a different reason. The more we listen to it, the more we struggle to land on any real semblance of our favourites; it’s nigh on impossible because.
Along with pyncher, this might be one of the most perfect debuts we’ve had the good fortune of coming across in god knows how long. For once, we’ll save you the lengthy, verbose descriptions – just listen to it and prepare to have little else in your ears for the foreseeable.
We hope you enjoyed this latest round-up of Greater Manchester music, both new and old, and you can rest assured we’ll be back again for one final edition for 2025 at the same time next month.
And, as always, please do give us your own suggestions in the comments, as we’re always on the lookout for exciting talents worthy of making the monthly Audio North list.
You can see who we picked out last month down below.
Evanescence announce biggest-ever Manchester gig
Danny Jones
Noughties rock chart regulars Evanescence have just revealed their biggest-ever date in Manchester, set to make their Co-op Live debut next year.
Famous for the go-to karaoke crowd pleaser and ever-anthemic ‘Bring Me To Life’, the American band, which began way back in 1994, are still going strong over three decades in.
With lead singer and keyboardist Amy Lee herself not only known for her incredible vocals, but a solo career that has seen her develop a fervent cult following of her own, they’ve remained a familiar name in the US and global rock scene ever since their 2003 debut album, Fallen.
Now well and truly veterans of the genre and the live touring circuit, Evanescence are returning to the UK for an extensive leg on the European tour, including their first Manchester gig since 2018. This is how they teased the announcement earlier this week:
The Arkansas-formed five-piece has seen multiple different lineup configurations over the years, with co-founder and renowned songwriter Ben Moody leaving right after that aforementioned first record, but they still nevertheless incredible live sets.
For instance, the last time they came to town was for their ‘Synthesis Live’ tour at the O2 Apollo, which saw them reimagine some of their biggest hits with a full orchestra and new electronic elements.
In truth, many come to see them live for Lee alone, but with contemporary pop-rock artist Poppy and alternative alt-rock rapper k.flay (real name Kristine Meredith Flaherty) joining them on the road, there’s all the more reason for even the most casual fans to come along for the ride.
This time around, though, British members of the ‘EvClub’ will have just four domestic opportunities to see them here at home, with us here in Manchester being joined only by Birmingham and London, as well as over in Leeds.
Our resident rock queen over at The Hootwill be buzzing. You know who you are…
They transformed the rock landscape with their blend of metal & symphonic, piano-driven melodies.https://t.co/9ynwATVg2B@coopuk members get first in line for tickets. Co-op Member Presale: 10:00 3 Dec General Sale: 10:00 5 Dec pic.twitter.com/ufEbjNLMK9
Thu, Oct 1 Barcelona, Spain – Palau Olimpic Badalona
Fri, Oct 2 Madrid, Spain – Palacio Vistalegre^
Sun, Oct 4 Lisbon, Portugal – MEO Arena^
As always with the leading indoor entertainment arena, official Co-op members can get in line first for early access from 10am this Wednesday, 3 December, whereas general sale will go live at the same time the following Friday (5 Dec).
The group has also partnered with PLUS1so that £1 from every ticket sold will support organisations providing humanitarian aid and medical relief to those in need around the world. Class.
You can get ready to grab your tickets for the first-ever Evanescence show at Co-op Live in Manchester next autumn right HERE.
Clementine Hall -
19th November 2024 
