Hailing from the musical capital of the world, Manchester, music has to be in Pale Waves’ blood, right?
Years and years-worth of bands have trodden the city’s stages and music venues before them, and yet this band is still pulling off something new, engaging and worthy of our attention – they really do tick a lot of boxes.
Making music within the indie-pop scene, the band are relatable on so many levels because personal lyrics and first-hand experiences often define the genre. And so, you’d be hard pressed to find a Pale Waves song that doesn’t resonate with you in some way.
So, keen to learn how the band do this so well and discover what we can expect for the year ahead, we caught up with lead singer Heather Baron-Gracie this week. From Neighbourhood Weekender, to album number three, there’s plenty to come.
Pale Waves will play Neighbourhood Weekender next May alongside other big Manchester names.
So, your music is really infectious and approachable, what do you think is the key to this?
I absolutely love big melodies so I think that may be one of the things that makes the songs quite instant. I just love pop music as well, so I think that feeds through to all of our music, even the more alternative tracks.
What kind of themes and issues do you like to raise with your music?
We like to be very honest within our music so everything is written from a very personal perspective. Hopefully a lot of those experiences are shared with our fans and I like to think they can relate across the different subject matters. Whether that be love, loss, relationships, mental health, sexuality and anything else we are writing about.
Who and what have been your main inspirations over the years?
We really are influenced by a wide variety of artists. On album one we were very much influenced by a lot of 80’s artists, especially The Cure. But my love of the music I grew up listening to came to the fore more on album two, as well as artists I have discovered more recently like Liz Phair and Michelle Branch.
We understand you’ve started work on your third album, what can you tell us about it?
We have! I have been writing it in LA for most of this year and we have just started recording with a great producer called Zakk Cervini. I won’t talk too much about the sound before it’s finished, but I love everything we have written so far and think they’re definitely the best Pale Waves songs to date. Really can’t wait for everyone to hear!
The band have started work on their third album.
After some time out for various reasons, the band are gigging once again. They already have a load of tour dates in the 2022.
Starting on February 11, they’ll embark on a 12-date UK tour, visiting all the major cities along the way, including London, Nottingham and Birmingham. But rounding the tour off in the biggest way, will be their headline gig at Manchester’s Victoria Warehouse on March 1 – one that the band are really gearing up for.
What can we expect from your big headline gig at Victoria Warehouse in March?
We really can’t wait to get back out playing to our fans. Our life as a band has been all about touring and playing hundreds and hundreds of shows, so it’s obviously been a super hard two years not being able to play at all. I think it will just be a real celebration if us and our people all being back in a room together and having an amazing collective experience.
You’re also playing Neighbourhood Weekender in May, of course.
Yes! We love festivals and are always so welcomed in the north. This will be our first festival back so we’ll try to make it a memorable one for everyone!
Neighbourhood Weekender will take over Warrington’s Victoria Park once again on 28 and 29 May, where Pale Waves will join the likes of Courteeners, Kasabian, Blossoms and DMA’s on an incredible lineup of talent.
The festival is located just 20 miles from the city centre and has plenty to offer on top of the music, too. From grabbing a pint down the local at the ‘Neighbourhood Inn’, to stocking up on festival essentials at the Corner Shop Rave, to silent discos in ‘The Library’, there’s so much to experience.
Tickets for the festival are on sale now and you can find loads of information here.
A rising Manc musician is supporting a global popstar on tour in America
Danny Jones
Up-and-coming Greater Manchester musician Elliot James Reay, from just down the road in Bury, has just joined fellow rising solo artist and already established US superstar Benson Boone on his upcoming American tour.
Yes, a lad from Bury is opening for the bloke who belts out that ‘Beautiful Things’ tune that’s been stuck near the top of the charts for what feels like the last year.
Fittingly joining Boone for the US leg of his American Heart tour supporting his sophomore album of the same name, 23-year-old Elliot James Reay has already played a trio of shows warming up the crowds ahead of the headliner and is quickly gaining new fans across the pond.
Especially since his music harkens back to some of their most famous music icons of all time.
