March 2020 was one of the worst times to start a band. At least on paper, anyway.
The world pressed pause on live music and gigs last spring – physically splitting music groups and bringing an abrupt halt to rehearsals, recordings sessions and stage performances.
For many, it marked the end. When it became clear that COVID wasn’t going away, thousands of artists decided to call it a day – fearful that their next payslips would be permanently postponed.
But whilst most bands chose to unplug, four lads in Failsworth were only just getting started.
Vocalist Tom Smith, guitarist Daniel Ashcroft, bass player Steve Jillings, and drummer Alex Amidulla proceeded with plans to form a new group – unperturbed by the pandemic-sized hurdles being added to an already-challenging route to success in music.
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The quartet – who are Mancunian to the bone – made a bid to embody the oft-cited catchphrase that ‘Manchester does things differently’.
Naming themselves The Haciendas, the group began creating energetic, alternative rock anthems that carried the same kind of swaggering energy and braggadocio of the Madchester era – defying the deflated sensation that consumed the city during quarantine.
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The band took inspiration from Manchester’s musical heritage to create something new – and they did it during the most testing time for music in recent memory.
Even their breakthrough was different. Whilst most groups first get recognised on stage at a local pub, The Haciendas turned heads online.
The group played their first show together on a livestream for MMTV in July – proving such a smash that they sold out their first in-person headline show (which was subsequently cancelled due to a second Stay At Home Order).
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The Hacienda’s unique brand of lockdown rock even secured them an interview in Manchester United fanzine United We Stand. For four huge Red Devils’ supporters, this achievement probably would have been enough in itself. But the group have ploughed on regardless through the rolling restrictions – releasing two singles and building an astonishingly large fanbase without playing a single real-life show.
Their first single, ‘It’s Not Too Late‘, was released on December 11 – reaching #6 in the iTunes Alternative Charts. Their second track, ‘Joker’, featured as ‘Record of the Week’ on XS Manchester.
It’s been an opening chapter that’s defied all expectations. But the next part of the story is the biggie.
The Haciendas’ first headline show has been scheduled for October 9 at The Bread Shed in Manchester – with the group (hopefully) finally set to play a debut live gig in front of packed hometown crowd.
“We entered the music industry together at what turned out to be a very strange and unfortunate time,” says lead singer Tom.
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“Although we took it in our stride and without the chance of getting out there in front of crowds, we have managed to build a fan base and release two singles.
“We can only imagine what it is going to be like once everything has blown over.”
Rochdale’s popular Feel Good Festival is set to return this summer
Lydia Mastrolonardo
Worried you might have missed your chance to attend a festival this year? Don’t worry, we’ve got you covered.
Rochdale Feel Good Festival is one of the longest-running and best-value festivals in Greater Manchester, and luckily for us, it’s returning again with a star-studded main stage line-up this August.
On Saturday 8 August, you’ll have the chance to see some big names bringing sing-along anthems to Rochdale, like two-timeBRIT Award winner and pop/soul legend, Gabrielle, who has recently gained a whole host of younger fans during performances on ITV’s The Masked Singer eagerly awaiting this performance.
Other headliners include Northern Irish rock band, Ash, and Wigan-formed alternative rock band Starsailor, attracting fans from far and wide.
You can also expect sets from soul and funk pioneers, The Allergies, and Manchester indie artist, Alex Spencer – who first gained attention busking on the streets and has gone on to support One Direction star Louis Tomlinson across European arenas earlier this year.
This festival also proudly showcases upcoming artists too, and this year, two new Rochdale bands will play the biggest gig of their careers – K-ESTATE, who will be adding some house-pop, funk, and indie disco to the mix, alongside brand new rock band, Metro.
Rochdale’s popular Feel Good Festival is set to return later this summer / Credit: Supplied
Festival gates open at 12pm, so be sure to get down early as there’s plenty going on, including live music across indoor venues, afood and drink village with delicious street food, pop-ups, bars, and much more.
The bi-annual festival is organised by Rochdale Development Agency (RDA) on behalf of Rochdale Borough Council with sponsorship from local businesses, including Premier Kia, The Royal Toby Hotel, Hopwood Hall College, and Transport for Greater Manchester (TfGM).
This is a climate-conscious festival, so to minimise waste on the day, tickets include a reusable drink cup to be collected upon arrival at the festival site.
Rochdale Feel Good Festival 2026 takes place on Saturday 8 August, and tickets are available online for £35 each.
If you’re feeling like treating yourself, there’s a choice of two luxury VIP upgrade packages from only £90, which grants access to a private indoor bar, hot street food table service, indoor and outdoor seating, a viewing terrace, as well as toilets and rest areas.
Robyn: The Sexistential Tour – Co-op Live, Manchester | Review
Lonnie Bowes
There are pop stars, and then there is Robyn.
There’s something about the Co-op Live that still feels new, but last night it felt like it had been waiting for a show like this. The Swedish icon brought her long-awaited Sexistential Tour to Manchester, and from the first beat drop, the arena was hers.
Opening with a wall of robes, strobes and a euphoric rush of synths. Robyn didn’t so much arrive as materialise – already dancing, already fully committed. The production was immense; towering LED rigs, carefully crafted lighting, and a stage that somehow managed to feel intimate despite the sheer scale of the room. It was a proper spectacle.
Images: The Manc Group
The setlist drew from across her catalogue, weaving newer material around the bangers with real care. Honey felt celestial. With Every Heartbeat did what it always does. And when the opening bars of Dancing On My Own finally landed, the roar that met them was something else entirely – the kind that gives you goosebumps on the back of your neck. Even if you’ve heard the song a thousand times it still landed it like it was the first time.
What strikes you most about Robyn, though, isn’t the production or even the songs. It’s how real she seems up there. She throws herself into every lyric, dances like nobody’s watching, and radiates a kind of joy that feels hard-won rather than performed. In an era of very calculated pop, that matters.
The Sexistential Tour is exactly what it promises – big questions about love, loneliness, and what it means to just exist, set to some of the best pop music ever written.
Manchester, she owned us and I think we are all okay with that.