Hailing from the musical capital of the world, Manchester, music has to be in Pale Waves’ blood, right?
Years and years-worth of bands have trodden the city’s stages and music venues before them, and yet this band is still pulling off something new, engaging and worthy of our attention – they really do tick a lot of boxes.
Making music within the indie-pop scene, the band are relatable on so many levels because personal lyrics and first-hand experiences often define the genre. And so, you’d be hard pressed to find a Pale Waves song that doesn’t resonate with you in some way.
So, keen to learn how the band do this so well and discover what we can expect for the year ahead, we caught up with lead singer Heather Baron-Gracie this week. From Neighbourhood Weekender, to album number three, there’s plenty to come.
Pale Waves will play Neighbourhood Weekender next May alongside other big Manchester names.
So, your music is really infectious and approachable, what do you think is the key to this?
I absolutely love big melodies so I think that may be one of the things that makes the songs quite instant. I just love pop music as well, so I think that feeds through to all of our music, even the more alternative tracks.
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What kind of themes and issues do you like to raise with your music?
We like to be very honest within our music so everything is written from a very personal perspective. Hopefully a lot of those experiences are shared with our fans and I like to think they can relate across the different subject matters. Whether that be love, loss, relationships, mental health, sexuality and anything else we are writing about.
Who and what have been your main inspirations over the years?
We really are influenced by a wide variety of artists. On album one we were very much influenced by a lot of 80’s artists, especially The Cure. But my love of the music I grew up listening to came to the fore more on album two, as well as artists I have discovered more recently like Liz Phair and Michelle Branch.
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We understand you’ve started work on your third album, what can you tell us about it?
We have! I have been writing it in LA for most of this year and we have just started recording with a great producer called Zakk Cervini. I won’t talk too much about the sound before it’s finished, but I love everything we have written so far and think they’re definitely the best Pale Waves songs to date. Really can’t wait for everyone to hear!
The band have started work on their third album.
After some time out for various reasons, the band are gigging once again. They already have a load of tour dates in the 2022.
Starting on February 11, they’ll embark on a 12-date UK tour, visiting all the major cities along the way, including London, Nottingham and Birmingham. But rounding the tour off in the biggest way, will be their headline gig at Manchester’s Victoria Warehouse on March 1 – one that the band are really gearing up for.
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What can we expect from your big headline gig at Victoria Warehouse in March?
We really can’t wait to get back out playing to our fans. Our life as a band has been all about touring and playing hundreds and hundreds of shows, so it’s obviously been a super hard two years not being able to play at all. I think it will just be a real celebration if us and our people all being back in a room together and having an amazing collective experience.
You’re also playing Neighbourhood Weekender in May, of course.
Yes! We love festivals and are always so welcomed in the north. This will be our first festival back so we’ll try to make it a memorable one for everyone!
Neighbourhood Weekender will take over Warrington’s Victoria Park once again on 28 and 29 May, where Pale Waves will join the likes of Courteeners, Kasabian, Blossoms and DMA’s on an incredible lineup of talent.
The festival is located just 20 miles from the city centre and has plenty to offer on top of the music, too. From grabbing a pint down the local at the ‘Neighbourhood Inn’, to stocking up on festival essentials at the Corner Shop Rave, to silent discos in ‘The Library’, there’s so much to experience.
Tickets for the festival are on sale now and you can find loads of information here.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Free animated projection to create dazzling display on major Salford building
Thomas Melia
A staple Salford landmark is undergoing a huge transformation for two nights only as part of a free animated event suitable for all ages.
Next week, the former Swinton and Pendlebury Town Hall, which is now known as Salford Civic Centre, will look a little different to usual, as the historical building is hosting a special animated display which will be projected onto it.
All of the frontage, situated on Chorley Road, will be lit up with a dazzling display depicting a collection of imagery titled ‘Swinton Ark’.
Salford Civic Centre, where ‘Swinton Ark’ will be projected onto / Credit: Supplied
Some of the visuals that visitors can expect to see alongside the ark include infamous Swinton objects, moments and memories.
This project is really wholesome too, as artist Lowri Evans got involved to help create and fill the ark with meaningful objects that the locals requested.
Evans perched up a mini stand in Swinton and asked a wide range of locals the question: “If you could save one object, what would it be?”, and she received a huge amount of responses.
Residents of the local area will be able to see their suggestions of precious items and special trinkets loaded onto the ark to save from the flood.
Salford Civic Centre has a 70-metre facade, and with all the cargo that the community want to bring onto the boat, it’s a good thing the building is so wide.
Don’t worry about missing a thing either, as this 12-minute projection will run every 15 minutes for just over three hours across two nights on Thursday 16 and Friday 17 January, meaning you can watch the projection until your heart’s content.
Artist Lowri Evans asking Swinton a very thought provoking question / Credit: Supplied
The whole display will be supported by some phenomenal sound and music arrangements too, and the animated screen will really come to life as it will also be 3D.
You can drop in at any point over the two days, and whether you watch the projection a thousand times over, or even just want to catch a glimpse of it, everyone is invited – and better yet, it’s free.
Hannah Starkie -
3rd November 2021 
