When you think of Manchester music, you probably think Oasis, The Stone Roses and Happy Mondays and not quite the pop and Clubland-style bangers of the 90s and 00s. And really, we wouldn’t blame you.
But there are a ton or artists to come out of our great city, aside from the bucket hat wearing Madchester crowd, too with pop, dance, garage and house tracks from back in the day that are still played now.
So, here’s a selection of oldies, goldies and a couple of newbies to unlock the nostalgia of those forgotten nights and festival moments. Scroll to the playlist at the bottom to listen to them all.
LMC vs. U2 – Take Me to the Clouds Above
Forever a summer anthem in our eyes, the 2004 hit ‘Take Me to The Clouds Above’ by Manchester trio LMC was the most played track on UK radio at the time of its release. It peaked at number one in the UK charts for two consecutive weeks.
The song is actually a mash up of Whitney Houston’s 1986 hit ‘How Will I Know’ with a sample of U2’s ‘With or Without You’, which most people don’t know. Nor Whitney Houston or U2 were ever present when the song was recorded, but U2 are still listed as one of the song’s artists.
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it became LMC’s most popular track of their own. But they’ve since produced for the likes of Avicii, Jessie J, New Order, Craig David and Jackson 5 – a seriously diverse catalogue if you ask me.
Sweet Female Attitude – Flowers
Sweet Female Attitude.
When Manchester duo Sweet Female Attitude released this garage classic in 2000, it landed itself in the top 40 biggest selling songs of the year and was awarded platinum certification with more than 600,000 sales and streams.
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It’s experienced a resurgence in more recent years though, with multiple covers and samples bringing it back into our lives thanks to DJ Spoony, the Sugababes and by Nathan Dawe and Jaykae.
Unfortunately for them, it was dubbed a bit of a ‘one hit wonder’. But what a hit to bow out with.
JP Cooper & Jonus Blue – Perfect Strangers
Jonas Blue’s huge track ‘Perfect Strangers’ featuring vocals from JP Cooper went platinum in 2016 and Cooper’s solo single ‘September Song’ followed. You know them both too well, you couldn’t escape them on the radio – and you could probably instinctively still sing along to every word.
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But, did you know JP is Mancunian?
Born and raised in little old Middleton, now the soulful singer boasts a whopping 11.6 million monthly listeners on Spotify. Go on, lad, for representing the boroughs.
Dario G – Sunchyme
Okay, Dario G actually formed in Cheshire but we’ll let that slide because it’s a banger. This summery one, ‘Sunchyme’, was the debut single from electronic music trio, released in 1997.
Now just one of the original members remain, Paul Spencer. He’s recently made a comeback in the charts working with the likes of Clean Bandit and Jess Glynne on his 2020 album, ‘Hola’ which got to number 3 in the UK Dance Album chart.
A proper summer classic. If you don’t think about drinking cocktails on a European beach whilst listening to this, there’s something wrong with you.
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Chemical Brothers – Hey Boy Hey Girl
Forming whilst at Manchester Uni in the late 80s, the Chemical Brothers rose to fame in the 90s to become some of the ultimate pioneers of electronic music. The absolute belter that is ‘Hey Boy Hey Girl’ came in 1999, and remains (arguably) one of the most iconic dance tracks to grace the UK charts.
M People – Moving On Up
This one needs no introduction. The soulful sounds of M People have been around since 1990. You only need to hear the intro to ‘Moving On Up’ and it’ll be stuck in your head all day – oops, sorry.
But the name M People is taken from the first letter of the first name of band member Mike Pickering, who over the years has also become synonymous with the Haçienda years. Whilst in December 2016, Billboard ranked them as the 83rd most successful dance artist of all time with over 11 million records sold worldwide.
N-Trance – Set You Free
Dance group N-Trance.
Originating in Oldham, N-Trance were one of the biggest-selling UK dance artists of the 90s and the legendary song ‘Set You Free’ is a certified clubland banger.
N-Trance’s Kevin O’Toole has said the song was inspired by a night out at the Haçienda a couple of years prior to producing the song. The first release of it only made it to number 39 in the Top 40 UK Charts in 1994 though. But a re-release in 1995 gave it a bump all the way to number 2. And rightly so because this is iconic stuff.
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K-Klass – Rhythm Is A Mystery
K-Klass met in the 1980s at The Haçienda. They soon became known for their remixes of popular songs like . But the first hit of their own was ‘Rhythm Is A Mystery’ in 1991. It sort of flopped when it was first released, however upon a re-release later that year, it charted at number 3 un the UK singles chart.
Calvin Harris & Alesso – Under Control ft. Hurts
If this doesn’t bring back clubbing memories amongst the under 30s, then nothing will. Hurts provide the vocals on this monster dance track ‘Under Control’ produced by Calvin Harris and Alesso.
Made up of vocalist Theo Hutchcraft and instrumentalist Adam Anderson, Hurts formed in Manchester more than 10 years ago. And their debut album ‘Happiness’ in 2010 achieved platinum states thirteen times over across Europe.
Ben Pearce – What I Might Do
The debut single from Manchester producer Ben Pearce went straight to the top of Beatport’s Deep House chart. If you frequented the clubs on Deansgate Locks circa 2013, ‘What I Might Do’ one was played on repeat so this surely has to bring back some memories of £2 vodka and Red Bulls. This deep house track with bluesy vocals was – and still is – a personal fave.
Featured image: Chemical Brothers/Getty Image Archive
Music
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
18th June 2021 