The youngster is still having to pinch himself at the mere notion of being on the road with such a big name so early in his career, posting on social media this week, “How do I explain this one to my friends back in Bury?
“A dream come true to be opening for Benson Boone in St Paul last night, I’m eternally grateful for the opportunity to sing to you all and thank you for all the love you gave me!”
Roy Orbison-obsessed Raey – who also takes plenty of look and feel from the likes of Elvis and Billy Fury, among other old school, soulful American singers – has gone from releasing covers on YouTube to dropping his first-ever EP back in June and now playing full Stateside stadiums.
What a whirlwind journey it’s been for the local lad already.
The Manc songwriter and guitarist featured as one of our artists of the month last December, and we’re glad to see he’s only gone from strength to strength.
It’s fair to say that he’s matured a lot in the time since then, let alone the last 12 months or so, and booking a slot as a support act for as big as Benson Boone is right now is nothing short of huge.
We said late last year, and we’ll say it again: we see a bright future ahead for this talented young Macunian, and we wish him all the best for the dozen or so remaining US tour dates.
If you haven’t listened to his stuff before, you can get a little taste with his latest single HERE.
Or, if you want to take our advice, why not watch a great music video filmed around some very familiar city centre sites down below?
He’s certainly got his own style, even if it his heavily inspired by some of the greats.
Last night marked K-pop group ENHYPEN’s first-ever visit to Manchester, the UK and Europe as a whole, so it was no surprise the crowd was ready to get ‘Loose’ as they took to AO Arena.
The lights dimmed, the fans screamed, and it had finally dawned on Manchester that it was officially ‘En-O’Clock.‘
It’s a bouncy bassline, synth-stinted number also known as ‘Brought The Heat Back’ that kicks the show off, and on a day when our city was surprisingly warm, this three-minute performance was very fitting.
ENHYPEN performing ‘Loose’ for 21,000 fans at AO Arena in Manchester (Credit: BELIFT LAB)
‘Future Perfect (Pass the MIC)’ had the crowd quite literally jumping for joy, ‘Given-Taken’ saw a similar response, while a personal highlight was ‘Bite Me’.
With lyrics like “Come here and get some” and “Just come over and bite me”, this song follows a perfect pure-pop formula that works every time; it’s hard to ignore.
‘Your Eyes Only’, which makes reference to the previous hit “You can bite me / You can play me”. Did we like this song? “Ya, ya, ya, ya, ya” we did.
Disco belter ‘Sweet Venom’ had the crowd captivated for just under three minutes with its “Swe-hee-hee-t” earworm lyrics in every chorus.
K-pop boyband ENHYPEN played ‘Tamed-Dashed’ during their ‘Walk The Line’ tour at AO Arena in Manchester (Credit: BELIFT LAB)
An extended electronic synth introduction plays out as the staggered-vocal single, ‘XO (Only If You Say Yes)’ begins, and it’s easy to see why this is a fan favourite.
Whether it’s the fact that it has an easy-to-follow but incredibly addictive chorus or due to it featuring on the soundtrack for the Netflix rom-com and To All The Boys I Loved Before spin-off, XO, Kitty.
Following this was the 2010s-reminiscent ‘Bad Desire (With or Without You)’, which felt like a callback to ex-boyband star Justin Timberlake and his return with magnum opus ‘Mirrors’.
This song warranted such a roar of cheers and applause that the band decided to give it a second play later in the set, although this time they opted for the English version, which was equally appreciated.
All seven members of ENHYPEN interacting with fans during their Manchester show (Credit: BELIFT LAB)
During interactions with fans between songs, ENHYPEN discuss what they recognise Manchester for, stating, “This city is really famous for its football”.
Instead of declaring their support for the reds or blues, the band opted for a smart and conscious, “We’ll leave it there” – well played, boys.
‘Paranormal’ signalled that this night of incredible dance-packaged music was coming to an end, but ENHYPEN’s version of an encore is much different to any other musical act.
These seven singing sensations decided to play not just one or two songs before saying goodbye to the Manchester crowd, they opted for five plus – phenomenal.